Diary of a Spy
- 2022
- 1h 39m
ÉVALUATION IMDb
4,7/10
1,1 k
MA NOTE
Ajouter une intrigue dans votre langueA washed-up intelligence officer is given the chance for one last mission, recruiting an asset connected to the Saudi Royal Family.A washed-up intelligence officer is given the chance for one last mission, recruiting an asset connected to the Saudi Royal Family.A washed-up intelligence officer is given the chance for one last mission, recruiting an asset connected to the Saudi Royal Family.
Haithem Badrani
- Mousa
- (as Antonio Badrani)
Avis en vedette
Diary of a Spy stands out for its haunting realism, offering a stark departure from the typical
glorification of espionage. The film delves into the personal cost of living a double life, with a
focus on the emotional fallout rather than just the physical dangers. Its dark, contemplative
tone, combined with a narrative that prioritizes realism over dramatic flair, makes for a uniquely
compelling watch. The protagonist's journey is depicted with an authenticity that's both rare
and refreshing, making Diary of a Spy a must-watch for aficionados of the genre looking for
something more grounded in reality.
One particularly striking scene in Diary of a Spy is set in an abandoned safe house, its desolate
and decrepit state serving as a powerful symbol of the protagonist's isolation. The scene is
meticulously crafted, with the dim lighting and sparse setting underscoring the loneliness
inherent in the spy's life. This moment stands out for its ability to encapsulate the film's themes
of solitude and the personal sacrifices made in the line of duty. The slow pacing of the film
allows viewers to fully immerse themselves in the protagonist's world, feeling the weight of the
silence and the stark reality of their existence.
In Diary of a Spy, there's a particularly poignant scene where the protagonist sits alone at a
dinner table, the silence enveloping the room speaking volumes about the isolation of a spy's
life. This moment, devoid of dialogue, relies solely on the actor's expressive portrayal to convey
the weight of solitude that comes with the territory. The film's slow pacing and dark ambiance
accentuate this scene, highlighting the psychological toll the profession takes. The realistic
approach to storytelling shines here, making viewers feel the palpable tension and the
unspoken thoughts of the character. It's scenes like these that set Diary of a Spy apart, offering a
raw and unfiltered look into the espionage world.
Diary of a Spy offers a reflective journey through the psyche of a spy, delving into themes of
loyalty, deception, and the quest for personal redemption. The film's narrative structure,
interspersed with moments of introspection, allows viewers to connect with the protagonist on
a profound level. The realistic depiction of the espionage world, coupled with the film's somber
tone, provides a backdrop for a story that is as much about the internal conflicts as it is about
external threats. Diary of a Spy is a film that invites viewers to look beyond the surface,
exploring the depths of what it means to live a life shrouded in secrecy.
I've known two real life spies, one woman, one man, and they were both much more like the normal looking, self-reflective, capable pair in this film than the usual Hollywood shoot em up.
Also having lived as part of a behind the scenes entryist political group, the moments of non-self, no sense of place you get when leaving a fake life with nowhere to go were very realistically played by Tamara Taylor.
The mind games and rationalisations used to justify anything at all: such as Fred Melamed's character declaring "Love doesn't exist" and the spy's unwilling acceptance of it; are very true to life.
Most of the characters were unredeamable but all very likeable/unlikeable at the same time.
My only gripe was too much piano on the bg music. Would have been nice to mix it up a bit. Other than that I thoroughly enjoyed the characters, story and acting.
Also having lived as part of a behind the scenes entryist political group, the moments of non-self, no sense of place you get when leaving a fake life with nowhere to go were very realistically played by Tamara Taylor.
The mind games and rationalisations used to justify anything at all: such as Fred Melamed's character declaring "Love doesn't exist" and the spy's unwilling acceptance of it; are very true to life.
Most of the characters were unredeamable but all very likeable/unlikeable at the same time.
My only gripe was too much piano on the bg music. Would have been nice to mix it up a bit. Other than that I thoroughly enjoyed the characters, story and acting.
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Détails
- Durée
- 1h 39m(99 min)
- Couleur
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