ÉVALUATION IMDb
5,5/10
10 k
MA NOTE
En route pour les funérailles de son père, Marquis perd le contrôle de l'avion le transportant lui et sa famille, et se réveille blessé, seul et piégé dans le grenier de Mme Eloise qui préte... Tout lireEn route pour les funérailles de son père, Marquis perd le contrôle de l'avion le transportant lui et sa famille, et se réveille blessé, seul et piégé dans le grenier de Mme Eloise qui prétend pouvoir le soigner avec une figurine voodoo.En route pour les funérailles de son père, Marquis perd le contrôle de l'avion le transportant lui et sa famille, et se réveille blessé, seul et piégé dans le grenier de Mme Eloise qui prétend pouvoir le soigner avec une figurine voodoo.
Andre Jacobs
- Wyman Thatcher
- (as André Jacobs)
Doctor Khasu-Nkatlo
- Loretta
- (as Doctor Khasu-Kanku)
Avis en vedette
The story or motivation of the main actor is the old cookie-cutter family-is-in-danger thing.
So you know how it will end even before you see it.
The worst moments of this movie were about the skin color. I live in a reality where the skin color does not represent education, environment and character of a person. So every time skin color was brought up, I sighed REALLY hard. The problem with it was not the fact that it was there, but the on-the nose way it was brought up.
I did not liked the third act. The way he suddenly knows everything and can move despite a incredibly heavy injury ruined the "suspension of disbelief". (hardly a spoiler for those kind of moves)
Camera work and cinematography were bad.
What saves it, is the acting. Omari Hardwick had a great performance. He was believable in his desperation for the most part. Without him, this movie would have been much worse. His relationship with Lorraine Burroughs felt genuine and it seemed they had some chemistry. Not much unfortunately, because character development is barely there, but the few scenes they shared were good.
Loretta Devine... oh boy. She is an amazing villain. She was scary and very intimidating.
It is not a great movie, but one that had some interesting aspects. I definitely enjoyed the watch.
The worst moments of this movie were about the skin color. I live in a reality where the skin color does not represent education, environment and character of a person. So every time skin color was brought up, I sighed REALLY hard. The problem with it was not the fact that it was there, but the on-the nose way it was brought up.
I did not liked the third act. The way he suddenly knows everything and can move despite a incredibly heavy injury ruined the "suspension of disbelief". (hardly a spoiler for those kind of moves)
Camera work and cinematography were bad.
What saves it, is the acting. Omari Hardwick had a great performance. He was believable in his desperation for the most part. Without him, this movie would have been much worse. His relationship with Lorraine Burroughs felt genuine and it seemed they had some chemistry. Not much unfortunately, because character development is barely there, but the few scenes they shared were good.
Loretta Devine... oh boy. She is an amazing villain. She was scary and very intimidating.
It is not a great movie, but one that had some interesting aspects. I definitely enjoyed the watch.
I liked it. A lot of questionable decisions, some questionable shots, a story that will upset the pc brigade (oh because we can't make horror movies with countryside people anymore...), a lot of things that shouldn't work, but for me, it worked as a good thriller.
Yeah, it's not exactly horror, sometimes you have a 80s feelings ("go get Lewwwwis"), it feels like a small movie, but a comfortable small movie, tense, well acted, atmospheric, stylish and you are always looking for what comes next.
Doesn't work for most, worked for me. That's it.
Yeah, it's not exactly horror, sometimes you have a 80s feelings ("go get Lewwwwis"), it feels like a small movie, but a comfortable small movie, tense, well acted, atmospheric, stylish and you are always looking for what comes next.
Doesn't work for most, worked for me. That's it.
Some people compare Spell with Misery and I get it for the fact that a guy is being held in a bed, with a foot injury, but other than that the comparison just ends. Misery is some much better, with so much more suspense and better actors. That said Spell isn't bad, there is a fair amount of suspense, but the story is just not that believable because of some scenes. A man with his injuries couldn't do what he did, that's just a fact, and those kind of little details bring the quality of a story down. The acting was decent, so no complaints about that. If you're not too picky about details and just want to enjoy a bit of suspenseful entertainment Spell is worth a watch. It will just never be a classic like Misery though.
This is a great little film. Full of suspense, excellent adult actors (not so much the kids), some genuinely gruesome moments and excellent soundtrack. They did exceptionally well with a modest budget. My wife and I had a great time and enjoyed the folklore and frights.
It's not horrible, but definitely not the greatest. Too many of the scenes reminded me of Skeleton Key and Misery. However, how much could you really change up with this type of movie. It is what it is. I wouldn't pay to watch it, but free... why not? It's worth watching if you have nothing to do. Cast members get A+.
Le saviez-vous
- AnecdotesAt about 29 minutes into the run-time there's a shot of a ceramic penguin figurine, a nod to Misery (1990) which features many similar plot points.
- GaffesIt is raining heavily when Mark is peering through the hole in the roof during the ritual, but everybody inside the building is dry and no rain is visibly streaming through on the shots from within the building.
- Citations
Young Man at Gas Station: Slavery is over, pump your own damn gas
- Bandes originalesI Put a Spell on You
Written by Screamin' Jay Hawkins (as Jay Hawkins)
Performed by Screamin' Jay Hawkins
Courtesy of Epic Records
By arrangement with Sony Music Entertainment
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Détails
Box-office
- Brut – États-Unis et Canada
- 500 104 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 206 591 $ US
- 1 nov. 2020
- Brut – à l'échelle mondiale
- 500 104 $ US
- Durée1 heure 31 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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