Une fille d'une petite ville se rend à Los Angeles et trouve sa place dans un club néo-burlesque tenu par une ancienne danseuse.Une fille d'une petite ville se rend à Los Angeles et trouve sa place dans un club néo-burlesque tenu par une ancienne danseuse.Une fille d'une petite ville se rend à Los Angeles et trouve sa place dans un club néo-burlesque tenu par une ancienne danseuse.
- Prix
- 6 victoires et 21 nominations au total
Avis en vedette
Well this movie is amazing. The entire feel is Moulin Rouge meets Sex and the city.
From the dances, the costumes, the make up, the hair dos, everything was so freshly daring. The entire look of the movie was so perfect for the entire dramatic effect that this movie required and could easily pull off.
Both the actresses, Christina and Cher, were splendid with their vocals and their acting. Although Cher has been seen on and off the silver screen, this was Chistina's first major venture and she sizzled on screen.
The only pitfall for the entire movie was its very predictable and very sugary story line. There were no real black moments. Maximum it touched was a few shades of gray.
But if you enjoy musicals and have a penchant for dramatics, this is a perfect watch.
From the dances, the costumes, the make up, the hair dos, everything was so freshly daring. The entire look of the movie was so perfect for the entire dramatic effect that this movie required and could easily pull off.
Both the actresses, Christina and Cher, were splendid with their vocals and their acting. Although Cher has been seen on and off the silver screen, this was Chistina's first major venture and she sizzled on screen.
The only pitfall for the entire movie was its very predictable and very sugary story line. There were no real black moments. Maximum it touched was a few shades of gray.
But if you enjoy musicals and have a penchant for dramatics, this is a perfect watch.
The musical numbers reminded me of "Sweet Charity" and the camera moves around the Kit Kat Klub style room like Fosse's camera did in "Cabaret" The similarities stop there. The film is a brave attempt but the writing walks a very, very thin line. Was Steve Antin trying to be funny? Some of the lines were received with loud guffaws and there is no way to know if that was the intention because, personally, I felt like cringing. Never mind. It was fun. Christina has a powerful voice but not film presence and Cher is a fearless icon but she had so little to show for it. The best performance is, without question, by Stanley Tucci. The songs work at the moment you're watching them being performed but I couldn't hum a tune now, 48 hours later, for the life of me. So, I was entertained and in the big scheme of things, I guess that's enough
I can easily summarize this film into short sentences. This film has everything, everything but a plot that is. What you should expect from Burlesque is almost two hours of high powered entertainment. Burlesque is just that, entertaining. If you are going to this film to witness a great storyline unfold don't go see this film. However, if you want to be entertained with great vocals from Christina Aguilera and Cher in addition to great acting from Peter Gallagher, Stanley Tucci, Alan Cummings, and again Cher then this film is a must see. I must say prior to the screening that I attended, I was very apprehensive that I was going to see a product that resembled a "Nine" / "Coyote Ugly" blend of a film, but I was certainly wrong. Burlesque holds itself above the rest of the films in its category. The film obviously cost a lot to produce and I believe that the money was well spent. Cher's performance was excellent. Say what you want about the person, but the actress conveys a confidence level in front of the camera as though she has done this a hundred times. Stanley Tucci is also quite merit worthy in this film. His performance in "Lovely Bones" is still haunting and his role as Cher's right-hand gay best friend/costume designer in this film just shows what incredible range this actor has. The costume design, casting, choreography and set design for this film are also worthy of mention. You can count on this film definitely being nominated in the Best Film in Comedy or Musical category for the Golden Globes in December. This film will also do incredibly well at the box office. I would have no problem watching this film again.
I waited a long time to write this review. I liked the film a great deal but I'm not so sure everyone will. It is entertaining in the way of old fashioned entertainment. Other people in the theater I attended liked it a lot also. That was easy to ascertain by the loud comments both during and after the film.
The story, itself, is a little shallow, mainly it's there as a means to fill in the space in between the elaborate musical numbers. However, the story is enough for the vehicle it carries, happy ending and all.
Cher, as the club owner Tess, has top billing but the entire show is undoubtedly Christina Aguilera as country-girl turned burlesque performer Ali. I'm old enough to say that in my life I've seen most of the premiere singing performers of modern times, many in live concert. Little Christina Aguilera is not just in a class by herself. Ms. Aguilera is in another universe, perhaps even another dimension. Her voice has a tonal quality, a power and a range that is nothing short of staggering. But the best part is that she knows how to make fullest use of that magnificent instrument.
Every second that Christina Aguilera is on screen she is absolutely riveting. You can't take your eyes off of her; and not just because she's remarkably beautiful. Here she is in this film, surrounded by a good number of extremely beautiful and talented women, yet they all seem to fade into the background fog when she is on. She has something more than beauty. She radiates raw animal magnetism and positively smolders in some kind of unidentifiable sexual power that just plain overshadows everything around her. In short, this film is well worth watching just for Aguilara's screen time.
If you can tear yourself away from watching Christina, there is more here to see. All the participants turn in great performances. All the dancers surrounding her are talented and wonderful to watch. All together they create very memorable entertainment. Kristen Bell as Nikki and Julianne Hough as Georgia are great but it's Bell who is the surprise. Being so used to seeing her as the usual blonde adornment in romantic comedies she surprised me with her dancing talent. She's really good. And, Hough is a given in a dancing costume; as flawlessly great as she is beautiful.
For me, the performance I enjoyed the most other than Christina's was Stanley Tucci as Sean. Mr. Tucci is a great talent who adds character and charm to everything he does and he won't disappoint anyone here.
I saved any negatives for last and none have anything to do with the cast. I found I didn't like the sound the way it was presented. The techniques they used tended to make the performances almost look like they were all canned/lip synced. I'm sure they thought the vocals had more power the way they did them but it truthfully detracted from the overall presentation.
The decision to make a PG-13 rated film was, no doubt, made to try and capture the kiddie ticket buyers. I honestly feel that if they actually pulled out the stops and made an honest R rated film with a more adult slant it would have been better and more profitable in the long run. To me, trying to make anything called "BURLESQUE" anything other than an adult film just seems ludicrous on the face of it.
In spite of the negatives it's still entertaining. I'll take friends to see it with a clear conscience.
By Bruce L. Jones
http://webpages.charter.net/bruce.jones1/
The story, itself, is a little shallow, mainly it's there as a means to fill in the space in between the elaborate musical numbers. However, the story is enough for the vehicle it carries, happy ending and all.
Cher, as the club owner Tess, has top billing but the entire show is undoubtedly Christina Aguilera as country-girl turned burlesque performer Ali. I'm old enough to say that in my life I've seen most of the premiere singing performers of modern times, many in live concert. Little Christina Aguilera is not just in a class by herself. Ms. Aguilera is in another universe, perhaps even another dimension. Her voice has a tonal quality, a power and a range that is nothing short of staggering. But the best part is that she knows how to make fullest use of that magnificent instrument.
Every second that Christina Aguilera is on screen she is absolutely riveting. You can't take your eyes off of her; and not just because she's remarkably beautiful. Here she is in this film, surrounded by a good number of extremely beautiful and talented women, yet they all seem to fade into the background fog when she is on. She has something more than beauty. She radiates raw animal magnetism and positively smolders in some kind of unidentifiable sexual power that just plain overshadows everything around her. In short, this film is well worth watching just for Aguilara's screen time.
If you can tear yourself away from watching Christina, there is more here to see. All the participants turn in great performances. All the dancers surrounding her are talented and wonderful to watch. All together they create very memorable entertainment. Kristen Bell as Nikki and Julianne Hough as Georgia are great but it's Bell who is the surprise. Being so used to seeing her as the usual blonde adornment in romantic comedies she surprised me with her dancing talent. She's really good. And, Hough is a given in a dancing costume; as flawlessly great as she is beautiful.
For me, the performance I enjoyed the most other than Christina's was Stanley Tucci as Sean. Mr. Tucci is a great talent who adds character and charm to everything he does and he won't disappoint anyone here.
I saved any negatives for last and none have anything to do with the cast. I found I didn't like the sound the way it was presented. The techniques they used tended to make the performances almost look like they were all canned/lip synced. I'm sure they thought the vocals had more power the way they did them but it truthfully detracted from the overall presentation.
The decision to make a PG-13 rated film was, no doubt, made to try and capture the kiddie ticket buyers. I honestly feel that if they actually pulled out the stops and made an honest R rated film with a more adult slant it would have been better and more profitable in the long run. To me, trying to make anything called "BURLESQUE" anything other than an adult film just seems ludicrous on the face of it.
In spite of the negatives it's still entertaining. I'll take friends to see it with a clear conscience.
By Bruce L. Jones
http://webpages.charter.net/bruce.jones1/
When going to watch Burlesque you first have to know a few things:
1.) You are watching this movie, knowing the acting isn't going to be great, but to see great musical numbers and fantastic costumes.
2.) The acting is partially terrible because of the cliche ridden but not mind-numbing storyline, and corny writing.
3.) Cher is great, but understanbly only contributed two songs. Would have loved to see more Cher action, but she hadn't recorded original songs for 7 years. She is also aging, gracefully, but aging nonetheless. This movie was made for Christina Aguilera.
4.) Christina Aguilera. I have a love/hate relationship with her musical career, but you cannot deny the power of her voice in this film and just in general. Her range, control, vibrato and power are just astounding and really shine in the musical numbers. She also looks fantastic here, and does a great job of playing a believable small-town girl trying to make it big.
4.) Stanley Tucci is a national treasure, and is delightful throughout the film with most of the best lines. The whole cast did a great job as well, but Stanley Tucci is great at playing these types of rolls and you can tell he has total fun with it.
This movie is great if you like musicals and don't mind sitting through a cute but predictable storyline. As a seamstress I am in love with the costumes, particularly the green silk dress Christina wears 3/4 of the way through the film. It's dramatic, got a really beautiful built in corset, and with the minimal makeup, hair and jewelry she is transformed into a goddess.
1.) You are watching this movie, knowing the acting isn't going to be great, but to see great musical numbers and fantastic costumes.
2.) The acting is partially terrible because of the cliche ridden but not mind-numbing storyline, and corny writing.
3.) Cher is great, but understanbly only contributed two songs. Would have loved to see more Cher action, but she hadn't recorded original songs for 7 years. She is also aging, gracefully, but aging nonetheless. This movie was made for Christina Aguilera.
4.) Christina Aguilera. I have a love/hate relationship with her musical career, but you cannot deny the power of her voice in this film and just in general. Her range, control, vibrato and power are just astounding and really shine in the musical numbers. She also looks fantastic here, and does a great job of playing a believable small-town girl trying to make it big.
4.) Stanley Tucci is a national treasure, and is delightful throughout the film with most of the best lines. The whole cast did a great job as well, but Stanley Tucci is great at playing these types of rolls and you can tell he has total fun with it.
This movie is great if you like musicals and don't mind sitting through a cute but predictable storyline. As a seamstress I am in love with the costumes, particularly the green silk dress Christina wears 3/4 of the way through the film. It's dramatic, got a really beautiful built in corset, and with the minimal makeup, hair and jewelry she is transformed into a goddess.
Le saviez-vous
- AnecdotesThe photo of seven-year-old Ali with her mother is a photo of a much younger Christina Aguilera with her mother, Shelly Kearns.
- GaffesYou can hear feedback when Ali is onstage and Nikki sabotages the mixing console. You can not create feedback by disconnecting the inputs. Feedback is usually caused by microphones, and since the dancers were supposed to be lip-syncing at this point, the microphones on stage would not be live to create feedback anyway.
- Générique farfeluThe credits play over a background of the stage set from the final scene ("Show Me How to Burlesque" dance number).
- ConnexionsEdited into 5 Second Movies: Burlesque (2010)
- Bandes originalesMakin' Plans
Written and Performed by Miranda Lambert
Courtesy of Columbia Nashville
By arrangement with Sony Music Licensing
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Noches de encanto
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 55 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 39 440 655 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 11 947 744 $ US
- 28 nov. 2010
- Brut – à l'échelle mondiale
- 89 520 336 $ US
- Durée1 heure 59 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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