Pepe

Pepe, directed by Nelson Carlos de Los Santos Arias, is an engaging and insightful film that skillfully intertwines documentary and fiction to delve into the intricate themes of colonialism, displacement, and identity. The narrative revolves around the real-life story of a hippo named Pepe, who was brought from Namibia to Colombia by drug lord Pablo Escobar in the late 1970s, only to be left to roam alone after Escobar's demise.

The film features a compelling monologue from Pepe, presented in Spanish, Afrikaans, and Mbukushu, which encapsulates the hippo's journey of exile and self-exploration. Through this creative storytelling approach, de Los Santos Arias challenges conventional cinematic and historical narratives, providing a new lens on the effects of colonialism and the challenges faced by displaced individuals.

Visually, Pepe is a remarkable work, showcasing a blend of 16mm black-and-white footage, vibrant digital color, night-vision imagery, drone perspectives, and even stark black-and-white frames. This daring experimentation with visual style enhances the film's core themes and offers viewers an immersive experience.

The expert direction and distinctive vision of de Los Santos Arias shine through in every scene of Pepe, making it an essential watch for those who value innovative storytelling and meaningful themes. The film's ability to connect the poignant story of a solitary hippo with the broader historical implications of colonialism highlights the director's talent and creativity.

In summary, Pepe is a visually captivating and emotionally impactful film that challenges the norms of traditional filmmaking. It presents a fresh and engaging viewpoint on significant issues like identity, belonging, and the enduring effects of colonialism. Nelson Carlos de Los Santos Arias has created a unique and powerful cinematic journey that should not be overlooked.

If you mix Eo (2022) and A Ghost Story (2017) you get PEPE.

The hybrid Documentary/Drama/Surreal film about the ghost of one of Pablo Escobar's Hippo's narrating how he died. The hippo does not know how he can talk or who he is talking to, but he does so anyways. The ENTIRE movie YOU are the Ghost Hippo's eyes.

He sees memories where he wasn't even there.

This is why I go to the movies. Give me original stuff, stuff I've never seen before. This is it.

The first hour is the best, the second hour gets a bit boring with some humans and a "beauty pagent" scene that goes too long. Then we get the last scene. BEAUTIFUL. EVERY SCENE HERE FEELS LIKE A SCREENSAVER.

This movie could have been 90 minutes instead of 120. But I still loved it.

Experimental and mixture of documentary presentation about a hippo seems weird, yet, it successfully creates a beautiful, meditative, and artsy experience of a movie that explores slavery, historical background of the Latin America culture, and dictatorship.

Hard to describe such a thing, but it's memorizing and meditative. Captured with gorgeous camerawork, blended themes, and direction, it engages the audience through a slow yet vibrant connection with the story of a hippo and the many things surrounding them. Using interesting filming styles, narration, and dialogue writing, it's poetic style and calmness offers an artful experience.