En 1961, Kempton Bunton, un chauffeur de taxi de 60 ans, vole le portrait de Goya du duc de Wellington à la National Gallery de Londres.En 1961, Kempton Bunton, un chauffeur de taxi de 60 ans, vole le portrait de Goya du duc de Wellington à la National Gallery de Londres.En 1961, Kempton Bunton, un chauffeur de taxi de 60 ans, vole le portrait de Goya du duc de Wellington à la National Gallery de Londres.
- Director
- Writers
- Stars
- Prix
- 1 victoire et 6 nominations au total
Avis en vedette
I really, really liked this film. The acting is brilliant, Dame Helen Mirren plays an amazing bitter old woman. Even though the film is advertised as a comedy, it is just as much a drama about a family just trying to have their voices heard. The court scene at the end is brilliantly written and definitely hits you in the feels, hard. It was bold, but then again so is the true story behind the film. I commend that man for standing up for what is right and fair, in the face of adversity. I recommend this to any British film lovers, or if you just need a good dramedy in your life for a minute. 4 stolen paintings out of 5.
A tonic for these sombre times, this sweet natured light and easy comedy tells the tale of how in 1961 an eccentric man from Newcastle stole a valuable Goya portrait from London's national gallery. It's a wonderfully old fashioned film which echoes well the flavour humour and style of the Ealing comedies, mixing split screen archive film with superbly grimy re-creations of old Newcastle and London, and just a little bit if social comment too. Jim Broadbent and Helen Mirren revel in it all, as do rest of the cast, and the whole things cruises along and raises a many a smile - a tonic indeed. It's also a true story. Highly recommended.
This movie put a smile on my face. It was nice to watch something so uplifting and entertaining. Great cast and good characters. I gave it an 8 because the court scenes were so great, the rest of the film is probably a 6.5/7.
I really wasn't expecting to enjoy 'The Duke' as much as I did, but found myself enthralled and charmed by the lighthearted screenplay that also carries a heartwarming message.
The performances from Jim Broadbent and Helen Mirren (occasionally dodgy accents aside) are great. Broadbent in particular shines in his role as the lovable rogue Kempton Bunton.
The story is very enjoyable. Lots of effective comedy, some strong messages around social justice that feel very pertinent today, and a central conceit that you won't believe is based on real events!
At only 90 minutes long, the film has a great pace to it, keeping things moving and not getting bogged down in any unnecessary detail. There's nothing particularly flashy in the film making, but it is all very effective.
A brilliant British film and much better than I would have thought.
The performances from Jim Broadbent and Helen Mirren (occasionally dodgy accents aside) are great. Broadbent in particular shines in his role as the lovable rogue Kempton Bunton.
The story is very enjoyable. Lots of effective comedy, some strong messages around social justice that feel very pertinent today, and a central conceit that you won't believe is based on real events!
At only 90 minutes long, the film has a great pace to it, keeping things moving and not getting bogged down in any unnecessary detail. There's nothing particularly flashy in the film making, but it is all very effective.
A brilliant British film and much better than I would have thought.
I admit, I am a huge fan of Jim Broadbent. I've always enjoyed everything I've seen him. Almost always, he portrays someone slightly eccentric, which I suppose I relate to.
The Duke, is once again, a gentle British comedy, of which he excels in. Dame Helen Mirren as his long suffering partner gives a well deserved performance but to me, Jim Broadbent steals the show.
If your lucky enough to have lived in the 1960s, or even interested in the period, you will love this slow, gentle comedy, as I did.
I only hope that Jim Broadbent is awarded the critical acclaim for which he is long overdue in receiving. He is an absolute icon of British Cinema and and a National Treasure.
This is an absolute Gem!!!
The Duke, is once again, a gentle British comedy, of which he excels in. Dame Helen Mirren as his long suffering partner gives a well deserved performance but to me, Jim Broadbent steals the show.
If your lucky enough to have lived in the 1960s, or even interested in the period, you will love this slow, gentle comedy, as I did.
I only hope that Jim Broadbent is awarded the critical acclaim for which he is long overdue in receiving. He is an absolute icon of British Cinema and and a National Treasure.
This is an absolute Gem!!!
Le saviez-vous
- AnecdotesEON productions, who are the producers of the official James Bond film series are notoriously protective of their property and rarely give permission for clips to be used in other studio's movies for fear of the clips being misused or lampooned. In this case Dame Helen Mirren and director Roger Michell personally asked the Bond producers Barbara Broccoli and Michael G. Wilson for permission to use the Scene from James Bond 007 contre Dr. No (1962) and promised the scene would be used in context and not adulterated in any way. A small fee was paid (which was donated to charity) and Broccoli and Wilson were allowed to view the finished film with the promise of that if they didn't like how the scene was used then it would be removed before release. Fortunately, they had no complaints.
- GaffesWhen visiting Kempton in his remand cell to discuss his ongoing court case, his QC leans on the "brick" cell wall, which clearly bends and rebounds, seemingly made of a rubberised material cast to resemble old painted brickwork.
- Citations
Kempton Bunton: I'd just finished reading Joseph Conrad's Heart Of Darkness and I felt a need to explore Sunderland.
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Détails
Box-office
- Brut – États-Unis et Canada
- 1 526 970 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 25 776 $ US
- 24 avr. 2022
- Brut – à l'échelle mondiale
- 14 233 027 $ US
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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