El olvido que seremos
- 2020
- 2h 16m
ÉVALUATION IMDb
7,2/10
2,9 k
MA NOTE
Ajouter une intrigue dans votre langueAn author recalls life with his father, a university professor who fought against oppression and social inequality in Colombia in the seventies.An author recalls life with his father, a university professor who fought against oppression and social inequality in Colombia in the seventies.An author recalls life with his father, a university professor who fought against oppression and social inequality in Colombia in the seventies.
- Director
- Writers
- Stars
- Prix
- 10 victoires et 14 nominations au total
Maria Tereza Barreto
- Mariluz
- (as Maria Teresa Barreto)
Aída Morales
- Gilma
- (as Aida Morales)
Gianina Arana
- Fisioterapeuta Andrea
- (as Gianina Arana Terranova)
Adriana Ospina
- Silvia
- (as Adriana Maria Ospina)
Avis en vedette
The story of Hector Abad Gomez is moving and a perfect example of what has meant to be a thoughtful and honest leader in a country like Colombia, but the movie is not the most interesting portray of that struggle, and tries to be faithful to the book forgetting that cinema is already a new language and therefore a new opportunity to tell a story.
This movie presents a past yet intimate take on an ever disappointing landscape of politics and violence within Colombia.
The story surprised me with the variety of topics that I've never thought they have any relationship between, even some historical facts that were presented had an "oh that's why..." moment, mixed with some very intimate takes on the Abad-Faciolince family.
A few scenes didn't resonate that much because of the acting, especially in the first half of the movie, but overall, the sensation left behind was joy and hopefulness.
A good movie, with very good source material.
The story surprised me with the variety of topics that I've never thought they have any relationship between, even some historical facts that were presented had an "oh that's why..." moment, mixed with some very intimate takes on the Abad-Faciolince family.
A few scenes didn't resonate that much because of the acting, especially in the first half of the movie, but overall, the sensation left behind was joy and hopefulness.
A good movie, with very good source material.
This film represents a reality in Latin American countries, where small elite groups manage politics and make decisions that affect many for their own benefits and economic interests, countries where a football game is promoted more than the importance of a good education, countries where few have all and most of the population nothing. Latin America has suffered since its conquest (NO DISCOVERY) in the 16th century and still continues to suffer new wounds while trying to heal the old ones. I have seen it and continue to see it in Honduras. Thank you for making this type of film, as well as "La Llorona" by Jayro Bustamante, cuz they allow these stories not to be lost as the intellectual authors of these crimes would like, they also help us to cure Latin America but do not forget. The technical aspect that I appreciated the most about the film was the black and white photography, really beautiful.
Cuando has leído el libro y conoces la historia, la película te conmueve aún más. Lloré de principio a fin con todo lo que Héctor Abad Gómez representaba para su familia y para la gente, y lloré recordando las injusticias de la vida y de la muerte.
When you have read the book and you know the story, the film touches you the double. I cried from the beginning to the end with everything Hector Abad represented for all his family and for the people.
When you have read the book and you know the story, the film touches you the double. I cried from the beginning to the end with everything Hector Abad represented for all his family and for the people.
Very mediocre film that lacks script. Mediocre directing and editing. The only remarkable thing is Javier Camara's and Patricia Tamayo's acting.
Le saviez-vous
- AnecdotesAccording with the Academy, has been selected in a list of eligible movies for the 2021 Awards.
- GaffesThe scene on the plane when they travel to Cartagena, when a flight attendant hands a glass of orange juice to Hector Abad Jr., she can be heard talking but his lips do not move.
- ConnexionsFeatures Death in Venice (1971)
- Bandes originalesA la memoria del muerto
Written and Performed by Piper Pimienta
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Memories of My Father
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 5 512 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 5 512 $ US
- 20 nov. 2022
- Brut – à l'échelle mondiale
- 1 927 584 $ US
- Durée
- 2h 16m(136 min)
- Couleur
- Rapport de forme
- 2.35 : 1
- 2.39 : 1
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