ÉVALUATION IMDb
5,8/10
14 k
MA NOTE
Un regard sur la vie de la légendaire pilote américaine Amelia Earhart, qui a disparu en survolant l'océan Pacifique en 1937 pour tenter d'effectuer un vol autour du monde.Un regard sur la vie de la légendaire pilote américaine Amelia Earhart, qui a disparu en survolant l'océan Pacifique en 1937 pour tenter d'effectuer un vol autour du monde.Un regard sur la vie de la légendaire pilote américaine Amelia Earhart, qui a disparu en survolant l'océan Pacifique en 1937 pour tenter d'effectuer un vol autour du monde.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 3 victoires et 4 nominations au total
5,814.1K
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Avis en vedette
A Highlights Reel
I was very disappointed with this movie. It's an honest statement and I am prepared to explain why.
This film had so much on its side. Excellent actors, a fascinating subject, in fact the whole thing reeked of Oscar-Worthy... until it actually showed up in theaters. Perhaps it really did try, and I can tell that it was MEANT to be an awards movie. It couldn't be further from worthy.
"Amelia" is a highlights reel of Amelia Earhart's life, faithfully chronicling all the significant events of the famed aviatrix's career. However, it is hollow and nowhere is this more apparent than in the depiction of Earhart's relationships. Or the lack of it. There's no buildup, no exposition, no sort of character interaction to motivate any kind of bond or love forming between individuals. Things just kind of... HAPPEN. Amelia falls in love, falls out of love, and falls in love all over again, all without any sort of event or prompt to motivate it.
In fact, that's the problem of the entire film. Things just HAPPEN with little or not buildup or motivation in between. Poignant moments come and go with no warning or conclusion, rendering them meaningless and out of context. It seems almost as though the director Mira Nair tried a little too hard in the wrong direction.
This is a biopic, not a biography. Plenty of biographies have been written about Ms. Earhart already, the facts belong there. This is supposed to be a movie, and whereas I have no quarrel with facts, they are not the most important aspects. Movies are supposed to be snapshots, truer to the SPIRIT of a character and the MESSAGE of a story than the events within. Events in and of themselves are hollow and meaningless unless the MOTIVATIONS behind them are explained. In "Amelia", they sadly are not, and we are relegated to seeing the brilliant moments of Amelia's life pass with emotionless detachment. Why? Because this movie makes no effort in building character, assuming that the actors' charisma and the fame of their names would automatically make us invested in their fates.
Ms. Nair, you were mistaken.
This film had so much on its side. Excellent actors, a fascinating subject, in fact the whole thing reeked of Oscar-Worthy... until it actually showed up in theaters. Perhaps it really did try, and I can tell that it was MEANT to be an awards movie. It couldn't be further from worthy.
"Amelia" is a highlights reel of Amelia Earhart's life, faithfully chronicling all the significant events of the famed aviatrix's career. However, it is hollow and nowhere is this more apparent than in the depiction of Earhart's relationships. Or the lack of it. There's no buildup, no exposition, no sort of character interaction to motivate any kind of bond or love forming between individuals. Things just kind of... HAPPEN. Amelia falls in love, falls out of love, and falls in love all over again, all without any sort of event or prompt to motivate it.
In fact, that's the problem of the entire film. Things just HAPPEN with little or not buildup or motivation in between. Poignant moments come and go with no warning or conclusion, rendering them meaningless and out of context. It seems almost as though the director Mira Nair tried a little too hard in the wrong direction.
This is a biopic, not a biography. Plenty of biographies have been written about Ms. Earhart already, the facts belong there. This is supposed to be a movie, and whereas I have no quarrel with facts, they are not the most important aspects. Movies are supposed to be snapshots, truer to the SPIRIT of a character and the MESSAGE of a story than the events within. Events in and of themselves are hollow and meaningless unless the MOTIVATIONS behind them are explained. In "Amelia", they sadly are not, and we are relegated to seeing the brilliant moments of Amelia's life pass with emotionless detachment. Why? Because this movie makes no effort in building character, assuming that the actors' charisma and the fame of their names would automatically make us invested in their fates.
Ms. Nair, you were mistaken.
Excellent
A tasteful, excellent film... way more than what some reviewers have said, well written, well acted,and thoroughly enjoyable. I'd recommend it for young women as a history lesson and story about what women have done in American history. And, I recommend it to all the women who have fought so hard for women's rights, and all the men who truly love women. Will someone please do movies on many of the other wonderful women of our history? And, follow the example of this film, please. Congratulations to everyone involved! I almost didn't go because of some of the silly reviews from people saying it was long, or the end was bad, or it was like a Discovery Ch. travel picture. Do these sad souls need a lot of cranky language and boring crashes just to feel like they've seen a movie, too many video games? This was beautiful and thoughtful... Thank you!
Ordinary film of extraordinary woman
Sorry, it's just not enough to have Hillary Swank look the part, which she does. This movie had all the historical ingredients to be a great film, and it instead falls back into the same old bland dialog and formula plot that sinks so many biography movies. This film is like a made for TV movie - paints a pretty picture and refuses to go where no man, or no woman, has gone before. Which means it's a whitewash of history. Offers no real interesting insights into this extraordinary woman - not even her mysterious disappearance. For once, why not just stick to the facts, and give us a slightly less glamorous Amelia, minimize the love story, and show what a truly remarkable explorer she was? How dangerous her flying really was, and the challenges she had to overcome, both in the air and on the ground, in a male-dominated society. This film touches on this, but rather than paint with strong strokes, it uses an airbrush. Not a complete waste of time, just average.
Homage
A delicate strong story.But not a biography. Only homage for a belief, vision and adventure. So, it is difficult to define a film without great ambitions but with good taste.The bricks are not the truth or realistic portrait. Feelings, pieces from gestures and sage wise are gift for the public. And a sun - shine Hilary Swank. A Richard Gere , same lost hero of old years. The fever of fly, the small details and interior fight, the end as mist and flavor of a dream in the skin of reality. It is not a chronicle, testimony or documentary. It is not a masterpiece but may be a beautiful pendant.Must see! For a travel in the teenage corners.
The story behind the legend
Mira Nair brings to life the story of Amelia Earhart in Amelia. It stars Hilariy Swank, who just might have acted her way into another Oscar nomination and potential win. Alongside her is Richard Gere as George Putnam as her publicist and partner. The story starts with her emergence into the public eye when she tried to become the first woman to fly over the Atlantic Ocean. She does so but not alone, something she would later try to accomplish.
As her popularity grows so does Putnam's interest in his starlet. He wants her to be famous and to be loved. All she wants is to fly. Together they help make strides for female pilots everywhere. In the days leading up to and including the Great Depression, aviation was a primarily male dominated world, but that mattered very little for Amelia.
Along the way she becomes acquainted with Gene Vidal (Ewan McGregor), a pilot himself and someone that Amelia becomes very close to. Amelia's free spirited nature and desire to be set free come in the way with her feelings for Putnam, and as well as Vidal.
The film is not just about one person, but about a person's dreams, desires, and ambition. Amelia lectures and speaks out for women's rights, advocating for them to follow their dreams of either becoming a pilot like her, or just living their life the way they want to. She doesn't want to be tethered down or restricted.
Swank gives a solid performance as the flying ace. She both looks the part and acts the part very well. I must say that I did not know an awful lot about Amelia Earhart other than the common knowledge about her, but I feel like Swank embodied pretty much what I would expect Amelia to be. Swank has such confidence on screen and is not afraid to let it all hang out there. Though her performances in Boys Don't Cry and Million Dollar Baby are more impressive, this is a finely tuned character she has developed and a very likable one. Gere too gives a great performance. He does a great job of becoming Putnam ever so slightly with his voice. It's the tiniest of inflections but it is effective nonetheless.
Nair does a great job of capturing the beauty of flight and the ability that the world has to take you breath away. I didn't think this was a visually stunning film, but a well constructed biopic that tells a story we want to hear. I was interested in how she would present her final flight around the world and I was pleased with how she broke it up into segments and didn't try to make it recreate things we don't know about like in The Perfect Storm. The mystery is still there.
Parts of the film are a bit dry, clichéd, and repetitive, but overall this was a nice film about someone who shouldn't be forgotten. It's a good story with great characters, fine acting, and is pleasing to watch.
As her popularity grows so does Putnam's interest in his starlet. He wants her to be famous and to be loved. All she wants is to fly. Together they help make strides for female pilots everywhere. In the days leading up to and including the Great Depression, aviation was a primarily male dominated world, but that mattered very little for Amelia.
Along the way she becomes acquainted with Gene Vidal (Ewan McGregor), a pilot himself and someone that Amelia becomes very close to. Amelia's free spirited nature and desire to be set free come in the way with her feelings for Putnam, and as well as Vidal.
The film is not just about one person, but about a person's dreams, desires, and ambition. Amelia lectures and speaks out for women's rights, advocating for them to follow their dreams of either becoming a pilot like her, or just living their life the way they want to. She doesn't want to be tethered down or restricted.
Swank gives a solid performance as the flying ace. She both looks the part and acts the part very well. I must say that I did not know an awful lot about Amelia Earhart other than the common knowledge about her, but I feel like Swank embodied pretty much what I would expect Amelia to be. Swank has such confidence on screen and is not afraid to let it all hang out there. Though her performances in Boys Don't Cry and Million Dollar Baby are more impressive, this is a finely tuned character she has developed and a very likable one. Gere too gives a great performance. He does a great job of becoming Putnam ever so slightly with his voice. It's the tiniest of inflections but it is effective nonetheless.
Nair does a great job of capturing the beauty of flight and the ability that the world has to take you breath away. I didn't think this was a visually stunning film, but a well constructed biopic that tells a story we want to hear. I was interested in how she would present her final flight around the world and I was pleased with how she broke it up into segments and didn't try to make it recreate things we don't know about like in The Perfect Storm. The mystery is still there.
Parts of the film are a bit dry, clichéd, and repetitive, but overall this was a nice film about someone who shouldn't be forgotten. It's a good story with great characters, fine acting, and is pleasing to watch.
Le saviez-vous
- AnecdotesThe movie shows Amelia Earhart finishing third in the first Santa Monica-to-Cleveland Women's Air Derby in 1929, but doesn't explain why. Earhart and her friend Ruth Nichols were tied for first at the last stop before the final leg. Nichols took off right before Earhart, but her plane clipped a tractor on the runway and flipped over. Instead of taking off, Earhart ran to Nichols's plane to drag her to safety. After Earhart was sure that Nichols was not seriously hurt, she took off for Cleveland and finished third. Women in the Wind (1939) is based on the same air race and features a plot loosely inspired by the incident.
- GaffesWhen Amelia is approaching Karachi, it is 1935 and the caption on the screen states "Karachi, Pakistan". Pakistan didn't exist until Partition in 1947, when the British government declared that part of India a separate country.
- Citations
George Putnam: Come back to me.
Amelia Earhart: Always.
- ConnexionsFeatured in The 81st Annual Academy Awards (2009)
- Bandes originalesCalon Lan
Written by John Hughes and Daniel James
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Amelia
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 14 246 488 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 904 047 $ US
- 25 oct. 2009
- Brut – à l'échelle mondiale
- 19 643 086 $ US
- Durée
- 1h 51m(111 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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