Morse

"Let the Right One In" is, at its heart, a sweet coming-of-age story which is so unique and different that it simply defies categorization. In this Swedish film, adapted from John Ajvide Lindqvist's bestselling book, director Tomas Alfredson dares to mix pleasure and pain in a way that is both horrifying and tender.

"Let the Right One In" has a storyline which, although it reveals some secrets early on, is best left as a surprise. So this will necessarily be one of those rare reviews in which the less said about the plot the better. 12-year-olds Oskar (Kare Hedebrant) and Eli (Lina Leandersson) meet one snowy afternoon at a jungle gym in the courtyard of Oskar's housing complex outside Stockholm. Their young, tender attraction for each other is apparent right from the start and we think we know where their relationship is headed. But there is a deep dark secret to be discovered here and when it's revealed the audience is both repulsed and curiously fascinated at the same time, in a similar fashion as when yellow crime scene tape brings us closer rather than warning us away.

The supporting cast is completely beholden to the narrative as it revolves around the adorable young couple, whose performances rival the best I've ever seen for actors of that age. The innocence and vulnerability of Hedebrant's Oskar is simply a tour-de-force and he admirably carries the film on his little shoulders. Leandersson matches him scene by scene, line by line, and the result literally gave me chills.

Production values are stellar, with all technical aspects -- lighting, original music by Johan Soderqvist, and Hoyte Van Hoytema's cinematography -- combining in perfect synchronization to produce a Hitchockian tale that somehow brings love and light into what could have been the darkest drama imaginable.

"Let the Right One In" was the overwhelming choice for Best Narrative Feature after its North American Premiere here at the 2008 Tribeca Film Festival. It is a truly well-deserved honor. Tomas Alfredson has crafted a brilliant work of art that left me shaking my head with wonder.

Let the right one in is a Swedish horror/romance about a boy named Oskar who's bullied at school and neglected by his parents. When a young girl named Eli moves into the apartment complex. Overtime they begin to develop a close relationship and in many ways like each other. The only thing is Eli has a secret that she is a Vampire and has thirst for Blood. I will by all means that this is a pretty unique Vampire, to say the least for a variety of reasons primarily for starters that the main focus is focused on children and so it's more of a coming-of-age romance than an absolute blood slaughter. There is a fair amount of that, but the highlight of these films comes from the children. The prefaces that they give you do get this very strong sense that there's a spark there or something. Never does the film have you completely set in motion how this film will end or how the two will respond. The scenes between both of them are heartwarming, and you know Oscar like her however the real question is how Eli feels about the Situation does she generally like Oskar, or is she possibly grooming him for her benefit it leaves you pondering that case. The horror aspect of the film when the victim begins to die is also done very well as is the cinematography with very far shots it always adds this 1st person's perspective as if you're the one watching from the distance taken in the scene.

What would you do, if you just couldn't change, so set in your ways, with habits quite strange; how would you live, in a divisive world, when the city's awake, while you're hidden and furled; would you hold out your hand, to stave off the brink, would you stake all you've got, just float and not sink; when you look in the mirror and nothing is there, in the darkness of night, only pain and despair; then a saviour appears, with their own set of fears, an innocent soul, undefiled, sincere; someone to trust, a protector by day, who'll carry your secret and promise to stay; unaware of the pact that you've drawn them into, endeavours they'll end up performing for you; until the time comes, to repeat and replay, like a school game of tag, I think it's called, child's play.

I am not particularly fond of the vampire genre, but this movie is so much more. It is artistic, poetic, and in many ways a very profound movie exploring the nature of good and evil. It does so through the world of a child where both pure evil and pure goodness are somewhat discernible, and it achieves an astounding array of contrasts that allow us to see that good and evil can coexist side by side. Doing so, this movie is very thought-provoking, leaving the audience yearning to read the novel. In short, this movie is a gem. There is no need to remake this movie which according to IMDb.com they will be. You don't need to wait until 2010, you should watch this movie now.

Tomas Alfredson's "Let The Right One In" is an original, dark, twisted and gory horror fantasy, one of those special films that are hard to classify. Not merely an exercise in style, his film is a brilliant piece of amoral storytelling, and even if some characters' actions defy any logic or common sense (I don't wanna spoil any moment here, but you'll know what I mean when the first revenge moment of the story happens), they seem to be there just to remind you that this is just a fantasy tale (but not for the little ones!). Oskar (Kåre Hedebrant) is a 12 year-old bullied boy that befriends and develops an innocent crush on his new neighbor, Eli (Lina Leandersson), who happens to be a vampire. What comes next is a twisted tale of revenge and pubescent love, made with visual flair (the swimming pool scene is already classic), creative directing and impressive performances by the young pair of protagonists.

Hollywood, of course, didn't waste time and already announced an upcoming remake for those who are too lazy to read subtitles. Most likely, the remake will turn out to be PG-13 in order to make more money, and be filled with moral values so the prudish parents will let their kids watch the movie (don't they know "The Little Vampire" was made years ago?). Ignore the future bomb and enjoy the original - you're in for a treat! 10/10.