ÉVALUATION IMDb
5,7/10
18 k
MA NOTE
Le passé de Bert le rattrape 20 ans plus tard lorsque lui et son père sont kidnappés par ceux qui ont fait du tort à Bert il y a 20 ans, alors qu'ils étaient ivres pendant un semestre univer... Tout lireLe passé de Bert le rattrape 20 ans plus tard lorsque lui et son père sont kidnappés par ceux qui ont fait du tort à Bert il y a 20 ans, alors qu'ils étaient ivres pendant un semestre universitaire à l'étranger, en Russie.Le passé de Bert le rattrape 20 ans plus tard lorsque lui et son père sont kidnappés par ceux qui ont fait du tort à Bert il y a 20 ans, alors qu'ils étaient ivres pendant un semestre universitaire à l'étranger, en Russie.
- Director
- Writers
- Stars
Jess Gabor
- Sasha
- (as Jessica Gabor)
Rita Bernard-Shaw
- Ashley
- (as Rita Bernard Shaw)
Nikola Djuricko
- Igor
- (as Nikola Duricko)
Amelie Child Villiers
- Tatiana
- (as Amelie Villiers)
Jovan Savic
- Irina's Father
- (as Jovan Lole Savic)
Set Sjöstrand
- Vanya
- (as Set Sjostrand)
Avis en vedette
The first 20-25 minutes are pretty cheesy/over-the-top setting up the motivation for the plot and getting Bert & his dad into position. But it actually gets fairly watchable after Irina shows up. It's by no means going to win any awards, but if you're a fan of BK & enjoyed this story from his set, you'll probably enjoy watching this enough to not shut it off.
I was pretty dubious on how BK was going to be as an actor, but I was pleasantly surprised once the story left LA. It's a testament to the caliber of talent Mark Hamill that he was able to raise whatever abilities BK came to the table with to a place where you actually feel invested during their scenes.
The ending is also surprisingly engaging and fitting.
I was pretty dubious on how BK was going to be as an actor, but I was pleasantly surprised once the story left LA. It's a testament to the caliber of talent Mark Hamill that he was able to raise whatever abilities BK came to the table with to a place where you actually feel invested during their scenes.
The ending is also surprisingly engaging and fitting.
I've never heard of Bert Kreischer so clearly I'm not a fan of his comedy, but nor can I hate it, and as such, the same goes for this film. The Machine was loud, obnoxious and overbearing, and nothing about this comedy should've worked, but it played well to its strengths, and ended up being much more entertaining than it should've been. The casting - especially the villains, was over the top, but it worked even though it shouldn't have, just like Kreischer and Mark Hamill shouldn't have worked, but it did, mostly from their hilarious dialogue and antics. It's not the greatest comedy out there, but it's also not the worst, and we did have a bunch of laugh out loud moments, so that's a good sign. This machine works best with lots of high-octane fluids and with your gears in neutral. It's dumb fun and a decent one-time watch, especially with all the slim pickings out there.
I think 6/10 is very fair here. It's not a great movie, and that's ok. If you like Brent Chrysler, you'll be entertained by this movie. I can see why he was so happy with how the movie turned out, it's just all him being something he's not for two hours (which again, is fine!). I can tell this was really just something that everyone involved with had a lot of fun with, from the actors to the editors with those kitschy transitions and strange Russian subtitles. It's quirky, and I think it works here.
Mark Hamill was a crazy get for this movie and I can't believe he agreed to do it. It definitely helped the movie's case. Jimmy Tatro was a good casting for young Bert as well.
One observation to make- Bert's character in this is literally Po from Kung Fu Panda. It's just a fat guy who dumb lucks his way through everything until the very end when his actions seem a bit more intentional and he accepts who he really is inside.
Mark Hamill was a crazy get for this movie and I can't believe he agreed to do it. It definitely helped the movie's case. Jimmy Tatro was a good casting for young Bert as well.
One observation to make- Bert's character in this is literally Po from Kung Fu Panda. It's just a fat guy who dumb lucks his way through everything until the very end when his actions seem a bit more intentional and he accepts who he really is inside.
It's a comedy set in Serbia and it's trying to be about Moscow and Russian gangsters and it's incredibly unrealistic and cliché but it does have some originality and a nice message at the end.
However apart from Oleg Taktarov's great cameo (one of the few genuine standouts) there is few other actors playing Russians. This doesn't work for the accents. It's far-fetched and completely unrealistic.
There are very fast edit scenes where Bert is one place then another in an easier location to knock-out a bad guy.
Plot-wise it is very thin. A lady loses her father's watch so kidnaps Bert's daughter and takes him on a joy-ride to get the watch.
Soon the twists and turns of an unpredictable and stupid plotline come forth. It's another low-budget action flick on Netflix when I could have watched something better instead. Dull.
It's also highly-ignorant of the war and Russia's aggression right now and something could have been included in the screenplay. Or better yet it could have been Serbian gangsters then it would have been more honest!
However apart from Oleg Taktarov's great cameo (one of the few genuine standouts) there is few other actors playing Russians. This doesn't work for the accents. It's far-fetched and completely unrealistic.
There are very fast edit scenes where Bert is one place then another in an easier location to knock-out a bad guy.
Plot-wise it is very thin. A lady loses her father's watch so kidnaps Bert's daughter and takes him on a joy-ride to get the watch.
Soon the twists and turns of an unpredictable and stupid plotline come forth. It's another low-budget action flick on Netflix when I could have watched something better instead. Dull.
It's also highly-ignorant of the war and Russia's aggression right now and something could have been included in the screenplay. Or better yet it could have been Serbian gangsters then it would have been more honest!
Bert Kreischer gets a lot of hate and a part of me would've loved to see him come out with a terrific film to shut all his haters up. Unfortunately that was not the case. This film was not a lot of fun to watch at all.
Kreischer has no comedic timing and no sense of when to let a joke breathe. Comedy isn't easy and people only think it is because the best make it look so effortless. The biggest mistake they made in this film though was casting Mark Hamill, who is also painfully unfunny, giving Bert no one to play off. Hamill is trying so hard in every scene he's in, but he's not a funny guy and doesn't have any charisma.
So all you're left with is the story, and the story gets old pretty fast. This film is only 112 minutes but it feels much, much longer than that. The concept might work in a 13 minute stand-up clip, but stretched out to this length it becomes pretty tedious. 4/10.
Kreischer has no comedic timing and no sense of when to let a joke breathe. Comedy isn't easy and people only think it is because the best make it look so effortless. The biggest mistake they made in this film though was casting Mark Hamill, who is also painfully unfunny, giving Bert no one to play off. Hamill is trying so hard in every scene he's in, but he's not a funny guy and doesn't have any charisma.
So all you're left with is the story, and the story gets old pretty fast. This film is only 112 minutes but it feels much, much longer than that. The concept might work in a 13 minute stand-up clip, but stretched out to this length it becomes pretty tedious. 4/10.
Le saviez-vous
- AnecdotesBert's real life wife LeeAnn Kreischer can be seen near the start of the film, as the mom at the Sweet 16 party who Bert does not get along with.
- GaffesAfter getting shot twice in the chest, Irina falls off the train, only to get reunited with Bert in Igor's village. She also has a piece of wood through her leg that Bert proceeds to extract. However, she seems to have no problem walking or even fighting when she next meets her brother Alexei.
- Générique farfeluWhile the closing credits roll, a commercial plays starring Bert and his father for Kreischer Karpets.
- ConnexionsReferenced in Brad Tries Podcasting: Fast X/Kandahar/Martyrs (2023)
- Bandes originalesTorn
Written by Scott Cutler, Anne Preven and Phil Thornalley
Performed by Scott Stapp
Scott Stapp appears courtesy of Napalm Records
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- How long is The Machine?Propulsé par Alexa
Détails
Box-office
- Budget
- 20 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 10 458 331 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 5 000 545 $ US
- 28 mai 2023
- Brut – à l'échelle mondiale
- 10 664 328 $ US
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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