A year ago, I watched and enjoyed "The Haunting of Hill House" so was very happy to find that the spiritual sequel had made it to completion before covid shutdown. Much like last years effort, the scarier aspects are just trappings really, with "Bly Manor" being a tragic, or perhaps a series of tragic, love stories - with ghosts.
Dani Clayton (Victoria Pedretti) comes to a big Stately home in England to act as Nanny for two small children, who's parents have died. Though the children are charming, both Flora (Amelie Bea Smith) and Miles (Benjamin Evan Ainsworth) are prone to spells of absence, or sudden personality shifts. The house is old and has been around for centuries and has many ghosts, both literal and figurative, but Dani has a secret, that she has been haunted by a figure from her past long before arriving in Bly.
My gut feeling is that, particularly after the opening few episodes, "Bly Manor" is less scary than "Hill House" was. So, if being scared is all the worth you're going to attribute to the show, then you'll almost certainly be disappointed. (I do accept that it's not advertised that way and maybe that needs addressing if there's a third version next year). The "secret" ghost idea returns from "Hill House", so much of the fun is spent scanning the backgrounds for the ghosts in various doorways, at the end of corridors and in mirrors, just quietly watching the action unfold.
Victoria Pedretti, Oliver Jackson-Cohen, Henry Thomas and Carla Gugino all return from last year. But they're joined by Amelia Eve, Tahirah Sharif and most importantly by the pair of T'Nia Miller and Rahul Kohli as the Manor's housekeeper and cook respectively and the shows most compelling will-they-won't-they-pair.
Admittedly, the show could have done with a few more surprises or, perhaps less predictable twists, along the way. A couple of the shows reveals we had the gist of well before it was actually revealed. For reasons I shouldn't explain, Carla Gugino is attempting a Northern English accent which I feel I want to award points for effort for, even if it's not entirely successful. Henry Thomas' plummy Southern accent is even less so.
I'd have liked scarier, I'd have liked a few more unexpected twists, but ultimately I enjoyed this melancholy, gothic, tragic story and hope to return to the house next year.
