Echo 8

Co-Directed by the films stars Maria Tran and Takashi Hara from a script written by Elizabeth H. Vu, ECHO 8 follows a secret sect of assassins whom are sent on a mission that raises many questions. In particular from Tran's character.

Echo 8 is an anomaly in Australian film. An Asian-Australian led/directed and produced martial arts film. I'm not sure if any have come before, so this is a welcome addition in Australian cinema.

The independent film has a shoestring budget which is clear, but a strong concept anchored by good performances give the film an enriched quality. It's no blockbuster, but you know blood, sweat and tears went into it, so you can certainly appreciate it.

The film sets out to showcase the talent in the film, which is surely where it succeeds. Maria Tran, whose already been in many action films, is tough as nails and I expect to see her leading more action films in the future.

The film breaks the mould of the usual Australian film. There is no long drone shots of picturesque landscapes. Rather dark alleys and driveways where the action takes place, barring an exciting sequence in a bright nightclub.

ECHO 8 recently dropped on the streaming platform TUBI, I encourage people to get out and support it so that this isn't the only Asian-Australian led martial arts film. We need more.

When I stumbled upon this 2024 movie, I initially thought it was a sci-fi movie, given the movie's cover. And since I had never heard about the movie, I didn't know what I was in for. Of course I had to check it out and opted to give the movie a fair chance.

I must say, though, that I'm usually a bit hesitant about movies that are directed by people also starring in the movie. And such was the case with "Echo 8", as it was directed and starring both Takashi Hara and Maria Tran.

The storyline in the movie was pretty straightforward. Sure, it was watchable, but it was a bit too much on the simplistic side, and that made "Echo 8" feel a bit subpar. And the sluggish narrative didn't really do much to put the audience at the edge of their seats. Writer Elizabeth H. Vu didn't exactly put together the most riveting and thrilling of storylines.

Actually I wasn't familiar wit a single actor or actress on the cast list. And the acting performances in the movie were, for the most parts, fair enough. But there were moments and performances that felt forced and unnatural.

There is a fair amount of action in the movie to help make it more bearable to sit through the 95 minutes that the movie ran for. It was a watchable movie, albeit a bit on the bland side.

My rating of "Echo 8" lands on a four out of ten stars.

The movie's premise is good; a good idea.

The opening is good, the mother's performance is note worthy and believable.

The rest can be better, very caricature-ish acting, in particular the scene at the beginning of the karaoke place, the winy older man with the suitcase on the floor, the commander in the office etc.

A low budget film is evident in the shots and no named actors. With more money and a good cast and story, Echo8 would do better on the world stage. The fighting at the end is good. Again the mother's performance is striking and real. The fighting is good and worth to watch. Cheers mate.

'ECHO 8' is quite an achievement in Australian independent filmmaking. In recent years the Australian film/tv industry has become increasingly focused on Dramas and Crime Stories. It's nice to see a film that steps out of the zeitgeist to challenge that. Despite a low budget, It's clear that a lot of passion was put into this film, everyone was committed to make the best film possible, and they did!

The directing duo and stars of 'ECHO 8' Maria Tran and Takashi Hara have created a tightly wound and well directed Martial Arts/Action film with hints of Psychological and Sci Fi themes.

Good stuff.

Overall, the team behind Echo 8 has done exceptionally well considering the limited budget. It's a commendable effort and a solid foundation if the plan is to build a trilogy-but there are some key areas that need improvement moving forward.

The martial arts choreography is already quite good, but for the sequels to really stand out, it needs to elevate from good to great.

The script and storytelling, however, fall short. The pacing is slow, the dialogue occasionally cringeworthy and awkward. The film would benefit from dropping the cheesy one-liners and focusing more on grounded drama and intense action. Characters need to evoke genuine emotion-both from themselves and from the audience.

In terms of performances, most of the cast struggles, but Maria Tran delivers the strongest performance. The actress playing the mother also holds her own, and Mike Leeder brings a photogenic and compelling presence to the screen.

Visually, the poster leans too far into a sci-fi aesthetic-it would be better reimagined in the style of a gritty martial arts action film.

The cinematography is one of the weaker elements, feeling more like a student film or backyard project with an amateur color grade to match. For future installments, bringing in a professional cinematographer could make a huge difference.

That said, this is still a remarkable achievement for indie filmmakers out of Western Sydney, and a milestone for the Asian-Australian creative community.

Hey Screen Australia-maybe it's time to invest in this team instead of continuing to fund content that fails to find an audience. This is the kind of work people want to see.

Maria Tran is absolutely one to watch, and it's exciting to imagine what she could create with proper backing and real investment.