A Suitable Boy

Was looking forward to this drama, well no more. Again a type of hype job that has not lived up to expectations. The acting is poor overall, probably due to lack of experience but so wooden that birds could have nested on them. It have an old feeling about, been there, done that like 30 years ago, no creativity or lacking in creativity, wooden like I said. Disappointing.

IMDB: no wonder imdb scores are lacking credibility lately, how can one guy "jamesdashner-11223" leave two 10/10 reviews for the same episode when all of the time saying nothing. Come on IMDB.

I write this as a Western person with no real knowledge or bias regarding the Hindu religion, Islam, or the people involved in making this film.

The story seems to centre on "Romeo and Juliet"-like themes of "forbidden" love - certainly not an earth-shattering, ground-breaking movie theme. Some of the characters are, to me, overblown; the mother's histrionics about her daughter's affair with a Muslim, the son who behaves wildly and inappropriately at a Holi party, the daughter-in-law who melts down the father's medals for earrings, and the corpulent sultan who seems to revel in causing conflict.

Certainly the scenery and cinematography are exquisite, but I found the story somewhat difficult to follow at times. I chalk this up to my not being a part of the target audience. I did not really understand the significance of the songs and poems. I don't know how the parliament/city council/legislature depicted here works or is constituted. I don't understand the nuances of how people dress for various occasions. I did not grasp that a kiss in a temple was so significant. Other productions about India (Jewel in the Crown, Gandhi Slumdog Millionaire) made these kind of things clear to the Western viewer, but A Suitable Boy seems to have missed that mark.

I don't know and can't comment on whether or not the show was pro or anti Hindu, only on whether or not I understood and enjoyed it. That seems to boil down to a 50-50 split - some parts were good, some were not.

I am incredulous at some of the reviews thus far. Just a reminder to some: this is not a 2020, Americo-European, slick, CGI-laden action film. It is sublimely Indian story, set in 1947, in an ancient almost timeless nation, populated by people who are from a totally different culture. To my mind, having watched three episodes, this series captures all of these. The slowness of the pace, even the slowness of the camera work, reinforces all this. The acting? I found it to be so refreshing, and those reviewers who talk about amateur acting obviously haven't met the originals of the people portrayed in this series (I have: I was born in the 40's and my mother was born in Bangalore three decades earlier: in my life I have know and dealt with just about all of the wonderful 'types' portrayed here). I revelled in the characters with all their quirkiness and idiosyncrasies, and I found them an antidote to the often-crass over-acting that is churned out today. By the way, to those who think that some of the delivery is wooden, here's an insight: people in the 40s did speak much more precisely and grammatically than most do today, and to my somewhat agèd ears the voices in this series are totally authentic for the period. The camera work is divine, as is the music, and combined together they take you out of your drab day-to-day life to a very different world. Not always a nice world, and I am sure that there are some who will be offended by the portrayal of bigotry and intolerance the are woven into the story, but they are undeniable historical truths which are central to the plot. Overall, to those of you locked down in these troubled times, draw the curtains, sit back and lose yourself in this luxurious and beautifully-rendered drama.

Sad to say that this was so, so disappointing - everything that was great in the novel is missing. Hard to know who or what to blame the most - the choice of screenwriter, the poor direction, the wooden dialogue, the random changes between English and HIndi/Urdu, the miscasting of Mrs Mehra and especially Lata - Tanya Maniktala was definitely not a 'suitable girl' for the part! The only saving graces were the presence of Tabu and the music of Shujaat Khan. I don't think that anyone will be inspired to read Vikram Seth's novel after watching this BBC dramatisation, so would advise not wasting your time watching this but instead invest your time reading the novel.

A Suitable Boy is an adaptation of Vikram Seth's eponymous novel brought to life through an ensemble cast, some heartwarming performances and a fairytale directional effort by Mira Nair and Shimit Amin. Set in the 1950's post partition India, A Suitable Boy is a heady concoction of a number of social and personal affairs, most of which remain relevant even today.

The story's mainstay is the subject of the parental control over a girl's future and her arranged marriage, taken to a ridiculous level by the single minded determination of an indulgent mother. In the case of our heroine Lata, her choice of the suitable boy during the modern day "swayamvar" is deemed legitimate so long as she will toe the line drawn by her guardian, and although all is well that ends well, the question about the uncertainty of the future remains. However, the central theme apart, A Suitable Boy also has a meaningful coverage of several other social issues like politics, power, competition, interfaith relationships, the rich and poor divide, rebellious youth and its potential effects, deep family bonding, feudal issues and communal harmony. The directors' ability to intertwine these issues with the central theme keeps the narrative breezy, interesting, diverse even when it plunges from being lighthearted to parlous.

The casting is indeed a coup and possibly the jewel in the crown of this rather larger than life, glossy series with magnificent production values. Tanya Maniktala is charming and effervescent in the central role of Lata, and Mahira Kakkar defines the role of her mother to the precision of excellence in the domain of intolerable indulgence. Our hearts go out to the earnest performances of Ishaan Khattar, Danesh Razvi, Shubham Saraf, Shahana Goswami, Vivaan Shah, Vijay Varma and young Yusuf Akhtar (as the adorable Bhaskar Tandon, the prodigious child). The standout execution of their respective role comes from the ever dependable Tabu as the ageing courtesan in a tumultuous phase of life, Ram Kapoor and Aamir Bashir who redefine friendship and communal harmony and finally, Namit Das, the chosen one, exuding confidence, strength of character, devotion, selflessness and an amiable personality that borders on OCD. Don't miss A Suitable Boy, there's a lot to discover in it, and you may even associate with some of the proceedings in this period drama.