ÉVALUATION IMDb
5,8/10
146 k
MA NOTE
Après la mort macabre du tueur au puzzle, Mark Hoffman est salué comme un héros, mais l'agent Strahm se méfie et fouille dans le passé d'Hoffman. Pendant ce temps, un autre groupe de personn... Tout lireAprès la mort macabre du tueur au puzzle, Mark Hoffman est salué comme un héros, mais l'agent Strahm se méfie et fouille dans le passé d'Hoffman. Pendant ce temps, un autre groupe de personnes est soumis à une série de tests horribles.Après la mort macabre du tueur au puzzle, Mark Hoffman est salué comme un héros, mais l'agent Strahm se méfie et fouille dans le passé d'Hoffman. Pendant ce temps, un autre groupe de personnes est soumis à une série de tests horribles.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 1 victoire et 2 nominations au total
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Avis en vedette
SAW V - Hyped to be a miss but definitely hit.
Like everyone else, I was expecting this movie to live up to the hype and be absolutely horrible. Since though I have seen SAW I-IV, I had to go see this at the midnight showing. What started it off, I was already impressed with that I saw. As the movie was going forward it was hard to tell how it would all add up. By the end though I was expecting to be disappointed and it really did not.
While SAW fans will appreciate this, it really depends on what you like. If you are expecting a SAW II - III where it is mainly gore and such, maybe not so much. If you are like the few who want to know more about the story, then it is a must to see this.
Now while every question is not answered, it makes up for it in its own ways. Do not be like me or most of the people who were hesitant to see this film due to people not enjoying it. I think many people would be surprised on just how great this film really is. To me, it was the best since the first one, despite the weak twist and sometimes cheesy kills. Then again, name a film that has been perfect because everyone has a fault.
While SAW fans will appreciate this, it really depends on what you like. If you are expecting a SAW II - III where it is mainly gore and such, maybe not so much. If you are like the few who want to know more about the story, then it is a must to see this.
Now while every question is not answered, it makes up for it in its own ways. Do not be like me or most of the people who were hesitant to see this film due to people not enjoying it. I think many people would be surprised on just how great this film really is. To me, it was the best since the first one, despite the weak twist and sometimes cheesy kills. Then again, name a film that has been perfect because everyone has a fault.
A stumble, but still on mission.
I watched Saw V with a good opening night crowd here in Sydney. I've enjoyed all of the Saw films, predictably liking some episodes a lot more than others, and Saw V is, again, very watchable, with some intense moments and no shortage of grisliness. But I'd still say it's the weakest entry in the series to date. The trouble is that the main narrative addition for this episode, which has to sustain half the running time, turns out to be a dramatically weak one. I don't think a Saw film ever previously failed to create excitement or new meaning via one of its big twisty revelations, but Saw V's add next to nothing. The knowledge gained doesn't force any re-evaluation of the past events it concerns; you just see and know a bit more about them, and to no great effect, except for the fact that Tobin Bell's performance is always compelling, maybe even more so when he's talking to people who aren't stuck in Jigsaw's deathtraps.
The Saw films have demonstrated an unfeasibly high success rate over time in terms of pulling off twist after twist and having them nearly all hit home. With this track record, it seems inevitable that there'd be a significant stumble at some point. They've never been bulletproof films (and thrillers are the genre that are hardest to bulletproof), but I'd say Saw V is definitely the stumble. In spite of this, it still keeps in enough with the series in general for me to be ready for Saw VI in 2009 - which I hope will be better work.
The Saw films have demonstrated an unfeasibly high success rate over time in terms of pulling off twist after twist and having them nearly all hit home. With this track record, it seems inevitable that there'd be a significant stumble at some point. They've never been bulletproof films (and thrillers are the genre that are hardest to bulletproof), but I'd say Saw V is definitely the stumble. In spite of this, it still keeps in enough with the series in general for me to be ready for Saw VI in 2009 - which I hope will be better work.
Not the strongest, but it's still SAW
After so many sequels, one should expect a series to be driven to the ground. Although it's getting a bit tiring, Saw fans, & for that matter, fans of gore, shouldn't be disappointed with the fifth movie. Saw 5 still follows the same routine of the cat and mouse game... but of course, as always, telling you too much of the plot is a ruining the game for you. Let's keep it at the thin plot description already given: a detective goes out of his way to make sure that his secret is kept, before an agent uncovers his identity. The subplot involves 5 individuals who are somehow connected, and must work their way out of traps.
The traps still prove to be especially cruel, perhaps a little too cruel, but even that is worked into the story. It involves quite a bit of the past, much like Saw 4, it will give you more of the origin of the characters, whether it's needed or not. Minimizing flashbacks, it instead will fill in a number of plot and character holes.
This is David Hackl's directional debut. Considering he's been around since Saw 2 as production designer, this is a solid step forward. There's no doubt that these somehow ingenious, if not over the top story lines that interconnect were made up well after the fact, but that doesn't change the fact that the scriptwriters were keen on at least making an effort to do exactly that. Tie things in, making the package look neater, & hoping you don't think about it too much that you start to see the implausibility of it all.
If you have not seen the previous Saw's, you will be lost here, as you will be left with confusing tie in's and past incidents that mesh too well with the present. It's just not kind to new viewers.
All in all, I can't complain about Saw 5, because I got exactly what I expected. Clever, deadly traps, uncomfortable situations, & of course, the "twist" at the end. There's no denying that one particular actor that's been in all the Saw's is especially good at what he does.
For the most part, I would suggest waiting for a rental. I think that some viewers may grow tired of the series because it comes out every year. The nature of an audience viewing sequels is that it dwindles in number over time, as "sequelitis" sets in. But if you enjoyed the previous Saws & all their abusive, bloody, cruel, & heartless drama, you don't need me to suggest anything to you.
The traps still prove to be especially cruel, perhaps a little too cruel, but even that is worked into the story. It involves quite a bit of the past, much like Saw 4, it will give you more of the origin of the characters, whether it's needed or not. Minimizing flashbacks, it instead will fill in a number of plot and character holes.
This is David Hackl's directional debut. Considering he's been around since Saw 2 as production designer, this is a solid step forward. There's no doubt that these somehow ingenious, if not over the top story lines that interconnect were made up well after the fact, but that doesn't change the fact that the scriptwriters were keen on at least making an effort to do exactly that. Tie things in, making the package look neater, & hoping you don't think about it too much that you start to see the implausibility of it all.
If you have not seen the previous Saw's, you will be lost here, as you will be left with confusing tie in's and past incidents that mesh too well with the present. It's just not kind to new viewers.
All in all, I can't complain about Saw 5, because I got exactly what I expected. Clever, deadly traps, uncomfortable situations, & of course, the "twist" at the end. There's no denying that one particular actor that's been in all the Saw's is especially good at what he does.
For the most part, I would suggest waiting for a rental. I think that some viewers may grow tired of the series because it comes out every year. The nature of an audience viewing sequels is that it dwindles in number over time, as "sequelitis" sets in. But if you enjoyed the previous Saws & all their abusive, bloody, cruel, & heartless drama, you don't need me to suggest anything to you.
Very Acceptable
To say the least, I was NOT disappointed. I enjoyed the film as much as I thought I would. Going in, I had some doubts, what with a new director and this being a fifth installment in a horror series (they usually start sucking by the 3rd).
As soon as the opening credits start, you can already tell that a different director had his hands on the project. Acceptence doesn't take long to sink in though. As expected, the film meets the typical Saw requirements. Multiple traps and more revealing back-story.
Simply put, Saw V should not disappoint the loyal Saw fan. I know I'll be back for the next installment with bells on.
Seeing that this is the fifth film, you simply MUST see 1-4 in order to truly understand all the flashbacks. I don't want to give anything away, so all I will say is this: The very last trap in this film is one of my new favorites. . .
As soon as the opening credits start, you can already tell that a different director had his hands on the project. Acceptence doesn't take long to sink in though. As expected, the film meets the typical Saw requirements. Multiple traps and more revealing back-story.
Simply put, Saw V should not disappoint the loyal Saw fan. I know I'll be back for the next installment with bells on.
Seeing that this is the fifth film, you simply MUST see 1-4 in order to truly understand all the flashbacks. I don't want to give anything away, so all I will say is this: The very last trap in this film is one of my new favorites. . .
On par with the others, simply incredible
Saw V is clever. It knows what the audience wants, and after four solid films, it still continues to fill in the cracks of minor plot inconsistencies and even manages to link itself all the way back to the first movie. The genius of these films is finding out more about the past that directly links to the events in the future. In this respect, Saw V may just be the best film in the whole series, utilizing plenty of flashbacks, insane traps, and a plethora of returning characters. The fifth film stars series regulars Tobin Bell, Costas Mandylor, and Scott Patterson, as well as newbies Julie Benz, Meagan Good, and Greg Bryk. David Hackl, who served as production designer on Saw II through Saw IV, now takes over the director's chair for Darren Lynn Bousman.
This time around, Hoffman, Jigsaw's last remaining apprentice, is trying to tie up all the loose ends, following instructions Jigsaw gave him on his deathbed. Agent Peter Straum is quickly piecing together clues and suspects Hoffman as being tied to Jigsaw. At the same time, five people, Brit, Luba, Mallick, Ashley, and Charles, wake up in a trap and must work together to reach the end. It all builds up to an astounding conclusion that sets the scene for Saw VI in a fantastic fashion.
As always, one of the most enthralling things about the Saw films are the traps, and this one doesn't disappoint at all. It doesn't go too over-the-top with the gore, and yet stays intense and absolutely enthralling the entire time. We get explosions aplenty, a water tank, a falling pendulum, a trap involving electrocution, and several others. There is a particular one involving a glass box that was especially disturbing and crazy.
The acting in this installment is on-par with Saw II, which is actually saying a lot. It seems as if in all of the films, there is always a weak spot except for Saw II, and now this one (Cary Elwes in Saw, Bahar Soomekh in Saw III, and Justin Louis in Saw IV). Julie Benz is an effective heroine, one that is fun to root for throughout the course of the movie. Likable characters abound, with few even approaching annoyances from this viewer. Scott Patterson was great to watch in his race to piece things together. Costas Mandylor shines in his scenes, and takes over Jigsaw's reign quite well. Tobin Bell is in a league all his own, and in all of the flashback scenes (and there's plenty of 'em), he comes nothing short of an absolute pro. After five films, he has 100% nailed the Jigsaw character.
In terms of directing, David Hackl does an excellent job taking over for Darren Lynn Bousman. There is lots of flashy editing and awesome camera angles, and the constant close-up shots that fans of the series have come to love. Hackl's visual style is very similar to that of Bousman's, and that's saying something. Both directors bring an incredible amount of creativity to the screen, and Hackl sprinkles a little flavoring all his own that makes this new Saw flick a feast for the eyes. There's no arguing that's it's well-made, in terms of both acting and directing.
The latter half of the movie is super intense, and although the runtime is very short, the length is perfect. It lays out the carpet for the next film in the series with amazing bravado, perfected after five films. It seems like they finally know how to leave us with a cliffhanger at the conclusion. As promised, the ending is stunning and shocking, but don't expect it to be on caliber with the first movie, an ending which will be hard to ever top. Even after five films, Saw has not grown stale, and continues to enthrall and thrill fans of the series. It is probably the best movie series ever in terms of continuity. As much as I thought I knew what was coming, the fifth entry in the Saw series threw out shock after shock and never ceased to surprise me. Once the credits start, you are left craving more, which will make the next and final entry in the Saw series one that this particular fan will very much be looking forward to.
This time around, Hoffman, Jigsaw's last remaining apprentice, is trying to tie up all the loose ends, following instructions Jigsaw gave him on his deathbed. Agent Peter Straum is quickly piecing together clues and suspects Hoffman as being tied to Jigsaw. At the same time, five people, Brit, Luba, Mallick, Ashley, and Charles, wake up in a trap and must work together to reach the end. It all builds up to an astounding conclusion that sets the scene for Saw VI in a fantastic fashion.
As always, one of the most enthralling things about the Saw films are the traps, and this one doesn't disappoint at all. It doesn't go too over-the-top with the gore, and yet stays intense and absolutely enthralling the entire time. We get explosions aplenty, a water tank, a falling pendulum, a trap involving electrocution, and several others. There is a particular one involving a glass box that was especially disturbing and crazy.
The acting in this installment is on-par with Saw II, which is actually saying a lot. It seems as if in all of the films, there is always a weak spot except for Saw II, and now this one (Cary Elwes in Saw, Bahar Soomekh in Saw III, and Justin Louis in Saw IV). Julie Benz is an effective heroine, one that is fun to root for throughout the course of the movie. Likable characters abound, with few even approaching annoyances from this viewer. Scott Patterson was great to watch in his race to piece things together. Costas Mandylor shines in his scenes, and takes over Jigsaw's reign quite well. Tobin Bell is in a league all his own, and in all of the flashback scenes (and there's plenty of 'em), he comes nothing short of an absolute pro. After five films, he has 100% nailed the Jigsaw character.
In terms of directing, David Hackl does an excellent job taking over for Darren Lynn Bousman. There is lots of flashy editing and awesome camera angles, and the constant close-up shots that fans of the series have come to love. Hackl's visual style is very similar to that of Bousman's, and that's saying something. Both directors bring an incredible amount of creativity to the screen, and Hackl sprinkles a little flavoring all his own that makes this new Saw flick a feast for the eyes. There's no arguing that's it's well-made, in terms of both acting and directing.
The latter half of the movie is super intense, and although the runtime is very short, the length is perfect. It lays out the carpet for the next film in the series with amazing bravado, perfected after five films. It seems like they finally know how to leave us with a cliffhanger at the conclusion. As promised, the ending is stunning and shocking, but don't expect it to be on caliber with the first movie, an ending which will be hard to ever top. Even after five films, Saw has not grown stale, and continues to enthrall and thrill fans of the series. It is probably the best movie series ever in terms of continuity. As much as I thought I knew what was coming, the fifth entry in the Saw series threw out shock after shock and never ceased to surprise me. Once the credits start, you are left craving more, which will make the next and final entry in the Saw series one that this particular fan will very much be looking forward to.
Le saviez-vous
- AnecdotesScott Patterson was apprehensive about sticking his head in a sealed box that would fill with water. The trap was tested beforehand and didn't go well, which only added to his concern. He ultimately stepped up and did the scene himself without resorting to a stuntman. The trick to the stunt is that the walls of the box were slid open by stagehands, draining the trap as soon as he signaled with his hands. Several takes were required, however, to capture the scene as he found himself uncomfortable at various points during the shooting of this scene.
- Gaffes(at around 1h 7 mins) Detective Mark Hoffman steals Agent Peter Strahm's cellphone out of the evidence locker, and uses it to call Agent Dan Erickson. Erickson answers the phone thinking it was actually Agent Peter Strahm. However Erickson should have known that Strahm's cellphone was in evidence, and therefore known that it could have been someone else using the cellphone.
- Autres versionsAlso available in an unrated director's cut version, which restores deleted scenes and the violence originally cut for an "R" rating.
- ConnexionsEdited from Décadence (2004)
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Détails
Box-office
- Budget
- 10 800 000 $ US (estimation)
- Brut – États-Unis et Canada
- 56 746 769 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 30 053 954 $ US
- 26 oct. 2008
- Brut – à l'échelle mondiale
- 113 864 059 $ US
- Durée
- 1h 32m(92 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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