ÉVALUATION IMDb
6,3/10
15 k
MA NOTE
Ajouter une intrigue dans votre langueAfter her much older husband forces a move to a suburban retirement community, Pippa Lee engages in a period of reflection and finds herself heading toward a quiet nervous breakdown.After her much older husband forces a move to a suburban retirement community, Pippa Lee engages in a period of reflection and finds herself heading toward a quiet nervous breakdown.After her much older husband forces a move to a suburban retirement community, Pippa Lee engages in a period of reflection and finds herself heading toward a quiet nervous breakdown.
- Réalisation
- Scénariste
- Vedettes
- Prix
- 1 victoire et 4 nominations au total
Robin Wright
- Pippa Lee
- (as Robin Wright Penn)
6,314.6K
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Avis en vedette
Alienation
The feeling that we all are crossing paths one versus another, yet not noticing but shadows, not humans, overcame me, viewing for the first time this movie. I will not see the movie again, because of the hard feelings that transcend from each chapter.
Everything here is not about the plot, but about solitude and neglecting the stranger that is passing on your street, walking shoulder to shoulder with you, or living in the same house you live. I have found myself remembering fragments from "The Stand", starring Gary Sinise, 1994, in the end of the movie. Do we need an Apocalypse to make us notice the others, living or passing next to you? Is it more important to enter museums or noticing the way people from other country live their lives, when visiting crossing borders? The whole cast is like a feast, playing their parts wonderfully. I have wondered why a mega star like Keanu Reeves (even controversial), had has accepted this short supporting role. I have thought that he has sensed this about his character: probably the only one meant to bring hope, versatility, and future in the story. My best regards for his talent.
Everything here is not about the plot, but about solitude and neglecting the stranger that is passing on your street, walking shoulder to shoulder with you, or living in the same house you live. I have found myself remembering fragments from "The Stand", starring Gary Sinise, 1994, in the end of the movie. Do we need an Apocalypse to make us notice the others, living or passing next to you? Is it more important to enter museums or noticing the way people from other country live their lives, when visiting crossing borders? The whole cast is like a feast, playing their parts wonderfully. I have wondered why a mega star like Keanu Reeves (even controversial), had has accepted this short supporting role. I have thought that he has sensed this about his character: probably the only one meant to bring hope, versatility, and future in the story. My best regards for his talent.
A not so engaging drama
This film is about the disintegration of the life of Pippa Lee, a suburban housewife with a shady past.
"The Private Lives of Pippa Lee" has a very strong cast, and their acting talents are put into full use. However, the story does not seem to go anywhere. I do not find a reason why I should care or feel for Pippa Lee. Bad things happened to her when she was teenage, and bad things happen to her now. But so what? The film gives us no compelling reason why we should care about her life story, which could have been anyone's life story.
I find "The Private Lives of Pippa Lee" boring and not engaging. I am disappointed, especially because of the strong cast.
"The Private Lives of Pippa Lee" has a very strong cast, and their acting talents are put into full use. However, the story does not seem to go anywhere. I do not find a reason why I should care or feel for Pippa Lee. Bad things happened to her when she was teenage, and bad things happen to her now. But so what? The film gives us no compelling reason why we should care about her life story, which could have been anyone's life story.
I find "The Private Lives of Pippa Lee" boring and not engaging. I am disappointed, especially because of the strong cast.
The best type of adult film
This will be regarded as 'a woman's movie' since it is written and directed by a woman (Rebecca Miller) and its central character (Robin Wright Penn) and most of the support roles (Julianne Moore, Winona Ryder, Blake Lively, Mario Bello, Monica Bellucci) are women too. But the male roles (Alan Arkin and Keanu Reeves) contribute to a stellar cast and the themes of self-discovery and self-expression are universal. If Pippa is angst-ridden, it's because she's had a traumatic life and the movie reveals a series of dramatic incidents, while concluding on a hopeful note. With not a car chase or a special effect in sight, this is an adult film in the proper sense of the word and as such well-worth viewing.
Great characters and performances, but slightly lacking in plot.
The Private Lives of Pippa Lee is a film that concerns itself with the people in it, rather than a narrative. Each character is unique and well developed, but more importantly, feels real and easy to care for. There are no cardboard cutouts or roles simply convenient to the plot. Their actions are delightfully unexpected, yet fully consistent with who they are. Even the minor roles feel like they've had 2 hours worth of backstory thought out for them.
The backstory we get to see is that of Pippa Lee (Penn). She has recently moved into a suburban neighbourhood with her husband Herb (Arkin), a publisher who is at least a few decades her senior. Herb has just retired after having his third heart attack, and intends his new home to be his final resting place. The couple have two grown children and some old friends who are witnesses to what appears to be a facade of marital bliss.
The story of how Pippa ended up in this arrangement, starting with her early childhood, is told concurrently with the main narrative. We learn of Pippa's pill-popping mother (Bello), her aunt's gay lover (Moore), and how she met Herb. Meanwhile, the suppressed malaise in the present time begins to make itself known through a number of events, starting with the overnight disappearance of half of a chocolate cake and the appearance of a sock in the refrigerator.
What is truly remarkable about this film are the performances. Robin Wright Penn gives a stunning portrayal of a woman who seems to say more with a smile than with her words. It might be early in the year, but I would not be surprised to see an Oscar nod come voting time. She is a pleasure to watch, and really breathes air into what could've been a lifeless character.
Alan Arkin is great as usual, and the blunt dialogue of his character suits him well. When Pippa's character tells us she longs to listen to him speak, we are in full agreement. Winona Ryder and Julianne Moore also make their minor characters stand out with quirky delightfulness. Even Keanu Reeves is adequate in his role.
One thing this film seems to lack, however, is a strong narrative. At times, it feels like a loosely bound collection of anecdotes from Pippa's life. While each of these anecdotes have their own appeal and quite a few laughs, they don't quite manage to come together into a compelling story, without which the film is just another forgettable family drama, albeit with really interesting people.
The backstory we get to see is that of Pippa Lee (Penn). She has recently moved into a suburban neighbourhood with her husband Herb (Arkin), a publisher who is at least a few decades her senior. Herb has just retired after having his third heart attack, and intends his new home to be his final resting place. The couple have two grown children and some old friends who are witnesses to what appears to be a facade of marital bliss.
The story of how Pippa ended up in this arrangement, starting with her early childhood, is told concurrently with the main narrative. We learn of Pippa's pill-popping mother (Bello), her aunt's gay lover (Moore), and how she met Herb. Meanwhile, the suppressed malaise in the present time begins to make itself known through a number of events, starting with the overnight disappearance of half of a chocolate cake and the appearance of a sock in the refrigerator.
What is truly remarkable about this film are the performances. Robin Wright Penn gives a stunning portrayal of a woman who seems to say more with a smile than with her words. It might be early in the year, but I would not be surprised to see an Oscar nod come voting time. She is a pleasure to watch, and really breathes air into what could've been a lifeless character.
Alan Arkin is great as usual, and the blunt dialogue of his character suits him well. When Pippa's character tells us she longs to listen to him speak, we are in full agreement. Winona Ryder and Julianne Moore also make their minor characters stand out with quirky delightfulness. Even Keanu Reeves is adequate in his role.
One thing this film seems to lack, however, is a strong narrative. At times, it feels like a loosely bound collection of anecdotes from Pippa's life. While each of these anecdotes have their own appeal and quite a few laughs, they don't quite manage to come together into a compelling story, without which the film is just another forgettable family drama, albeit with really interesting people.
The two lives of Pippa Lee
More and more, Hollywood is checking out the state of those born in the 50s. The former hippies, with their libertarian ways of life, and what happened to them after the backlash. Why are they nowadays so strangely conservative? What made them become like that?
This is an intelligent version of the theme. Many under-texts show us Pippa Lee as the disastrous teenager and young woman, heading into this relationship with this old man, who pretends to see her, but much more sees himself and his sophisticated needs.
Good acting, good thoughts, unforeseeable feelings, but no real answer to the backlash question.
This is an intelligent version of the theme. Many under-texts show us Pippa Lee as the disastrous teenager and young woman, heading into this relationship with this old man, who pretends to see her, but much more sees himself and his sophisticated needs.
Good acting, good thoughts, unforeseeable feelings, but no real answer to the backlash question.
Le saviez-vous
- AnecdotesJulianne Moore only spent two days filming her role.
- Autres versionsThere are two runtimes for the film: "1h 38m(98 min)" and "1h 33m(93 min) (Berlin International) (Germany)".
- Bandes originalesTeen Baby
Written by Dwight Sherman
Performed by Gary Trexler
Courtesy of John P. Dixon for Ramco Records and Fervor Records
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- How long is The Private Lives of Pippa Lee?Propulsé par Alexa
Détails
Box-office
- Brut – États-Unis et Canada
- 337 356 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 89 950 $ US
- 29 nov. 2009
- Brut – à l'échelle mondiale
- 2 860 973 $ US
- Durée
- 1h 38m(98 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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