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IMDbPro

Azor

  • 2021
  • 1h 40m
ÉVALUATION IMDb
6,5/10
3,2 k
MA NOTE
Azor (2021)
Argentina, the late 1970s. Private banker Yvan (Fabrizio Rongione) arrives from Geneva with his wife Ines (Stéphanie Cléau) to replace a colleague who has mysteriously disappeared in military-ruled Buenos Aires. Moving through the smoke-filled lounges and lush gardens of a society under intense surveillance, he finds himself untangling a sinister web of colonialism, high finance, and a nation's "Dirty War."
Liretrailer1:46
2 vidéos
5 photos
DrameThriller

Ajouter une intrigue dans votre langueYvan De Wiel, a private banker from Geneva, goes to Argentina in the midst of a dictatorship to replace his partner, the object of the most worrying rumours, who disappeared overnight.Yvan De Wiel, a private banker from Geneva, goes to Argentina in the midst of a dictatorship to replace his partner, the object of the most worrying rumours, who disappeared overnight.Yvan De Wiel, a private banker from Geneva, goes to Argentina in the midst of a dictatorship to replace his partner, the object of the most worrying rumours, who disappeared overnight.

  • Director
    • Andreas Fontana
  • Writers
    • Andreas Fontana
    • Mariano Llinás
  • Stars
    • Fabrizio Rongione
    • Stéphanie Cléau
    • Carmen Iriondo
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,5/10
    3,2 k
    MA NOTE
    • Director
      • Andreas Fontana
    • Writers
      • Andreas Fontana
      • Mariano Llinás
    • Stars
      • Fabrizio Rongione
      • Stéphanie Cléau
      • Carmen Iriondo
    • 22Commentaires d'utilisateurs
    • 58Commentaires de critiques
    • 88Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 4 victoires et 20 nominations au total

    Vidéos2

    Official Trailer
    Trailer 1:46
    Official Trailer
    Official Trailer
    Trailer 2:17
    Official Trailer
    Official Trailer
    Trailer 2:17
    Official Trailer

    Photos4

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    Rôles principaux89

    Modifier
    Fabrizio Rongione
    Fabrizio Rongione
    • Yvan de Wiel
    Stéphanie Cléau
    Stéphanie Cléau
    • Inès de Wiel
    Carmen Iriondo
    • Veuve…
    Juan Trench
    • Augusto Padel-Camón
    Ignacio Vila
    • Anibal Farrell
    Pablo Torre Nilson
    • Mrg…
    Juan Pablo Geretto
    • Dekerman
    Alexandre Trocki
    Alexandre Trocki
    • Ambassadeur…
    Yvain Juillard
    • Guy Lombier
    Agustina Muñoz
    Agustina Muñoz
    • Leopolda
    Elli Medeiros
    Elli Medeiros
    • Magdalena Padel-Camón…
    Gilles Privat
    • Decôme
    Alain Gegenschatz
    • René Keys
    Pablo Larralde
    • Chauffeur Ambassade
    Rafael Fernández
    • Concierge…
    Raúl Lissarague
    • Guido
    Denise Carrizo
    • Anita
    Ioana Padilla
    • Bibi Morris
    • Director
      • Andreas Fontana
    • Writers
      • Andreas Fontana
      • Mariano Llinás
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs22

    6,53.2K
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    Avis en vedette

    6momomojojo

    scenes are done really good but the story is really slow and hard to understand what they are really going

    Love the 80's style of movie in a new jacket, but making it nothing short as it maybe has the old camera style of sceneiers even the actors behave. The amount of actors playing is alot even though not all actors are high quality but they do lean towards a natural playing instead of reading the script. Many blank sceniers that feel empty but they hold a very delicated information, what is not much but do help the story building.

    The acting is done nicely, the main player is good, the rest could step a bit more up.

    They drag a lot in the movie and hard to follow where they want to go with the movie. Even though we know a bit how it will go as audience, but so many options.

    The scenes are not low budget made including the clothing and everything around it pulls you really back to the 80's of Argentina. Perfect done. I do need to say they limited the amount of variables like people and decoration, to not misstep because during the pool party I have the feeling they kinda fell in the water. Feeling C level quality.

    The camera work is basic also the transaction of scenes, this seems more like the 90's where they highlight so much as if the audience is stupid and every scene feels like cut out and modified and placed back into the movie again.
    9jrd_73

    Intriguing Film That Has Stayed With Me

    I saw Azor a week ago. I have been thinking about it ever since.

    The word "Azor" as used here is a French expression that means to remain quiet, to play one's cards close to the chest. On the surface, the film looks like a thriller, maybe something that Costa-Gavras might have made. However, like its title, the film is too quiet to be called a thriller.

    In 1980, a Genevan private banker arrives in Argentina to do business. He is replacing a colleague who has a controversial reputation with the locals. In fact, there is some question about where this predecessor is currently, most believing that he has returned to Geneva. The banker, Yvan, and his wife, Ines, spend several days in the country trying to woo various clients, but the country's politics keep coming up. One of the clients (excellently played by Juan Trench) is grieving the disappearance of his daughter, who was involved in a political group. Her fate looks dire, but the client hangs on to hope.

    Throughout all of this, Yvan and his wife, choose their words carefully and navigate the chilly political waters. The film builds to an ending that I initially thought of as too slight, but the more I think about it, the more I admire its true-to-life quality. There are no chases or shootouts like most thrillers would have for a climax. Instead, the film ponders a question. The story acknowledges that to get ahead one must often remain silent to horrible abuses, but should he do so?

    Azor is a nicely shot, eye catching film, with good actors. I especially like Fabrizo Rongione, as Yvan, who has the difficult task of expressing a lot without saying much. I liked Azor a week ago, but I like it even more now.
    8carlos-pires

    Very engaging and unique

    Very engaging slow-burner that somehow never bursts into flame. The only flaw I find in this movie, is that the ending seems not to have been given too much thought.

    But it presents a very unique quality: a perfect depiction of tension. There is tension everywhere, in every scene, in every character, throughout the whole movie. The masterfully crafted soundtrack does a major contribution there. This is a movie where there is no display of action. Every thing is as silent as the atrocities that we know for a fact were being committed while we watch these low voice conversations between wealthy people, bankers, clergy, all the way to the final "deal with the devil" moment.
    8danybur

    An elegant, discreet and disturbing descent into hell

    Summary:

    The film tackles a theme rarely used by the cinema: the relationship of private banks with the military, businessmen, diplomats and officials of the last Argentine civil-military dictatorship. And he does it as a kind of thriller and noir (although it exceeds them) that portrays the elegant and above all discreet descent into hell of a Swiss banker who must frequent these estates in the early 1980s in Argentina. And the result is downright disturbing.

    Review:

    Ivan de Wiel, a private banker from Geneva (Fabrizio Rongione), arrives in Buenos Aires in the early 1980s with his wife Inés (Stéphanie Cléau) because they have lost contact with the partner in charge of the previous region, Kies, about whom they circulate various rumors. His role is to reconnect with the client portfolio and discreetly find out what happened to Kies to clear those rumors.

    And what customers! De Wiel will undertake a tour that will include various members, houses and circles of the Buenos Aires upper class (with soldiers, prelates, landowners with stud farms, their wives and lawyers and some upstart), diplomatic personnel and some officials, in a kind of thriller and detective noir (although the film exceeds them), in the context of the military dictatorship.

    The banker is faced with a framework in which at first it is difficult for him to position himself. He will act as an explorer in an elegant jungle where he must meet some sinister characters and a plot of things not said or half said, going down a descent into hell with "discretion as strategy" (in the words of its director), where the main objective will be to recover or preserve clients and businesses and where the title of the film, an expression of a Swiss dialect, will end up acquiring its full meaning.

    The young Swiss director Andreas Fontana (who later trained in Buenos Aires) performs in his debut film a great reconstruction of the period (in every sense) in terms of the places that the protagonist must frequent, beginning with that Swiss marriage whom he hosts in the Plaza Hotel (and of course, not the Sheraton, a new rich Americans hotel) and tackles a topic rarely seen in the cinema: the relationship between private banks and the military, businessmen and officials of the last Argentine civic-military dictatorship. The film paints at the same time a portrait of this upper class in love with his possessions and proud of his silly Francophilia. At the same time, he makes powerful use of what is not shown, of "blind spots", of the off-field, resources that are very significant in times and contexts such as those he portrays.

    And the result is downright disturbing.
    5derek-duerden

    Soporific

    This has been on my MUBI watchlist for such a long time that I've forgotten why it intrigued me in the first place. Perhaps a glowing review in Sight and Sound? Who knows?

    In any case, I suggest that you don't waste your time, unless slow-moving, talky, atmospheric drama is your thing. Sure, there are nasty themes bubbling under but I never quite worked out what the director was trying to say about all of this, beyond the obvious. (Different country and industry, but for me the TV series "Magnifica 70" handled the compromises inherent in living with a junta much more eloquently...)

    For a debut feature, it's quite nicely shot but I'd definitely put it in the "mood piece" category rather than anything else.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In a Mubi Q and A, director Andreas Fontana says that the initial idea for the film came from reading his grandfather's journal about a tourist trip to Argentina he had made in 1980 when he was a private banker. He was struck by the mundanity of his grandfather's notes and how he did not mention or hint at anything about the political situation in Argentina at the time. Reflecting that he would have been very aware of the political situation as a former diplomat who kept up with news for business, he reflected on this absence of mentions of politics and found that it gave him "a chilling feeling, as if that absence was, in a way, intentional. Or it was his way of looking the other way." The director thought of the film as "the counterpoint to that notebook, like, the part he didn't tell." He clarified that it is fictional as his grandfather was not involved in what the banker in this film is involved in. Fontana also says that his depiction of the female characters was inspired by his grandmother, a banker's wife.
    • Autres versions
      Shown on Mubi with a interview after closing credit named "Azor: A conversation with Andreas Fontana & Matías Piñeiro". With a total running time of 120 min.
    • Bandes originales
      Estilo Pampeano
      Written by Abel Fleury (Music) by Warner Chappel Argentina

      Interpreted by Alejo de los Reyes

      With kind approval/Courtesy of Intersong Musikverlag GmbH

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    FAQ16

    • How long is Azor?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 24 mars 2022 (Argentina)
    • Pays d’origine
      • Switzerland
      • France
      • Argentina
    • Site officiel
      • Production company's website
    • Langues
      • French
      • Spanish
      • English
    • Aussi connu sous le nom de
      • 沉默代号Azor
    • Lieux de tournage
      • Balcarce, Argentine
    • sociétés de production
      • Alina Film
      • Local Films
      • Radio Télévision Suisse (RTS)
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Brut – États-Unis et Canada
      • 53 932 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 6 320 $ US
      • 12 sept. 2021
    • Brut – à l'échelle mondiale
      • 80 026 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 40m(100 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.66 : 1

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