Lorsque Patrizia Reggiani, une étrangère modeste, se marie avec la famille Gucci, son ambition débridée déclenche une spirale de trahison, de vengeance et finalement de meurtre.Lorsque Patrizia Reggiani, une étrangère modeste, se marie avec la famille Gucci, son ambition débridée déclenche une spirale de trahison, de vengeance et finalement de meurtre.Lorsque Patrizia Reggiani, une étrangère modeste, se marie avec la famille Gucci, son ambition débridée déclenche une spirale de trahison, de vengeance et finalement de meurtre.
- Réalisation
- Scénaristes
- Vedettes
- Nommé pour 1 oscar
- 17 victoires et 79 nominations au total
6,6172K
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Avis en vedette
Visually appealing
I was a little bit afraid of diving into this movie as it has an extensive running time of 154 minutes, which is a lot for a biographical drama, but I was pleasantly surprised by how immensely intriguing the story was.
The best part of the movie for me was its visual appeal. "House of Gucci" has something breathtaking in practically every frame and just for that it deserves a watch.
The best part of the movie for me was its visual appeal. "House of Gucci" has something breathtaking in practically every frame and just for that it deserves a watch.
the joys of family
Greetings again from the darkness. I've never purchased or owned anything Gucci, but that didn't prevent me from enjoying the heck out of Ridley Scott's film that brings the longest, most expensive and dangerous real life episode of 'Family Feud' to the big screen. It's co-written by Becky Johnston and Roberto Bentivegna, and is based on the 2001 book, "House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed" by Sara Gay Forden. Brace yourself for a (mostly) true wild ride, and for what is likely to be one of the year's most divisive films - plenty of love and hate (just like the actual story).
What happens when a brand is so closely associated with a family name? The arguments begin on who 'deserves' to be a Gucci, who is a 'real' Gucci, and who should make the decisions that impact the Gucci family and business wealth and reputation. During the extended run time (2 hours, 37 minutes), we see many of the iconic Gucci items: the Flora scarf, the moccasins, the bamboo bag, and the watches. And though high fashion is always present, director Scott has delivered a spectacle of romance, family riffs, extravagance, greed, power, betrayal, revenge, and crime.
Lady Gaga (Oscar winner, A STAR IS BORN, 2018) stars as Patrizia, the newest Gucci. Hers is not blind ambition, but rather calculated and laser-focused. That she implodes a dysfunctional family is only a portion of the story. After marrying Maurizio Gucci (Adam Driver), Patrizia immediately begins manipulating her husband into reconciling with his family and taking on an active role in a business for which he previously had little interest. This is simply step two (the first was marriage) in her grand scheme to control the business and the money. Maurizio's father Rodolfo (Oscar winner Jeremy Irons, REVERSAL OF FORTUNE, 1990) is ailing, so it's Uncle Aldo (Oscar winner Al Pacino, SCENT OF A WOMAN, 1992) to whom Patrizia directs her attention. She plays it like a chess match - only this is more entertaining to watch unfold.
Also in the picture is Paolo Gucci (a truly unrecognizable Jared Leto, Oscar winner, DALLAS BUYERS CLUB), Aldo's son, and a family outcast. Paolo is a wildly creative individual who tends to his pet pigeons and tries desperately to find his place in the family. Jack Huston plays Dominico De Sole, Rodolfo's consigliere and the family attorney. Each of the characters is given their time in the spotlight, including a terrific breakfast scene with Pacino and Irons. Of course this is mostly Patrizia's story, so it's Lady Gaga's performance that will attract much of the attention and commentary. I found her mesmerizing and twisted fun to watch as she proceeded with backstabbing and trickery. Driver's quietly intense approach makes the perfect contrast to hers.
If you are familiar with the story, you know that Maurizio does eventually run the company, and he also tires of Patrizia's family-crushing antics ... which send him back into the arms of Paola Franchi (Camile Cottin, STILLWATER, 2021). This turns the campy and juicy melodrama factor up to 11 (on the Spinal Tap scale). Patrizia's frequent trips to fortune teller and TV psychic Pina Auriemma (Salma Hayek) cause a massive tonal shift in the film, leading to the well-documented conclusion. If all this isn't strange enough, Ms. Hayek is the real-life spouse of the CEO of Gucci's present-day parent company, Kering. Reeve Carney ("Penny Dreadful") has a small, yet vital role as up-and-coming fashion designer Tom Ford.
In this movie, it's easy to describe some performances as hammy or over-the-top, but that's likely to only hold as a first reaction. Leto's characterization of Paolo sticks out so much from the others ... but he was known as eccentric, and at best, was patronized by the family. It seems highly likely that his personality and approach stood in stark contrast to the old-school style of his father Aldo, or the more staid personalities of his Uncle Rodolfo and cousin Maurizio. Lady Gaga as Patrizia is cunning and shrewd in her calculated approach to re-structure the family and the business. She plays whatever games she must to get where she wants to be. I found her first half performance to be truly outstanding. Pacino is the actor who has trademarked hammy performances over the years, yet here, he fully grasps his role and character, and is a delight to watch.
Much of this is documented by history, though the Gucci family claims not all is or was how it seems. Whether the boost in counterfeiting/knock-offs went down in the 70's and 80's as it's portrayed here, might be an area worth researching, but this is much less a case study in business principles as it is one in family dynamics. I'll certainly understand those who argue against the story structure here, but the entertainment value proved to be enough for me. As the Gucci tagline goes, "Quality is remembered long after price is forgotten", but the backstabbing and disloyalty is never forgotten - despite providing great theater (and fashion).
Opens in theaters on November 24, 2021.
What happens when a brand is so closely associated with a family name? The arguments begin on who 'deserves' to be a Gucci, who is a 'real' Gucci, and who should make the decisions that impact the Gucci family and business wealth and reputation. During the extended run time (2 hours, 37 minutes), we see many of the iconic Gucci items: the Flora scarf, the moccasins, the bamboo bag, and the watches. And though high fashion is always present, director Scott has delivered a spectacle of romance, family riffs, extravagance, greed, power, betrayal, revenge, and crime.
Lady Gaga (Oscar winner, A STAR IS BORN, 2018) stars as Patrizia, the newest Gucci. Hers is not blind ambition, but rather calculated and laser-focused. That she implodes a dysfunctional family is only a portion of the story. After marrying Maurizio Gucci (Adam Driver), Patrizia immediately begins manipulating her husband into reconciling with his family and taking on an active role in a business for which he previously had little interest. This is simply step two (the first was marriage) in her grand scheme to control the business and the money. Maurizio's father Rodolfo (Oscar winner Jeremy Irons, REVERSAL OF FORTUNE, 1990) is ailing, so it's Uncle Aldo (Oscar winner Al Pacino, SCENT OF A WOMAN, 1992) to whom Patrizia directs her attention. She plays it like a chess match - only this is more entertaining to watch unfold.
Also in the picture is Paolo Gucci (a truly unrecognizable Jared Leto, Oscar winner, DALLAS BUYERS CLUB), Aldo's son, and a family outcast. Paolo is a wildly creative individual who tends to his pet pigeons and tries desperately to find his place in the family. Jack Huston plays Dominico De Sole, Rodolfo's consigliere and the family attorney. Each of the characters is given their time in the spotlight, including a terrific breakfast scene with Pacino and Irons. Of course this is mostly Patrizia's story, so it's Lady Gaga's performance that will attract much of the attention and commentary. I found her mesmerizing and twisted fun to watch as she proceeded with backstabbing and trickery. Driver's quietly intense approach makes the perfect contrast to hers.
If you are familiar with the story, you know that Maurizio does eventually run the company, and he also tires of Patrizia's family-crushing antics ... which send him back into the arms of Paola Franchi (Camile Cottin, STILLWATER, 2021). This turns the campy and juicy melodrama factor up to 11 (on the Spinal Tap scale). Patrizia's frequent trips to fortune teller and TV psychic Pina Auriemma (Salma Hayek) cause a massive tonal shift in the film, leading to the well-documented conclusion. If all this isn't strange enough, Ms. Hayek is the real-life spouse of the CEO of Gucci's present-day parent company, Kering. Reeve Carney ("Penny Dreadful") has a small, yet vital role as up-and-coming fashion designer Tom Ford.
In this movie, it's easy to describe some performances as hammy or over-the-top, but that's likely to only hold as a first reaction. Leto's characterization of Paolo sticks out so much from the others ... but he was known as eccentric, and at best, was patronized by the family. It seems highly likely that his personality and approach stood in stark contrast to the old-school style of his father Aldo, or the more staid personalities of his Uncle Rodolfo and cousin Maurizio. Lady Gaga as Patrizia is cunning and shrewd in her calculated approach to re-structure the family and the business. She plays whatever games she must to get where she wants to be. I found her first half performance to be truly outstanding. Pacino is the actor who has trademarked hammy performances over the years, yet here, he fully grasps his role and character, and is a delight to watch.
Much of this is documented by history, though the Gucci family claims not all is or was how it seems. Whether the boost in counterfeiting/knock-offs went down in the 70's and 80's as it's portrayed here, might be an area worth researching, but this is much less a case study in business principles as it is one in family dynamics. I'll certainly understand those who argue against the story structure here, but the entertainment value proved to be enough for me. As the Gucci tagline goes, "Quality is remembered long after price is forgotten", but the backstabbing and disloyalty is never forgotten - despite providing great theater (and fashion).
Opens in theaters on November 24, 2021.
A story of narcissism and its impact on a famous family
House of Gucci is a movie full of famous actors. Lady Gaga is a convincing Patrizia Reggiani, an Italian girl from the Province of Modena who wanted to achieve more in life. Hunting for a potential rich man she goes to parties and at one of these she meets Maurizio Gucci (portrayed by Adam Driver).
The story of Patrizia and Maurizio Gucci, their rise and fall, the dynamics of manipulation, betrayal at the cost of trust around this family and its business is well set, though evolves a bit slow. The best performance in the movie by far though was by Jared Leto as Paolo Gucci, Maurizo's cousin.
Overall, it is an entertaining movie portraying a story about a family, about a brand and a tragedy. Recommended to everyone who wants to look behind the curtain of the myth behind a world-known brand and its drama.
The story of Patrizia and Maurizio Gucci, their rise and fall, the dynamics of manipulation, betrayal at the cost of trust around this family and its business is well set, though evolves a bit slow. The best performance in the movie by far though was by Jared Leto as Paolo Gucci, Maurizo's cousin.
Overall, it is an entertaining movie portraying a story about a family, about a brand and a tragedy. Recommended to everyone who wants to look behind the curtain of the myth behind a world-known brand and its drama.
A baffling story, a very long film.
House of Gucci is probably the most stylish film of 2021, it looked awesome, this was beautifully made, the quality of production and direction is phenomenal. It isn't just style over substance though, it's well made, generally well acted, it tells a fascinating and twisted story.
The main issue about this film for me, was the pacing, it was somewhat uneven, at times it felt frustratingly slow, fortunately it did pick up at its conclusion. The running time was overlong, what is it with films in 2021? Why the need for everything to be almost three hours? Is there some deal for cost per minute at cinemas? Ninety minute films work too.
If you ever think your family has problems, just watch this, and you'll see what family problems really are. Scandal, betrayal and murder, it's a rags to riches story with a twist.
The acting, for the most part I thought it was great, Jeremy Irons was the standout for me, as he so often is, but Lady Gaga was awesome as Patrizia, she did a great job. Adam Driver on the other hand, I'm not sure why, but I felt as though he was a little uninterested, perhaps a little bored?
6/10.
The main issue about this film for me, was the pacing, it was somewhat uneven, at times it felt frustratingly slow, fortunately it did pick up at its conclusion. The running time was overlong, what is it with films in 2021? Why the need for everything to be almost three hours? Is there some deal for cost per minute at cinemas? Ninety minute films work too.
If you ever think your family has problems, just watch this, and you'll see what family problems really are. Scandal, betrayal and murder, it's a rags to riches story with a twist.
The acting, for the most part I thought it was great, Jeremy Irons was the standout for me, as he so often is, but Lady Gaga was awesome as Patrizia, she did a great job. Adam Driver on the other hand, I'm not sure why, but I felt as though he was a little uninterested, perhaps a little bored?
6/10.
Makes your family look closer to normal.
This is an odd movie - stylized in humor at times and pure tragedy a minute later.
Gaga certainly isn't afraid of having runny mascara and that's one of the many things I love about her.
Lots of people pan the accents. They didn't bother me because I am not from Milan nor even NYC Little Italy, so I could care less. Am betting someone somewhere in the 1,000+ reviews panned Salma Hayek's accent.
The one person who quietly stole the show, for me, was Jack Huston. He was literally in the background during most of it, but if you watched him .... he was doing little things to keep your attention on him, quietly. I think he is one of the most under rated actors in the business today, so seeing him in this was a most pleasant surprise. And he gave the movie an extra star.
It's an interesting watch. A sad one would be more accurate. As long as you're not ultra sensitive to Milan accents.
Gaga certainly isn't afraid of having runny mascara and that's one of the many things I love about her.
Lots of people pan the accents. They didn't bother me because I am not from Milan nor even NYC Little Italy, so I could care less. Am betting someone somewhere in the 1,000+ reviews panned Salma Hayek's accent.
The one person who quietly stole the show, for me, was Jack Huston. He was literally in the background during most of it, but if you watched him .... he was doing little things to keep your attention on him, quietly. I think he is one of the most under rated actors in the business today, so seeing him in this was a most pleasant surprise. And he gave the movie an extra star.
It's an interesting watch. A sad one would be more accurate. As long as you're not ultra sensitive to Milan accents.
Le saviez-vous
- AnecdotesAt Uncle Aldo's birthday party, Aldo says they are missing a player. The men fighting, wrestling, and throwing a soccer ball are playing "Calcio Fiorentino" (Florentine Football), one of the most violent organized team sports, in which punching and kicking are legal.
- Gaffes(at around 34 mins) When Paolo is taken down playing rugby, Jared Leto's bald cap falls off of his head, revealing the long dark hair underneath.
- Citations
Aldo Gucci: Quality is remembered long after price is forgotten.
- Bandes originalesLa ragazza col maglione
Written by Alberto Testa and Pino Donaggio
Performed by Pino Donaggio
Courtesy of Universal Music Italia Srl
Under license from Universal Music Operations Ltd.
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- How long is House of Gucci?Propulsé par Alexa
Détails
Box-office
- Budget
- 75 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 53 809 574 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 14 423 794 $ US
- 28 nov. 2021
- Brut – à l'échelle mondiale
- 153 269 161 $ US
- Durée
- 2h 38m(158 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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