Is Anybody There?

Not knowing what to expect of this film we were pleasantly surprised, relieved in fact. One critic had rated it as 'morbid' – just what we needed on a bank holiday afternoon – when in fact it was quite uplifting.

There was no waiting around, Cowley took the audience directly to the sitting room of the elderly peoples home. You didn't know whether to laugh or cry at the antics of some of the elderly residents – an ex-dancer, a drunkard, war veteran – who, as interesting as they looked, were never discussed in much detail. They were 'props', clichés or as Edward would put it, 'pains in the backside'.

Indeed, we are made to see the residents as Edward did. Their antics are in fact, annoyances, enough to drive a wedge between him and his parents. Edward, who celebrates his 11th birthday in the film, is focused solely on finding out what happens after death. He played the part beautifully with such naivety and sincerity.

The arrival of Clarence to the home would change Edward more than he would think and vice versa. It was nice to see the relationship grow between the two. For the very first time, Edward would begin to look upon one of the residents as a grandfather figure, someone who would teach him new tricks and to live for the living, not for the dead. Not only did Clarence become a grandfather to Edward but also a friend. There are some great snapshots throughout of the two of them.

Overall, it was a nice film that taught us to live for the moment and that regrets can eat you up inside. It also reveals truths about residential homes: 'you live all your life on your own and then someone thinks it's a good idea to put you with complete strangers'. We must remember that despite having their age in common, elderly people are all unique and should be treated so. Despite being set in the 1980's, the colours and styles all depicting this era wonderfully, these 'lessons in life' are as true today as they were back then.

Brilliant. I loved every minute of it.

The movie had the perfect mix of comedy and drama. It's a joy to watch Bill Milner (of Son of Rambow fame) go toe to toe with Michael Caine.

It was interesting to hear from the director how the movie originally had political undertones. As I recall from the Q&A at the TIFF screenings, the director said that the movie was set in the late 80s partly because of Margaret Thatcher - who declared that "There's no such thing as society... only individuals and families."

I'm glad they decided to skip the politics altogether though. It would have taken away from such a simple story that in itself is just beautiful one to watch.

Tracing a story between an old man and boy should induce narcolepsy. Although Caine takes the plaudits, and he is a good character actor, this works, and can only really succeed with Milner, who is very good. He is angry and confused but once he settles on the friendship with Caine he shifts and the relationship between the two opens out.

It is a bit predictable but it works with the actors, the interchange between them is critical and in this case it does as Caine and Milner react with each other, making it possible for the audience to read their relationship.

The other actors, some respected names, are not used as well as they could have been. There were other stories to tell there and its missed. The parents are fine, seen through the boy's eyes.

The setting and mood is very well evoked: all dusty and damp with the second best of everything.

What a pure delight this film was.

Maybe its because I also grew up in the 80's (albeit not in an old folks home) that the twinge of nostalgia attached to this film drew me in more than others. The decor was instantly recognisable and reminiscent of my grandparents house!

I am a stereotypical British Michael Caine fan so I am unashamedly biased but all that considered I genuinely believe this to be one of his shinning moments.

The script was well structured & the direction natural - I believed in those characters, in fact I almost felt like I might have met some of them a long time ago.

Funny, touching, charming and yes most definitely a bit sad but sad in the nicest and most uplifting way possible.

Was this a comedy, was it a drama??? I'm not sure, what I am sure about is that there aren't enough films like this.

If you like run of the mill Hollywood films you wont like this – if you like films with a touch of humanity that make you think a little, go see it - trust me.

Small films such as "Is Anybody There?" usually aren't there, at least as far as box office impact. This one may have a chance at some return because of Sir Michael Caine's role as a retirement home denizen in 1980's England. Caine infuses the ex-magician with a bit of movie magic—cynicism baked with pathos and one of the greatest cinema voices ever.

He teaches an equally eccentric 10 year old boy some tricks, and the little one amuses us and Caine with his project to capture the death throes and after activity of dying residents.

That this bleak landscape of death and despair can be lightened by these two interesting characters is a tribute to the magic of a movie actor and movies themselves, small as both may be next to colossal American blockbusters.