Un détective s'occupe de la perte de son propre fils en essayant de découvrir l'identité d'un garçon dont les restes momifiés sont retrouvés dans une boîte.Un détective s'occupe de la perte de son propre fils en essayant de découvrir l'identité d'un garçon dont les restes momifiés sont retrouvés dans une boîte.Un détective s'occupe de la perte de son propre fils en essayant de découvrir l'identité d'un garçon dont les restes momifiés sont retrouvés dans une boîte.
Histoire
Le saviez-vous
- AnecdotesScreenwriter Glenn Taranto wrote his first draft of the screenplay, originally titled "The Boy in the Box", in six days over a two week period. He was inspired by the famous unsolved case of "America's Unknown Child" aka The Boy In The Box. Working backwards Glenn created an original scenario detailing how such an unsolved crime might have occurred. Should anyone have any information regarding the real "Boy In The Box" case they are encouraged to contact the Philadelphia, PA Police Department.
- GaffesWe see the box being buried in concrete, yet when the box is being dug up it is just buried under earth.
- Citations
[last lines]
Tom Adkins Sr.: My biggest fear is that when I do find him, what's left of us may not be enough. I haven't been able to forgive myself, and so I push my wife away. I can't even look her in the eyes, because every time I do, I see my mistakes. So I take the risk of losing everything. Not because I want to, but because I have to. Only then will I have the strength to go to my wife and ask her for forgiveness. And I have to believe that one day she will give it to me.
- ConnexionsFeatured in The Rotten Tomatoes Show: Cop Out/The Crazies/A Prophet (2010)
Something I really liked about this film is the way the director used surrealism to blend the two timelines, 1958 and 2008. Scenes would blend seamlessly from one to the other. For example, there's one shot in a bar where the camera flows through the room beginning in 2008 and ending in 1958 without any cuts. This subtle style, in addition to the underlying mystery of the whole story, forces the audience to keep on their toes.
The basic plot is pretty straightforward, but there are a lot of background questions & themes that are not as obvious. These questions give the film substance. Religion is a minor theme that crops up visually in the form of crucifixes and subtle lighting effects. Guilt is another subtle yet powerful theme. I also sense a bit of existentialism in that the heroes are subjected to some rotten luck without any apparent rhyme or reason, and it is only through the individuals' strength of character that they manage to make it through the day. In all, there's a ton of stuff going on, and if you like your films to be full of philosophy and questions of morality, this will be a real treat for you.
Other great films worth checking out are "Changeling" (2008) about a woman searching for her lost son, "A Very Long Engagement" (2004) about a woman searching for a soldier reportedly killed in action, the aforementioned "In the Line of Fire" (1993) about a secret service agent trying to redeem himself for losing JFK, and a wonderful unknown gem called "Into Temptation" (2009) about a priest trying to find a suicidal confessor before it's too late.
- rooprect
- 5 déc. 2011
- Lien permanent
Meilleurs choix
- How long is Stolen?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Stolen
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 7 943 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 035 $ US
- 14 mars 2010
- Brut – à l'échelle mondiale
- 7 943 $ US
- Durée1 heure 31 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1