ÉVALUATION IMDb
6,4/10
4,3 k
MA NOTE
Pour échapper à l'outback, un jeune chamelier afghan se lie à un mystérieux homme des bois en fuite avec de l'or volé.Pour échapper à l'outback, un jeune chamelier afghan se lie à un mystérieux homme des bois en fuite avec de l'or volé.Pour échapper à l'outback, un jeune chamelier afghan se lie à un mystérieux homme des bois en fuite avec de l'or volé.
- Prix
- 2 victoires et 14 nominations au total
Avis en vedette
10ilabos
The story, set in stunning locations, is always intense, moving and suspanceful, from beginning to end, with many highlights.
Through its harsh landscapes, rough characters, tough stories, perfectly represented and real, 'The Furnace' moves you, remains in your heart, gets you thinking, instills hope.
The film brings to light a piece of Australian history, example of inclusion and humility, and treats important issues that must be a warning to people today.
Intelligent and sensitive direction and cast are visibly very involved.
I haven't seen a film in a long time that has moved me so much. Grateful to have had the chance to see it at Venice Biennale. A must see.
I went to the limited screening of The Furnace at Perth to watch it from the perspective of Sikh community, but I ended up forgetting that and got immersed into the film's astonishing narrative. In my opinion there is something for everyone in this film, a weekend watcher will enjoy the quest side of it, a regular watcher will enjoy the exposition of characters without need of too many dialogues, the acting, the beautiful pace of the film and an avid watcher will end up finding a lot of subtle touches within the film like the significance of the dates and the fallen tree.
Roderick is the director and writer of the film and to me that is the most beautiful arrangement. To him I say, keep making movies. Nothing that he creates in future will be dull or lazy. This film could have gone wrong at so many points, but it's very finely put together. It clearly shows that Roderick understands the pitfalls of lazy writing and how Hollywood ruins beautiful constructed plots by giving into establishing larger than life characters or clichéd plot devices. None of that here.
A word has to be said about the editing and the soundtrack of the film. Editing is so subtle, so gentle and well done that it is pretty much a lesson in how to pace a slow burner. A plot like this usually suffers from unnecessary exposition and long monologues or the lack of them and long cinematic shots which try to create importance of the narrative by trying to convince you that this is an important and serious work of art (The Grey comes to mind) - pretty much spoon feeding the viewer. But in The Furnace, the editor balanced the film so well that in my opinion a lot of big budget Hollywood films can learn a lot from it.
And of course, the reason why I was invited by one of my mates to go to this screening. The film is historically quite accurate. Sikhs and Muslims have been part of the Australian outback longer than many could imagine. Their stories, rituals and routines are nicely interwoven into the fabric of the film. The turbans are accurate (for once). Many a times I've been pissed at the ready made look of Sikh turbans but in the Furnace, they are proper. Being a Sikh I can say, yes, that is us.
Well done. It's so fulfilling to see Australian cinema coming into its own. It's a film that me, a Sikh and an Australian, is proud of.
Roderick is the director and writer of the film and to me that is the most beautiful arrangement. To him I say, keep making movies. Nothing that he creates in future will be dull or lazy. This film could have gone wrong at so many points, but it's very finely put together. It clearly shows that Roderick understands the pitfalls of lazy writing and how Hollywood ruins beautiful constructed plots by giving into establishing larger than life characters or clichéd plot devices. None of that here.
A word has to be said about the editing and the soundtrack of the film. Editing is so subtle, so gentle and well done that it is pretty much a lesson in how to pace a slow burner. A plot like this usually suffers from unnecessary exposition and long monologues or the lack of them and long cinematic shots which try to create importance of the narrative by trying to convince you that this is an important and serious work of art (The Grey comes to mind) - pretty much spoon feeding the viewer. But in The Furnace, the editor balanced the film so well that in my opinion a lot of big budget Hollywood films can learn a lot from it.
And of course, the reason why I was invited by one of my mates to go to this screening. The film is historically quite accurate. Sikhs and Muslims have been part of the Australian outback longer than many could imagine. Their stories, rituals and routines are nicely interwoven into the fabric of the film. The turbans are accurate (for once). Many a times I've been pissed at the ready made look of Sikh turbans but in the Furnace, they are proper. Being a Sikh I can say, yes, that is us.
Well done. It's so fulfilling to see Australian cinema coming into its own. It's a film that me, a Sikh and an Australian, is proud of.
Drawing you in from the first few scenes, The Furnace has you thinking on many levels. This wonderful movie educates as much as it entertains. Meticulous research grounds The Furnace in the reality of the time, providing a strength and depth to the characters and storyline which, along with the stunning panoramas of the timeless West Australian outback, makes watching it such a pleasure.
The ingredients are rich: in the 19th century outback, aboriginals, prospectors, Chinese, cameleers (uniformly referred to as Afghans even though they come from many Middle Eastern cultures), graziers, peddlers, Moslems, Hindus, troopers, and station hands negotiate wary relations. A hardbitten prospector has stolen gold in his possession and needs to find a way to legitimise it. He falls in with a cameleer and they trek across the desert to escape the law and other criminals in pursuit.
This is an outback thriller trying to be a deep and meaningful arthouse excursion. The slow pace eventually becomes tedious and a couple of plot glitches irritate. Talented actors work hard and turn in excellent performances, but they are fighting the director.
This is an outback thriller trying to be a deep and meaningful arthouse excursion. The slow pace eventually becomes tedious and a couple of plot glitches irritate. Talented actors work hard and turn in excellent performances, but they are fighting the director.
I loved the narrative, culture and heritage we all Australians share. A great work from the Director and the team. Watch and learn about amazing Australian story.
Le saviez-vous
- AnecdotesWriter-director Roderick MacKay came across Ahmed Malek, a highly regarded actor from Egypt, when searching the internet for Middle Eastern actors. He stumbled upon an Egyptian serial drama in which Malek starred. MacKay said: "Even though I couldn't understand a word anyone was saying, I was totally glued to his performance and felt immediately that I'd found our Hanif. Luckily Malek adored the script and the character of Hanif really resonated with him, even mirroring dimensions in his own life. Malek's commitment to authenticity and plumbing the intellectual and emotional depths of Hanif was truly staggering. Malek is a household name in his homeland of Egypt, and I think this will be the case across the western world very soon."
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Détails
Box-office
- Brut – à l'échelle mondiale
- 315 070 $ US
- Durée1 heure 56 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was The Furnace (2020) officially released in India in English?
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