Sept jours

I thought I'd post a comment on this as most of those commenting appear to be Canadian, and so I thought an alternative viewpoint may be useful.

I first encountered this movie as a trailer somewhere - I can't recall where/when, maybe a flight or similar. I remember thinking "Josh Jackson, haven't seen him in a while" (I hadn't seen any Fringe at that time) and "Lots of nice footage of Canada". And then promptly forgetting about it. A couple of months ago I got the opportunity to finally watch One Week, and I was overwhelmed. The movie has a very simple premise, and an equally simple theme, yet the direction, cinematography, script, acting, and soundtrack all conspire to convey an impressive depth.

The story itself I found powerful, and was drawn along. To be fair, parts of it did have a certain relevance to me, but I think that anyone willing to try to fully emote with the Ben character cannot help but be touched. Josh Jackson gives an excellent performance, producing a believable and likable character with whom you cannot help but empathise.

Initially I was put off by the strange narration, however over time it grew more important in telling the story of Ben Tyler and the characters he meets, and by the end had flourished into a character all of it's own. Furthermore, the narration as well as other characters insert a certain black comedy, largely stopping the storyline from getting boring.

Not being Canadian, I undoubtedly missed many of the 'in' jokes and references; I don't think that this adversely affected my enjoyment one whit.

A significant theme of the movie was that the world (and especially Canada) is a beautiful place, and the direction and cinematography capture this exceptionally. I haven't seen any movies recently which have created as visceral a reaction in myself - I freely admit that I was in tears at times.

Overall, I highly recommend One Week. Try to watch it when you're feeling a little melancholic or down, and with an open mind just to absorb the story and the scenery, and I'll be very surprised if you don't also enjoy it immensely.

This is a very Canadian movie, not only in the use of the gorgeous cross-country scenery that provides both a backdrop and a reflective commentary on the main character's personal search but also because of it is patently outside the realm of the "regular" Hollywood (i.e. American) fare. This is not to suggest that only Canucks can enjoy or appreciate this wonderful, warm-hearted, evocative, simple story because the plot line and embedded themes are universal and timeless.

There is a leisurely quality to this narrative and a kind of inevitability to the whole story that makes it poignant yet full of strength at the same time. The voice-over done by a sonorously voiced Campbell Scott works so well that far from being intrusive as most add-ons are, it (he) becomes a character in his (its) own right.

This is one of those "festival sleepers" that will never have wide distribution but which will delight and uplift any who see it.

I had the privilege of being in the audience for the premiere screening of One Week last night in Toronto. As with many Canadian films, the lack of an appreciative audience was evident by many empty seats in Roy Thompson Hall. However, for those of us who were in attendance, we were treated to an incredibly funny (in a tragic way typical of many Canadian films) and touching film. Joshua Jackson (notably absent from the premiere), showed a great range and presented a complex, well-developed character. The scenery was beautiful and there were many Canadian touches to the film - the audience in particular seemed to enjoy the references to Tim Horton's and Canadian Tire. However, the story has a universal theme and will hopefully go on to be enjoyed by a wider audience from around the world.

A well filmed and decently thought out little picture. No, it did not have a lot of the bells and whistles and geegaws of a lot of bigger productions and they could have done a better job with the whole "This Is Canada" thing, but what the hell, did anyone stick around to see the production company and studio information at the end of the end credits? This was not a big-budget Hollywood picture and it did quite well, in my opinion, in spite of all that. I spent a summer in White River and I have a picture somewhere of myself in front of that sign, and remember a good many of the places in the film from two cross country trips when I was a kid. As for all the commentary about the silliness an contrite-ness of Ben's actions throughout the film, we should remember that this is a man who has been given the worst case scenario- terminal illness. Who among us would react rationally? What would we do if we were told we had one week, one month, one year to live? Ben himself gave us his reasons in a nutshell he was, in his words, "over prepared, over insured" what the hell would I do in that exact same situation? Probably exactly what he did, although I wouldn't try to tackle the Rockies on a motorcycle. Maybe a real nice convertible!

I think that director Michael McGowan really loves his main character, Ben. Ben is beautifully played by Joshua Jackson, a part which requires him to react to a lot of things. Ben seems quiet about most things, but not necessarily content. When told that he has cancer and only a short time to live, he's suddenly a man on the cusp of something. It takes only a silly message under the rim of a Tim Horton's coffee cup - "Go west" - to set him in motion. For the first time in his life, he doesn't just fall back into something familiar and comfortable - he takes action. He rejects, at least for the time being, the virtual death of invasive cancer treatment, and goes on a quest for the life he's never really experienced. And when he runs out of "west", as he's afraid he'll do, he goes even further. The road trip in this movie is the road trip, ever further west, to a destination of the spirit. To others, it seems as if he's running away. But he's not. He's running toward something. When his girlfriend and family try to reel him in to safety, to "us", he resists. In a moment I silently cheered he cries out, in frustration, to his girlfriend: "It's not about us! It's about ME!" That may sound selfish, but it's not. It simply means that there are places where other people cannot go. One thing I liked about this film is its adult take on its subject matter. Although frequently funny, it is also contemplative and suggests that, without being ostentatiously heroic, our actions can inspire others. While I was watching the film I was thinking that if it was about only this and nothing else I would have been satisfied. But a film about a man who doesn't stop while it's still safe - but who goes all the way. That appeals to me on a personal level.