Best Interests
- Série télévisée
- 2023
ÉVALUATION IMDb
7,5/10
1,4 k
MA NOTE
Ajouter une intrigue dans votre langueFollows a family driven apart by having to make choices no parent would ever want to make.Follows a family driven apart by having to make choices no parent would ever want to make.Follows a family driven apart by having to make choices no parent would ever want to make.
- Nominé pour le prix 2 BAFTA Awards
- 2 victoires et 4 nominations au total
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Would it have been possible for the mom's hair to ever look like she was a normal person? She almost always looked like her hair had just been brushed and combed throughout the whole show and make her look unreal and sort of plastic. Everybody else looked real like they usually do in British television. But Michael Sheen as usual was the best. You completely forget that he's Michael Sheen. He just sort of melts into the character. I liked the actress who plays the mom much better in Bad Sisters than in this show. She was just sort of one note in this one. But the show does a pretty good job of just showing how everybody gets completely effed up by these tragic family situations.
I'm a single guy with no kids so there's no way I could ever truly empathise with these parents.
What I can comment on though is how incredibly well the core characters have been crafted, warts and all. I found myself swinging from loathing Sharon Horgan's character to rooting for her and her unrelenting quest. She is not a martyr though. She is flawed - like all of us - and her character can be so polarising at times. However, at the core is a truly brilliant performance. Michael Sheen is great as always and T'nia Miller (uncredited???) continues to show her brilliant acting chops. I'm obsessed with her charismatic performances.
What I loved most about this limited series is the fact that sometimes we, as the audience, are not meant to view in black and white but instead feel squeamish, sympathise,, hurt deep in the gut, be angered and unsettled, take sides, lose faith in those sides, reposition our own compass and, at the end, leave with soulful wonderings after the credits roll. This is what top class storytelling is all about.
It's not a 10 for me but damn, this is fine viewing.
What I can comment on though is how incredibly well the core characters have been crafted, warts and all. I found myself swinging from loathing Sharon Horgan's character to rooting for her and her unrelenting quest. She is not a martyr though. She is flawed - like all of us - and her character can be so polarising at times. However, at the core is a truly brilliant performance. Michael Sheen is great as always and T'nia Miller (uncredited???) continues to show her brilliant acting chops. I'm obsessed with her charismatic performances.
What I loved most about this limited series is the fact that sometimes we, as the audience, are not meant to view in black and white but instead feel squeamish, sympathise,, hurt deep in the gut, be angered and unsettled, take sides, lose faith in those sides, reposition our own compass and, at the end, leave with soulful wonderings after the credits roll. This is what top class storytelling is all about.
It's not a 10 for me but damn, this is fine viewing.
I enjoyed Best Interests, similar in storyline to The Children Act. Thought provoking, emotional, hard to watch at times, but being the BBC, it has to include every minority in a small community which makes it a bit ridiculous. The father is realistic, and likeable but the mother is the irrational and blind sided parent who is convinced everyone is out to kill her daughter, not considering her "best interests".
It really opens your eyes to the challenges faced by families with a terminally ill child. There really is never any break or respite and puts massive strain on all the family relationships.
Michael Sheen is TREMENDOUS.
It really opens your eyes to the challenges faced by families with a terminally ill child. There really is never any break or respite and puts massive strain on all the family relationships.
Michael Sheen is TREMENDOUS.
Starring two great actors Sharon Horgan and Michael Sheen and written by one of our best British TV writers Jack Thorne my expectations were high and I wasn't disappointed.
Its impossible to watch this story and not be deeply moved as it examines one of those dilemmas every parent prays they'll never face. It's emotional and raw and entirely convincing, not the easiest watch but an essential one not to be overlooked.
Tragic events all too often split families apart for the wrong reasons and 'Best Interests' explores that territory dramatically and sucessfully, you will be in tears.
Cast were great and production values were good all round. Recommended, watch it.
Its impossible to watch this story and not be deeply moved as it examines one of those dilemmas every parent prays they'll never face. It's emotional and raw and entirely convincing, not the easiest watch but an essential one not to be overlooked.
Tragic events all too often split families apart for the wrong reasons and 'Best Interests' explores that territory dramatically and sucessfully, you will be in tears.
Cast were great and production values were good all round. Recommended, watch it.
A great but sad story brilliantly written and executed. Excellent performances from Sheen and Horgan as would be expected but surprisingly surpassed by the two more junior starlets, Alison Oliver and Niamh Moriarty. Looking forward to the concluding episodes, it has me hooked from the start and is highly recommended.
The story and characters jump off the screen at you from the first scene with the parents on a short respite break which shows their humanity and close relationship but we are quickly dragged into a world where the couples relationship will be tested to the full. Katie, played excellently by Alison Oliver, is the older sister of Marnie, played superbly by Niamh Moriarty, and her own life struggling with teenage years and the lack of attention and normality from her parents who have to spend so much time on the medical needs of critically ill Marnie is an absorbing subplot.
The drama shines a bright light on the real life struggles of a family, a medical team and their contacts struggling with an impossibly difficult question to which there is no right answer. Excellent writing, directing and editing shine through, highly recommended.
The story and characters jump off the screen at you from the first scene with the parents on a short respite break which shows their humanity and close relationship but we are quickly dragged into a world where the couples relationship will be tested to the full. Katie, played excellently by Alison Oliver, is the older sister of Marnie, played superbly by Niamh Moriarty, and her own life struggling with teenage years and the lack of attention and normality from her parents who have to spend so much time on the medical needs of critically ill Marnie is an absorbing subplot.
The drama shines a bright light on the real life struggles of a family, a medical team and their contacts struggling with an impossibly difficult question to which there is no right answer. Excellent writing, directing and editing shine through, highly recommended.
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