Die Brücke

Hi "dixibuster", you should see the original version, which is not 30, but almost 50 years old and one of the classical and best movies in German movie history.

This remake is a well-meant try to bring this serious issue to todays's younger generation. Clear, it's nothing in comparison to Dennis Gansels "Napola", but it's o.k. And if the remake brings some of the audience of the younger generation to see Bernard Wickis original from 1959, then I think it has fulfilled his service.

But one thing I must add: Main Character Francois Göske shows also here, that he's one of the most talented young actors in Germany. With his extremely physically acting he will have a great movie career !

I noticed that all the former comments about this film were a) made by Germans, and b) they all slander it, and for me that has some weight. I don't know any German, so I can't say if the acting was good or bad, but it looked and felt at least pretty good, most of the time.

As a history buff and germanophile (who can't speak the language - perish the thought!) I found this film to be quite good in a historical context - and, I was impressed by that the equipment used by both Germans and Americans looked very authentic (with one MAJOR exception for the Americans) apart perhaps that the boys were/looked too old: they were supposed to be 16, and not a single one looked that age. Of course, that's the same thing with 25-year-olds playing high school teens in American films...

From a military point of view, this is also a pretty accurate film: The Germans did use single squads of troopers to defend small tactical objectives, as the bridge in the film. It also shows the devastating power of the Panzerfaust 100, the hand-held tank killer. Very nice, unless you are on the receiving end of it.

The sfx was OK, but absolutely nothing fancy.

However, the film has flaws that were carried over the language barrier, namely a totally unnecessary love plot and a more interesting love plot that would have done well to be better developed. Also, I didn't like that characters just vanished from the story without me getting to know of their departure.

I have to agree with some other comments about the lack of character development - it could definitely be better, that's for certain. Oddly, the best character development was done about some of the elder extras, not the main characters.

The film is also too melodramatic for my liking, so much I began thinking of the Russian film Zvesda which was just as bad in that area. Having the film maker telling me to feel sorry for the protagonists is not the way of scoring a 10 on IMDb.

... consider it an accident and look for the - really impressive - original! You will spare yourself quite a lousy piece of love story and war action rudely looted from the heritage of the 50's version by Bernhard Wicki. Even Hollywood barely could do worse twisting historical facts and life stories into some sort of spectacular fireworks performed by characters who don't really deserve this description. Good war movies (such as the original one!) should include the stories of the human beings involved, narrated in an empathic way thus helping the viewer to understand or at least imagine how it might have come to all the cruelty - and maybe even how it could be overcome. Otherwise there will be sown rather fascination than consternation. The next war will come too soon anyway. 2/10 just because of occasionally good acting (esp. by the soldier boys) and seemingly accurate requisites (uniforms, armory...).

It's near the end of WWII. In a small border village, seven 16-year-old schoolboys are conscripted as the front moves ever closer. They're made to defend the small local bridge. There are also subplots that add nothing but screen time. This uses very little of the material available, and its 100 minute running time, or 96 and a half without end credits, drags at many points. Characterization is less of a priority than illicit material. Maybe they figured they'd need something to wake the audience up. So every so often, there's nudity, sexuality, or war violence. Even though none of it leads to anything.

Franka Potente is an international film star. So once they had her, they expanded her role from the previous versions of this story, combined several characters, and increased her presence. It amounts to nothing. See, before, it was different people, related to the teens, all individually trying to get them out of the war. They don't succeed, because that's what's accurate. When you have just one person doing that, and failing repeatedly, it gets to be annoying to watch. She doesn't even get closure. One scene has the crush of one of the boys take a similar role, and I swear, it's purely so that there's at least *one* other doing some of that. Where are the parents? They're such a strong element in the 1959 movie. Everyone in the military in this are incompetent, and basically every adult German is a monster. This from the same country who, rightly, made us understand Adolf Hitler, himself?

I recommend this purely to those who are too curious to stay away. 3/10

First of all I want to say that I don't know the original movie, but I think thats not important at all. On the other hand I really hope the original movie is better. The story of 7 teenagers forced to fight in the last desperate days of nazi-germanys battle is a typical German war-film-story. Even thou it is not very impressive, it is still the best of the movie. Complains can be made about pretty much everything in the film, because everything in the film lacks sophistication. the look and the atmosphere of the movie are to clean and it feels to empty. even fighting scenes look boring and bad coordinated. the editing is terrible and features some bad continuity mistakes. the dialogs are flat and meaningless. Acting is behind the average. at no time you believe in the characters. Most characters lack a reasonable background story and side-stories that occur don't add to the characters deep at all. in general they are useless, because they don't add to the film except for the duration. the side-plots can be ignored. overall this film is unimportant, badly made and lacks in all important aspects of film-making. If you want to deal with the topic of youth in Nazi-Germany and how it suffered from the fanatical NS-education system, I recommend to see "Napola" instead. that would also spare you from some ridiculous fighting scenes...