City of Trees

Low production values, so expectations to be managed. Pacing is slow but it fits the story being told. There is no 'big event' in the film. I've watched a lot of wlw films and, despite the budget, this felt very authentic and I was surprised with how much I enjoyed it. Perhaps one or two scenes felt a little wooden, but on the whole there was good acting and believable chemistry between the leads. A nice little festive film.

I would have changed the ending but I'm not sure how. The director made this movie. It developed at exactly the right pace from beginning to end. I don't know who Alexandra Swarens is but she's good. The movie held my undivided attention from the beginning to end. Thank you Prime. You did well with this one. I hope the director has more movies to spring on us.

Finally we, rainbow people, get our own holiday love story on celluloid. Thank you Alexandra Swarens for writing and directing this gem. The movie has the right pace, the build up feels natural, and it is never rushed. The chemistry between the two characters is very genuine and flows perfectly. The intimate scenes are of great taste, although I wish their kisses would have been a bit more intense.. I thought to myself, "they are being careful with this... don't! no one is in real life!".. but still incredible chemistry. Another thing I was having a hard time with was the coffee cups.. it seemed to me they kept drinking the horrible coffee for a long time.. maybe the director missed that during editing, but I thought "the coffee, by now, has to be plain cold... and gone!" The narrative is very real and it is told in a very honest way. I love everything about this film.. and the soundtrack, oh boy!

Ainsley (Alexandra Swarens) is visiting her hometown for Christmas, the first time in several years. Although she is happy to see her parents and her sister and her friend Teddy, she doesn't really feel comfortable in her old environment. To make matters worse, a reunion from her high school is coming up, but she hasn't even been invited to it. And finally, there's Sophie (Olivia Buckle), who she went to school with but never really became friends with and who now helps her mother out in the garden and is eager to get to know Ainsley. The two start to get closer - but Ainsley's complexes about her self-image and her past seem to stand impassably between them ...

Just looking at the home page of this website should make it clear that I am a fan of the works of director Alexandra Swarens. I love her latest film Spring dearly (the kiss picture is from that film). I had a few concerns about seeing City of Trees, which has been described by various people as much less ambitious and polished.

But my worries were unnecessary. Although City of Trees is even more minimalistic than Spring, it is worth seeing in every aspect and managed to captivate me with the same unexcited intensity. Not much actually happens in these almost 90 minutes, but what little does happen is characterized by authentic impact, by consistent atmospheres.

City of Trees is a slow and low-budget film. If you are looking for action (or stunning visuals), you are definitely in the wrong place. Whereas - there is action (and stunning parts), but it is a very subtle action that takes place under the surfaces. Many scenes invite you to imagine what thoughts and emotions are going on inside the characters right now. For that, however, you have to be willing to empathize and explore the inner conflicts that are not openly acted out.

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Very indie, and very low budget: the production values here are unfortunate, generally seeming to be on the level of "homemade video." Whether it's advantageous or not is up for debate, but that quality does dovetail neatly into the fact that 'City of trees' is very plainspoken in its tone and unembellished in its craft. By the nature of this picture, and the style it plays with, one can easily conjure comparable titles from more renowned filmmakers or stars - the type of feature that bears a definite narrative, but is so tightly focused as a portrait of one or two characters that the story on hand is scarcely more than a tracing of those lives over a minute span of time.

By all means, these are all understandable reasons why this movie may not sit well with general audiences; the level that filmmaker Alexandra Swarens is operating on is admittedly an idiosyncrasy that one must abide, extending as well to the sound design. Look past the superficial indelicacy, however, and the bare-faced approach to the movie-making lends to a refreshing honesty, and a sense of authenticity. No-frills, and intent on low-grade "drama" in the most rudimentary sense of the word, this is a glance at a somewhat sullen young woman returning home and engaging with her past. Unmistakably austere as it presents, Swarens' writing is nonetheless wonderfully earnest and real, providing for scenes as rich and warm as they are occasionally awkward and silly - just in the way that life can be. That goes for the characters, the dialogue, the scene writing, and the minimal narrative: not especially complex, but unexpectedly engrossing, satisfying, and indeed rewarding in completing this simple, lovely tableau. For that matter, the same description applies just as readily to most everything about 'City of trees' - the music, Swarens' direction, and even small details like hair, makeup, and wardrobe.

Importantly, the small cast is peculiarly perfect. Everyone involved clearly - naturally - adored Swarens' excellent, heartfelt screenplay, and the tack she has taken with the picture, for they all embrace their modest, inelaborate roles with enthusiasm. Even supporting cast members like Joseph Miller, Kate McIntyre, and Andrew V. Perkins illustrate welcome nuance, personality, and range - appropriately attuned to the particular tenor of the feature. In a like fashion but more prominently, Olivia Buckle is sweetly enchanting and certainly capable as kind Sophie - bighearted, with hidden depths. Above all, Swarens herself is all but perfect as protagonist Ainsley, and very relatable - down on her luck, down on herself, and struggling to find peace in her life. Swarens could carry the film all by herself if she had to, with outstanding poise and strength of personality. I immediately want to find more films from all involved, Buckle and Swarens most of all.

'City of trees' broaches familiar thematic and storytelling territory, but with a bare-bones combination of sincerity, genuineness, and unadorned care and film-making passion that makes ever the more endearing and absorbing. To whatever extent one may call to mind similar movies, none are quite like this; Swarens' creation is one all its own. Heartwarming and thoughtful, the final cut far exceeds the humble first impression that it makes upon beginning, and starts to prove itself very early. From the seeming stock footage(!) that opens the picture, to the gratifyingly candid and pleasing ending, I think this is a truly marvelous film: a fine example of the stupendous heights that can be achieved without major studios or lofty financial backing, and little more than drive and a camera. Alexandra Swarens, her cast, and her crew should be mightily proud: 'City of trees' is a tremendous, moving title that deserves substantially more attention and recognition. This is worth seeking out wherever you may find it, and gets my highest recommendation!