Wolf

A boring movie that tries too hard pretending to be interesting. And fails.

I suppose you could see it as a cry for help to improve the treatment of people who suffer from this type of mental disorder, but it does not occur to me that there could be interest beyond that.

It has the air of having been based on a book written by a teenager and the script adapted by another one. Basic and weird dialogs.

A really unique film for minority of people or at least those who are somehow familiar with lycanthropy. As well as Lobster, it reminds me of One Flew Over the Cuckoo's nest, where care-takers exhibit more brutal behavior than the patients, manifesting authoritarian societies.

Wolf is a poetic tale about the unsatisfied desire for freedom.

It was truly captivating! Loved it!

What did I just watch. MAYBE it could have been a short film...at best. I wanted to cover my ears and gouge my eyes out simultaneously, while then deleting my whole HBO Max account for allowing me to witness this fodder. The script was what you'd expect from an amateur High School theater group, desperate to prove they're edgy and avant-garde. It's one of those roles for Lily-Rose Depp that screams "I don't need nepotism, I can destroy my acting career on my own". And while I admire McKay, and love seeing his career really pick up...lately the majority of his character choices are all the same formula: awkward blank stares, moody huffing and puffing, scowling, gaunt Tim Burton-character-come-to-life energy. Was there ever really a reason for this movie? Did someone think, "You know what kind of movie we need right now?" He was a painfully awkward kid that thought he was a wolf, and that's LITERALLY the whole story.

It's like a joke wrapped in a film, wrapped in bewilderingly bad acting (but honestly, they couldn't have gone anywhere with the script and are mostly at fault for even accepting this allegorical atrocity), wrapped in a terrible story - all wrapped into utter boredom.

Greetings again from the darkness. We all know that gender identity, and identity in general, are topics receiving a great deal of attention these days. Writer-director Nathalie Biancheri latches on to the discussion by bringing up Species Identity Disorder, also known as Otherkin. These are folks who identify as something other than human, typically a type of animal. It's easy enough to connect the dots to gender dysphoria, but it also walks a fine line between mental health and sadness (and if we are being honest, a bit of humor - at least as presented here).

The film opens on the bare butt of a male in the forest. That's a sentence I hope to never write again. George MacKay stars as Jacob, a young man who identifies as a wolf. It's his butt we first glimpse as he prowls the vegetation growing in nature. Next we see Jacob with his parents at an institution that specializes in Species Identity Disorder. The questionable curative therapies conducted by Dr. Mann (get it?) seem more like torture and humiliation than treatment. Dr. Mann (played straight-faced by Paddy Considine) is also known as 'The Zookeeper' as the patients include: a parrot, a duck, a squirrel, a horse, and a German shepherd.

It's unsettling to see the actions and mannerisms of these patients, but equally unsettling to witness Dr. Mann's methods. If you've ever seen THE SNAKE PIT (1948), then you have some idea of how disturbing institutional treatment can be. Of course, this movie is not at the level of that Anatole Litvak classic, but George MacKay's performance is quite something to appreciate. We saw his physical abilities as he performed yoga in CAPTAIN FANTASTIC (2016), and here he expertly creates the movements (and howls) of the wolf he believes himself to be.

Lily-Rose Depp plays Cecile, a long-term patient who has yet to fully kick her wildcat tendencies. She and Jacob manage to become friends, and the attraction goes deeper through Jacob's primal urges and tendencies. The two actors have one scene together that, by itself, elevates the film. Obviously the real mystery is whether Jacob's bonding with Cecile is enough to change his outlook. He much choose between what he sees as his true self, and life as a man. Director Biancheri has delivered a high-concept arthouse film that will likely find a niche audience, while others are likely to brush it off as cinematic absurdity.

Opens in theaters on December 3, 2021.