La relation d'un couple marié moderne, qui démontre l'évolution de la relation à travers les années en passant par le temps en entrecroisements.La relation d'un couple marié moderne, qui démontre l'évolution de la relation à travers les années en passant par le temps en entrecroisements.La relation d'un couple marié moderne, qui démontre l'évolution de la relation à travers les années en passant par le temps en entrecroisements.
- Réalisation
- Scénaristes
- Vedettes
- Nommé pour 1 oscar
- 9 victoires et 56 nominations au total
Avis en vedette
Surprisingly well done. I was a bit skeptical at first . . .
The key point here is that is an anatomy of a marriage that has dissolved over time, becoming increasingly irrelevant to the wife, and evermore difficult for the husband to comprehend or connect with what's going on with his wife.
I've seen this before, in real life. Sometimes, marriages just come apart over time, even if they started out with the best of intentions and all the chemistry that can be imagined. It just happens . . . people change over time, and often, not in sync with each other. There's no real "bad guy" in the scenario portrayed . . . just the realities of how people drift apart, to the point of no return. Trust me on this one, this does happen.
This film may not be for everyone, but for those who can relate with this type of story, this is probably one of the best attempts yet which delivers a reasonably realistic depiction of what this can be like.
Is romantic love the ultimate form of masochism?
Fine young actors Ryan Gosling and Michelle Williams play Dean and Cindy, who unite through a dogged courtship. Dean is easy-going, happy-go-lucky and content in his removal and packing company. He is chary of formal education, but has a philosopher's outlook. Cindy is sexually over-active and, although occasionally frolicsome, is more mature than Dean. About five years on, romance becomes repulsion, and their marriage becomes one of inconvenience.
Make no mistake, this is uncomfortable viewing – not the sex, which serves the story quite well – but the paranoia, pettiness and pugnacity in the couple's interaction. They reach their nadir when he practically begs for affection, and she pleads with him to be more ambitious.
No two actors have complemented each other this well for some time. In an age where vapid acting is vogue, Gosling is a novelty. He is very charming, yet he has a mournful countenance, and possesses a James Dean-like vulnerability. He'd be my poster-on-the-wall if I were 13.
I can't get that entrancing scene where Dean serenades Cindy out of my head. Dean's philosophical outpourings may be interpreted by some as drivel, but more sensitive viewers will detect the shattering honesty. A memorable maxim: 'Girls spend their whole life looking for Prince Charming and then marry the guy who's got a good job and is gunna stick around.'
We go to the movies – many of us – to escape real life. Comfortable as voyeurs, we let our favourite stars distract us and we forget our worries. But 'Blue Valentine' shows a truth no cinema can shield us from. It mustn't be missed.
www.scottishreview.net
A story for the wounded
It is one that I will recommend that everyone see. Not because I want them to be sad or because I think they could learn anything new but because I think everyone should want to see the best of everything and this film is the best of its genre that I have ever seen. The acting is perfect. The metaphors are delicious and the hidden signs are just waiting to be uncovered.
Another great thing about this movie is that it is interesting to get different perspectives from your friends as to what they think happened in the movie and to whose side they are on. It is unlikely that they will have trouble connecting to or relating to the characters in Blue Valentine no matter if they have ever been married or had kids before.
Don't expect this to be a date movie or a nice happy rom-com. It is pretty much the anti-thesis of a date movie.
Finally, a realistic romantic movie
Blue Valentine represents realisticly a failing relationship. From the over-the-shoulder perspective, the depth of field mainly focusing on character and the exceptionnal acting by Michelle Williams and Ryan Gosling, it felt like you couldn't stand being in that relationship. It was so real.
Also, kudos to the soundtrack.
Emotionally exhausting.
It's a very well made film with beautiful shots and amazing acting. The story and themes are well fleshed out and provide for some uncomfortable scenes throughout the movie. From a film-making standpoint, this movie is great.
Despite its technical aspects that I loved, I simply did not enjoy this film all that much. There were too many uncomfortable scenes that included sex, domestic violence, and other intense events. While well made, this film seems like a one time watch. I cannot imagine putting myself through such a depressing movie again.
Le saviez-vous
- AnecdotesThe scenes in the "past" when Dean and Cindy are falling in love were shot first, in three weeks. After this, Ryan Gosling and Michelle Williams spent a month together in a rented house to age themselves in preparation for the "present" scenes. They spent a lot of their time grocery shopping, cooking dinner and learning to pick fights with each other.
- GaffesAfter the argument at Cindy's workplace, Dean's necklace is visibly broken with the chain hanging down the front of his shirt. In the next shot, the necklace is intact again.
- Citations
Dean: I feel like men are more romantic than women. When we get married, we marry, like, one girl, 'cause we're resistant the whole way until we meet one girl and we think, "I'd be an idiot if I didn't marry this girl. She's so great." But it seems like girls get to a place where they just kinda pick the best option or something. I know girls that get married. They're like, "Oh, he's got a good job." I mean they spend their whole life looking for Prince Charming and then they marry the guy who's got a good job and is gonna stick around.
- Générique farfeluThe initial credits, showing major cast and crew, play over a montage of stills from the film and clips of fireworks.
- ConnexionsFeatured in At the Movies: Summer Special 2010/11 (2010)
- Bandes originalesUnicorn Tears
Written and Performed by Ryan Gosling
Meilleurs choix
- How long is Blue Valentine?Propulsé par Alexa
Détails
Box-office
- Budget
- 1 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 9 706 328 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 193 728 $ US
- 2 janv. 2011
- Brut – à l'échelle mondiale
- 15 440 333 $ US
- Durée
- 1h 52m(112 min)
- Couleur
- Mixage
- Rapport de forme
- 1.66 : 1






