LOLA
- 2022
- 1h 19m
ÉVALUATION IMDb
6,4/10
3,5 k
MA NOTE
Ajouter une intrigue dans votre langue1940, Thom and Mars have built a machine, LOLA, that can intercept radio and TV broadcasts from the future. Unknown to them sharing these broadcasts the devastating changes it will have on t... Tout lire1940, Thom and Mars have built a machine, LOLA, that can intercept radio and TV broadcasts from the future. Unknown to them sharing these broadcasts the devastating changes it will have on the future of world but to them also.1940, Thom and Mars have built a machine, LOLA, that can intercept radio and TV broadcasts from the future. Unknown to them sharing these broadcasts the devastating changes it will have on the future of world but to them also.
- Director
- Writers
- Stars
- Prix
- 6 victoires et 10 nominations au total
Cha Cha Seigne
- Lola Hanbury
- (as Chacha Seigne)
Neil Hannon
- Reginald Watson
- (voice)
Avis en vedette
Wonderful!
We're told it's all going to go wrong -- that is no spoiler -- and it's intriguing to wonder exactly how things will go wrong. (There's a short headline in a newspaper which gives a hint of what might go wrong.)
One of the strengths of the screenplay is that everything goes perfectly right -- ignoring one hiccough -- for the first 30 minutes. We need to see just how wonderful their invention is, so we're fully emotionally engaged when things start to go wrong.
The wartime footage is used very effectively. Stefanie Martini gives an excellent performance as Martha. And it's strange to think that Spandau Ballet might never have existed.
We're told it's all going to go wrong -- that is no spoiler -- and it's intriguing to wonder exactly how things will go wrong. (There's a short headline in a newspaper which gives a hint of what might go wrong.)
One of the strengths of the screenplay is that everything goes perfectly right -- ignoring one hiccough -- for the first 30 minutes. We need to see just how wonderful their invention is, so we're fully emotionally engaged when things start to go wrong.
The wartime footage is used very effectively. Stefanie Martini gives an excellent performance as Martha. And it's strange to think that Spandau Ballet might never have existed.
Lola is a arresting indie film that combines the genres of time loop and found footage to create a dual-layered story. The film follows Thom and Mars, two inventors who have created LOLA, a device that can receive radio and TV signals from the future. However, they are unaware of the dire consequences that their actions will have on the world and themselves, as they share these broadcasts with others. Lola is a compelling alternative history drama that explores the impact of our choices and the moral responsibility that comes with them. The film does not rely on flashy effects or gimmicks, but rather on the emotional resonance of the characters and the intriguing plot twists. The film it most reminded me of was Chris Marker's masterpiece, La Jetée. With winning performances and use of found footage, Lola is a film that will make you think and feel, as you witness the ripple effects of time manipulation.
Love a good time conundrum, though most are a bit of a letdown.
This, however, was a bit of fun, and I did appreciate the obvious effort put into both the genuine Newsreel edits and the prop-builds.
Not surprisingly, there's a bit of "It's the 40's" pomposity, but that seems to be a common denominator of many period films.
A few anachronisms (namely using a camera which was not released until 1952, and which was as noisy as a chaff-cutter!), but overall, a bit of fun.
Annoying as they were, the characters fit the found-footage stage play feel quite convincingly, particularly the character of the soldier who discovers where they are.
Clever, and not reliant on grandiose effects (which tend to put me off...).
Worth a look, when you have a free hour or two.
This, however, was a bit of fun, and I did appreciate the obvious effort put into both the genuine Newsreel edits and the prop-builds.
Not surprisingly, there's a bit of "It's the 40's" pomposity, but that seems to be a common denominator of many period films.
A few anachronisms (namely using a camera which was not released until 1952, and which was as noisy as a chaff-cutter!), but overall, a bit of fun.
Annoying as they were, the characters fit the found-footage stage play feel quite convincingly, particularly the character of the soldier who discovers where they are.
Clever, and not reliant on grandiose effects (which tend to put me off...).
Worth a look, when you have a free hour or two.
Mercifully, 'found footage' has not been overused by the major production houses. That allowed this gem to slip in to the main stream with its imaginative story line and cinematic style. It will become a cult classic, But writing that is facile and is almost harmful to my review. The characters other than the 2 sisters were deliberately underplayed, in my opinion. This allowed the emphasis to be on the story's development of what started as a fun invention (lots of wine and to hell with the consequences). The story line (and the terrific acting by the 2 sister- characters) twisted its way into a darker place. What I found most fascinating about the director is what a great story teller he is. All the while we were cheering on the successes of the British military heroes, who were fighting against a fascist enemy - while elements within the military were developing fascist traits of their own. I think that some of the critics did a disservice to the movie by over-emphasizing the relevant of the punk movement in the future, to the main story-line..
I'll pass on all the comments both positive and negative about this film and address just one sci-fi issue that some reviewers either scoff at or enjoy, receiving future broadcasts.
Off air broadcasting seems to be deemed a thing of the past early television, given cable delivery streaming and the now almost defunct vcr, dvd etc.
But original tv broadcasting went out into the airwaves on a variety of variable a frequency transmissions. Any signal sent out theoretically would enter the atmosphere and conceivably pass into space.
Given travel at the speed required to "catch" those signals in space, any original broadcast from any time sent to air could be received in the future creating the ability to look back in time, not forward.
Mind boggle. Love sci-fi as it becomes reality more and more.
Off air broadcasting seems to be deemed a thing of the past early television, given cable delivery streaming and the now almost defunct vcr, dvd etc.
But original tv broadcasting went out into the airwaves on a variety of variable a frequency transmissions. Any signal sent out theoretically would enter the atmosphere and conceivably pass into space.
Given travel at the speed required to "catch" those signals in space, any original broadcast from any time sent to air could be received in the future creating the ability to look back in time, not forward.
Mind boggle. Love sci-fi as it becomes reality more and more.
Le saviez-vous
- AnecdotesFilmed using genuine pre-war cameras and black and white film, which even though coloured film was available in the period, it would have been too expensive for ordinary budgets to afford.
- GaffesIn Thom's discussion with Cobcroft it's implied that U-boats travel underwater and surface in order to attack. It's actually the opposite. WWII era subs ran mostly on diesel, which needed to be vented to the outside, and stayed on the surface most of the time. They only submerged when they were about to attack, running on comparatively limited battery power.
- ConnexionsFeatures Woodstock - 3 jours de paix et de musique (1970)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Lola
- Lieux de tournage
- Angleterre, Royaume-Uni(archive footage, world war two)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 206 037 $ US
- Durée1 heure 19 minutes
- Couleur
- Rapport de forme
- 4:3
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