Cloverfield

Some people have derisively compared this film to The Blair Witch Project because it was all told from the point of view of someone's shaking camera. Unless you have motion sickness, I don't think that's a bad thing. What matters is who's in front of the camera. While The Blair Witch Project featured annoying people screaming at each other, this movie actually made me care about the characters. In fact if it had continued with the romantic drama tone established during the first half hour, I STILL think it would have been worth watching and that's the biggest compliment I can give it.

Of course people will be watching this movie for the visceral pleasure and Colverfield delivers. Many thrilling visual and sound effects wowed me (there were a few times I yelled out in shock at a sudden scare). Any horror film will also benefit from a sense of entrapment and this movie pulls off the seemingly impossible feat of making New York City seem claustrophobic because there was seemingly nowhere to hide from the monster.

What is the monster? Whatever it is clearly is meant to be an allegory for the carnage 9/11 inflicted on New York, much the same way Godzilla was meant to be an allegory for the damage inflicted on Japan by the atom bomb. There are moments seemingly recreating the documentary footage from 9/11, and they give the film verisimilitude. Touching upon real life horror, plus creating characters that we can relate to and care about, and assaulting our senses with incredible sights and sounds leads to entertainment worth watching many times over. Perhaps the 80 minute run time will bother some people, but on the other hand I think that's better than a film wearing out its welcome. Great job J.J. Abrams and company!

It was nice to finally watch movie that didn't seem like anything I'd ever seen before. This, much like Spielberg's "War of the Worlds" and "Children of Men", completely immerses you in this incredible situation with absolutely no knowledge to comfort you. It's very disorienting, which adds to the experience; you never figure out what the hell is going on but you're so into survival that you put it past you. You're placed with a bunch of characters whom you get to know and eventually must join in their frenzied search for a friend while being subjected to some horrifying imagery and new threats.

The effects look great and realistic thanks to the hand-held camera, which isn't too bad-looking if you manage to get a seat further from the screen. The filmmakers came up with some really great creature designs that were menacing yet very much original. If you're bound to be upset over seeing a movie with a lack of music, then stay for the credits, during which a fantastic suite of music composed by Michael Giacchino titled "Roar! (Cloverfield Theme)" plays.

All in all, a fantastic time at the movies. A little more background on the monster would be nice, though the absence of this information is intentional. Everyone in the theater was rooting for a sequel; maybe a second set of footage is found elsewhere? Or perhaps there is more the the viral marketing -- what exactly were Slusho and Tagruato? Also be prepared to suspend some disbelief, but considering the movie is about a monster destroying New York City, that shouldn't be too difficult.

I didn't have high hopes for this one, having read the reviews. Monster movie meets Blair Witch. But it's absolutely an OK flick.

Great effects and an extremely cool apocalyptic atmosphere. Definitely worth a watch.

Hand-held camera can be tiring, yes - but in this case, and combined with the great effects, it works.

The plot itself isn't exactly news, but as it's all seen from the antagonists point of view and with no further explanation, you really get that "what would I have done"-feeling.

Yes, we need explanations, but I really like that Abrams hasn't tried to tag on an ending explaining what happened.

I agree with most of the comments I read, in that this film is definitely worth watching, BUT thought I'd mention a few things that others didn't.

The lack of a steady camera shot, even though it fits well with the plot, began to wear on me. I found myself relieved whenever the camera fell to the ground and gave the same view for a few seconds. It felt like I had on the wrong glasses - I was constantly trying to bring the scenes into focus and the continual motion, coupled with the random focus and quick glimpses of things I wanted to see clearly, made me feel stressed, strained and then annoyed.

Add to that the ending, which leaves so many issues dangling, and, overall, I found it very unsatisfactory.

Despite that I still gave it a 6. If you can handle triple rides on a roller-coaster then you'll probably really enjoy this film. If you get motion sickness easily then you may want to pause it every 10 minutes and focus on the wall!

When some New Yorkers are celebrating a leaving party the ground starts to shake , with blowing up happening anywhere . They decide to abandon the flat when a monster terrorizes the Great Apple , breaking buildings , and every to get in its ways. Various characters cross paths with the giant beast, and they attempt to escape along with a young carrying a hand-held video camera.

This eerie tale is plenty of thrills, chills, restless horror and suspense . Film itself takes place from point of sight of a cameraman , with camera over shoulders , displaying a documentary style filmed by photographer Michael Bonvilliam . In fact , during the first weekend of the release, many theaters posted signs warning guests that the hand held camera movements may cause motion sickness . The title "Cloverfield"; initially just a codename for the movie, is named for the boulevard in Santa Monica where the Bad Robot offices were located during the making of the film . Good but unknown cast as Michael Sthal , Jessica Lucas, Odette Yusman , Michael Vogel, among others . Well worth watching if you appeal shaky cameras , such as : ¨Blair witch project¨, ¨28 days/ Weeks after¨ or the classic Italian ¨Holocaust cannibal¨; and recently ¨Rec (2007)¨ by Paco Plaza and Jaume Balaguero and its American remake ¨Quarintine (2008)¨ by John Erik . The flick is a crossover between Gozilla picture , catastrophe genre and documentary with Steadicam camera . Lavishly produced by J.J.Abrams (Lost, Star Trek) and Bryan Burk with excellent special effects and monsters made by Phill Tippet studio . The motion picture picture was professionally directed by Matt Reeves . He's a writer, producer (Yards) and director for television (Felicity) and eventually for cinema ; furthermore , usual collaborator of J.J. Abrams . Rating : Interesing and spectacular , above average.