My Heart Can't Beat Unless You Tell It To

It is a unique original horror film that is very beautifully written and shot. It has a really catchy idea that is both creepy and heartbreaking. It is so simple yet it has a very creepy atmosphere without any forced efforts. Performances are superb. If you're into indie horrors then My Heart Can't Beat Until You Tell It To is a must see.

I love the title of this movie - it fits well with this ultra dark indie horror title about two siblings taking care of their vampire brother.

Somber and slow, the film takes it's time, never gearing up to a big climax, instead ending in a whimper.

Decent acting, trippy story, but just really kinda sad. There were sympathetic characters and makes you wonder: How far would you go to save someone you love?? Worth a 1 time watch if you like this genre.

This is a well made small indie film, but overall plotting is minimal with only one thing possible to happen, and there is slow movement to get there at the end of the film. The production expertly captures this very small confined family well. And the three main actors do well with embodying the opposing motivations inherent in the situation of their family. The failure of this film how small overall focus of the film is. The stage is set for progression on the one point, and ultimately this is very small point foreshadowed by the nature of the film itself. I was disappointed with the outcome being given the potential it has.

Three thrifty siblings have a special need that forces them into a gruesome trade in society's cast-offs.

Downbeat drama of troubled co-dependency that kept me engaged all the way. There are many quiet scenes, with the characters sometimes barely responsive to each other, but directed and edited with expertise so that the whole thing flows, with help from excellent cinematography and score. Performances too are excellent, so a toast all round - a beaker of blood, my good man!

But it's a light-touch horror, and tending more to the survivalist genre, which I think is a peculiarly American phenomenon, one I don't really get. I prefer a horror to have a weird narrative that maps onto common struggles and fears, so that the extravagance leads to a hidden truth about our place in life. This is too straight a story, and even with its unanswered questions seems strangely plausible in the lonesome alienation of the mid-west.

Overall: Quality production, but not sure horror was the right way to go.