ÉVALUATION IMDb
6,9/10
16 k
MA NOTE
En 1961, Kempton Bunton, un chauffeur de taxi de 60 ans, vole le portrait de Goya du duc de Wellington à la National Gallery de Londres.En 1961, Kempton Bunton, un chauffeur de taxi de 60 ans, vole le portrait de Goya du duc de Wellington à la National Gallery de Londres.En 1961, Kempton Bunton, un chauffeur de taxi de 60 ans, vole le portrait de Goya du duc de Wellington à la National Gallery de Londres.
- Director
- Writers
- Stars
- Prix
- 1 victoire et 6 nominations au total
Avis en vedette
A good story which is told well and has some great acting performances. It wasn't as funny as I was expecting with a fair bit of focus on a tragedy and everyday life, but it was still pretty humorous and enjoyable throughout. The setting and style felt authentic and the seamless use of stock footage complemented this.
This movie put a smile on my face. It was nice to watch something so uplifting and entertaining. Great cast and good characters. I gave it an 8 because the court scenes were so great, the rest of the film is probably a 6.5/7.
A tonic for these sombre times, this sweet natured light and easy comedy tells the tale of how in 1961 an eccentric man from Newcastle stole a valuable Goya portrait from London's national gallery. It's a wonderfully old fashioned film which echoes well the flavour humour and style of the Ealing comedies, mixing split screen archive film with superbly grimy re-creations of old Newcastle and London, and just a little bit if social comment too. Jim Broadbent and Helen Mirren revel in it all, as do rest of the cast, and the whole things cruises along and raises a many a smile - a tonic indeed. It's also a true story. Highly recommended.
I really wasn't expecting to enjoy 'The Duke' as much as I did, but found myself enthralled and charmed by the lighthearted screenplay that also carries a heartwarming message.
The performances from Jim Broadbent and Helen Mirren (occasionally dodgy accents aside) are great. Broadbent in particular shines in his role as the lovable rogue Kempton Bunton.
The story is very enjoyable. Lots of effective comedy, some strong messages around social justice that feel very pertinent today, and a central conceit that you won't believe is based on real events!
At only 90 minutes long, the film has a great pace to it, keeping things moving and not getting bogged down in any unnecessary detail. There's nothing particularly flashy in the film making, but it is all very effective.
A brilliant British film and much better than I would have thought.
The performances from Jim Broadbent and Helen Mirren (occasionally dodgy accents aside) are great. Broadbent in particular shines in his role as the lovable rogue Kempton Bunton.
The story is very enjoyable. Lots of effective comedy, some strong messages around social justice that feel very pertinent today, and a central conceit that you won't believe is based on real events!
At only 90 minutes long, the film has a great pace to it, keeping things moving and not getting bogged down in any unnecessary detail. There's nothing particularly flashy in the film making, but it is all very effective.
A brilliant British film and much better than I would have thought.
This factual film about the theft of Goya's painting of the Duke of Wellington, by a taxi driver, Kempton Bunton in 1961, has both Jim Broadbent and Helen Mirren in top form. This highly enjoyable film delivers fine performances from a stellar cast. The painting is held for a ransom for the price paid by the National Gallery in order to subsidize pensionares and the elderly. Jim Broadbent gives a very comic performance in a court room scene worth many belly laughs. Mirren, as his hard working wife, gives a gritty performance in a very unflattering physical role. Having never heard of this true story, I enjoyed learning something new and enjoyed a very British film with very fine actors portraying real people.
Le saviez-vous
- AnecdotesEON productions, who are the producers of the official James Bond film series are notoriously protective of their property and rarely give permission for clips to be used in other studio's movies for fear of the clips being misused or lampooned. In this case Dame Helen Mirren and director Roger Michell personally asked the Bond producers Barbara Broccoli and Michael G. Wilson for permission to use the Scene from James Bond 007 contre Dr. No (1962) and promised the scene would be used in context and not adulterated in any way. A small fee was paid (which was donated to charity) and Broccoli and Wilson were allowed to view the finished film with the promise of that if they didn't like how the scene was used then it would be removed before release. Fortunately, they had no complaints.
- GaffesWhen visiting Kempton in his remand cell to discuss his ongoing court case, his QC leans on the "brick" cell wall, which clearly bends and rebounds, seemingly made of a rubberised material cast to resemble old painted brickwork.
- Citations
Kempton Bunton: I'd just finished reading Joseph Conrad's Heart Of Darkness and I felt a need to explore Sunderland.
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Détails
Box-office
- Brut – États-Unis et Canada
- 1 526 970 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 25 776 $ US
- 24 avr. 2022
- Brut – à l'échelle mondiale
- 14 233 027 $ US
- Durée
- 1h 35m(95 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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