ÉVALUATION IMDb
5,7/10
55 k
MA NOTE
Refusant de croire son histoire de monstres troglodytes, la seule survivante d'une exploration de spéléologie qui a terriblement mal tourné est obligée de suivre les autorités dans les grott... Tout lireRefusant de croire son histoire de monstres troglodytes, la seule survivante d'une exploration de spéléologie qui a terriblement mal tourné est obligée de suivre les autorités dans les grottes où quelque chose l'attend.Refusant de croire son histoire de monstres troglodytes, la seule survivante d'une exploration de spéléologie qui a terriblement mal tourné est obligée de suivre les autorités dans les grottes où quelque chose l'attend.
- Réalisation
- Scénaristes
- Vedettes
Shauna Macdonald
- Sarah Carter
- (as Shauna MacDonald)
Josh Dallas
- Greg
- (as Joshua Dallas)
5,754.9K
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Avis en vedette
shock is gone
Following the events of the first movie, Sarah (Shauna Macdonald) is taken to a hospital. She has memory loss. A rescue team searches the caves for the missing women. A dog tracks one of the woman to an abandoned unexplored mine. Sheriff Vaines (Gavan O'Herlihy) takes deputy Elen Rios, Sarah, three cavers, and old timer Ed Oswald down into the depths.
The horror of the cave dwellers is diminished this time around. They are no longer the surprise of the first movie. The first issue is Sarah's position in the eyes of the law. At the hospital, she should be a suspect in murdering her companions. It would have been a more compelling position to put Sarah into. Once in the tunnels, the movie gets back into the claustrophobia which is so vital to the previous movie. There is one terrific section where a woman is trapped in a cave-in. One returning character is beyond belief. Overall, the shock is gone and this sequel fails to reach new depths.
The horror of the cave dwellers is diminished this time around. They are no longer the surprise of the first movie. The first issue is Sarah's position in the eyes of the law. At the hospital, she should be a suspect in murdering her companions. It would have been a more compelling position to put Sarah into. Once in the tunnels, the movie gets back into the claustrophobia which is so vital to the previous movie. There is one terrific section where a woman is trapped in a cave-in. One returning character is beyond belief. Overall, the shock is gone and this sequel fails to reach new depths.
Surprisingly good.
The original Descent movie is one of my favourite horror films, so I was really looking forward to feasting my eyes on the second part. To be fair, I wasn't expecting anything near as what the original movie offered.
The Descent: Part 2 follows Sarah, the sole escapee of the cave in the first movie. She has amnesia and despite this she is questioned by police regarding the whereabouts of her friends. She then gets forced back down into the cave with a new team so they can discover what went on down there.
The film follows on right after the ending of the American version of the movie which wasn't really to my liking, partly as it's a British horror movie and also because the British ending of The Descent is so much better.
I was pleasantly surprised though, despite ridiculing the movie literally from start to finish by comparing it to the original (well I was watching it with friends). As a stand-alone movie this is a pretty good one. There were a few scenes just too similar to the original movie and some where just plain ridiculous, but in a good way if that makes sense.
The death scenes and the moments building towards them were executed brilliantly. Director Jon Harris executes eerie and scary suspense perfectly, pulling you into the scene in question. Furthermore, the scenes from the first movie are recreated perfectly so much so that you'd swear this movie was made at the same time as the original.
It's nowhere near as good as the original, but a surprisingly good sequel. Plot-holes and revealing mistakes aside, it's good fun, but don't be surprised if you're raising your eyebrow at the ending.
http://ukmore.tk/
The Descent: Part 2 follows Sarah, the sole escapee of the cave in the first movie. She has amnesia and despite this she is questioned by police regarding the whereabouts of her friends. She then gets forced back down into the cave with a new team so they can discover what went on down there.
The film follows on right after the ending of the American version of the movie which wasn't really to my liking, partly as it's a British horror movie and also because the British ending of The Descent is so much better.
I was pleasantly surprised though, despite ridiculing the movie literally from start to finish by comparing it to the original (well I was watching it with friends). As a stand-alone movie this is a pretty good one. There were a few scenes just too similar to the original movie and some where just plain ridiculous, but in a good way if that makes sense.
The death scenes and the moments building towards them were executed brilliantly. Director Jon Harris executes eerie and scary suspense perfectly, pulling you into the scene in question. Furthermore, the scenes from the first movie are recreated perfectly so much so that you'd swear this movie was made at the same time as the original.
It's nowhere near as good as the original, but a surprisingly good sequel. Plot-holes and revealing mistakes aside, it's good fun, but don't be surprised if you're raising your eyebrow at the ending.
http://ukmore.tk/
I liked "The Descent," and part 2, but why no credit to Jeff Long
I rated these two movies 7 and 6 stars respectively, but I also own the novel of the same name by Jeff Long, published in 1999 (hardback) and 2001 (paperback). That book is so good, I went searching for a movie by that name, and sure enough there are now at least 3: the 2 "Descents," and "The Cave". All came out way after the publication of the book.
The book is, as is mostly, but not always the case, better than movies based on it. (See and read "The Green Mile" by Stephen King).
The second movie, DP2, uses the more humanoid vicious cave creatures based on the Hadal characters created by Jeff Long. I guess the movie makers thought they got away with it the first time, so why not just blatantly rip off the characters too with no credit?
Anyhoo, both Descent movies are well worth watching if you're a horror fan, but if you're also a reader please pick up Jeff Long's novel as well. Much more character development, suspense, and it is quite the page turner. Don't get started on a work night like I did!
The novel also involves enslavement of humans by the underground mutant Hadals, physical mutilation, mind manipulation; just deeply, deeply disturbing.
I took a point off DP2 for too many jump scares. I'm not a real fan of those with the exception of the one near the end of the original "Carrie" 1976 when the hand comes out of the grave when Carrie's repentant classmate is placing flowers, which to me, is quintessential. Gets me to this day!
Does anyone know why Jeff Long gets no credit? Perhaps I'm ignorant of a previous work about underground mutants victimizing humans, but when I read his work a decade or so ago, I thought it was pretty original. Sadly, the two links on the Wikipedia article about this work are dead (account disabled). I hope it is not because he cannot afford it because others have ripped him off so badly.
The book is, as is mostly, but not always the case, better than movies based on it. (See and read "The Green Mile" by Stephen King).
The second movie, DP2, uses the more humanoid vicious cave creatures based on the Hadal characters created by Jeff Long. I guess the movie makers thought they got away with it the first time, so why not just blatantly rip off the characters too with no credit?
Anyhoo, both Descent movies are well worth watching if you're a horror fan, but if you're also a reader please pick up Jeff Long's novel as well. Much more character development, suspense, and it is quite the page turner. Don't get started on a work night like I did!
The novel also involves enslavement of humans by the underground mutant Hadals, physical mutilation, mind manipulation; just deeply, deeply disturbing.
I took a point off DP2 for too many jump scares. I'm not a real fan of those with the exception of the one near the end of the original "Carrie" 1976 when the hand comes out of the grave when Carrie's repentant classmate is placing flowers, which to me, is quintessential. Gets me to this day!
Does anyone know why Jeff Long gets no credit? Perhaps I'm ignorant of a previous work about underground mutants victimizing humans, but when I read his work a decade or so ago, I thought it was pretty original. Sadly, the two links on the Wikipedia article about this work are dead (account disabled). I hope it is not because he cannot afford it because others have ripped him off so badly.
Closing the open end of The Descent
In the first The Descent movie, where Sarah was the only survival of a caving expedition, Neil Marshall (director and writer) chose to keep the ending open to different interpretations of the real cause of what happened. For me it is that open end that gave an added value to the first episode. Unfortunately someone, probably commercialism and money, decided to create a sequel. In any sequel the storyline is simplified to a brainless horror movie with a fairly guessable storyline.
There is also nothing to say about good acting or the development of characters.
If you have seen The Descent this sequel is certainly not worth it. But if you want to see a brainless horror with some jump-scenes it is acceptable.
There is also nothing to say about good acting or the development of characters.
If you have seen The Descent this sequel is certainly not worth it. But if you want to see a brainless horror with some jump-scenes it is acceptable.
Back in the belly of the beast
THE DESCENT 2 is like FINAL DESTINATION 2 or WRONG TURN 2 or about 100 other horror sequels, in that we get more of the same and it's usually not as good as the original. In this case, the editor of the first movie is the director of this one, and clearly wasn't given the greatest script to work with. But he does about as good a job as anyone in his position probably could. A rescue party goes into the caves to find the missing girls from the first movie, and they drag a shell-shocked Sarah from the first movie along with them. We do not have to wait long for the cave creatures to show up and start eating the would-be rescuers. Since we have been through this once already, there is far less shock value this time around. There are, however, a couple of kick-ass fight scenes and the film is perhaps even bloodier than the original. Accents are all over the place, as it was filmed in England and not in Appalachia, where it is supposedly set. In truth, Part 2 is not a must-see unless you are dying to see what happened to Sarah.
Le saviez-vous
- AnecdotesDirector Jon Harris had the crawlers slightly redesigned for this sequel. Apart from darker skin tones with better camouflage ability, they look more feral with more scars, and have more deformities to suggest years of inbreeding. Additionally, they have several rows of teeth like a shark, for ripping out flesh.
- GaffesThis film is set in 2005, right after the first one. At 1 hour, 2 minutes, Rios records her video message to her daughter on a Nokia N81 phone, which wasn't released until 2007.
- Générique farfeluWhile in the first film the opening credits resembled a flashlight passing over and illuminating them, in this one, the opening credits appears as if a passing light were shining past them onto the audience.
- ConnexionsFeatured in WatchMojo: Top 10 Horror Movies Ruined by Terrible Endings! (2017)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Descent: Part 2
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 7 048 886 $ US
- Durée
- 1h 34m(94 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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