Ajouter une intrigue dans votre langueImagine waking up not knowing who you are, who you were, or who you will be, in a place familiar yet foreign. The world is in chaos and it twists around you like a snake. Everything brings a... Tout lireImagine waking up not knowing who you are, who you were, or who you will be, in a place familiar yet foreign. The world is in chaos and it twists around you like a snake. Everything brings a vague recollection of memories you just can't grasp. You meet others like you - lost, con... Tout lireImagine waking up not knowing who you are, who you were, or who you will be, in a place familiar yet foreign. The world is in chaos and it twists around you like a snake. Everything brings a vague recollection of memories you just can't grasp. You meet others like you - lost, confused, and enraged - while the rest seem to ignore your very existence. Who is your enemy?... Tout lire
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Pericles has done more than just created a movie here. This is a true work of art. And as a work of art it's subjective. I'm sure some people might not want to go to the places that this movie takes you. Others may welcome the journey. I certainly did.
Beautifully shot, directed, and composed. The special effects are pretty mind altering as well.
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And so he does in grand fashion. On the surface, LOOP is abundant with Lewnes' signature psychedelic imagery and eccentric, often mysterious characters, propelling the viewer through a semi-psychotic narrative that fluctuates between socio-political awakening and fever dream. Visual effects reach far beyond their budget to create a landscape both surreal and hyper-real. The film's rare flashes of humor are absurd and subtle, falling perfectly naturally amidst the bleakest moments of anguish and despair. Comparisons to Lynch, Cohn Brothers and early Raimi come easily to mind.
But the vortex of this rabbit hole winds deeper still. Frantic motion and Daliesque composition augment LOOP's Rubik's cube chronicle of a man desperately trying to make sense of a world he cannot comprehend because the logic of decency and morality do not apply, where the concepts of mind and humanity are shattered and reformed, where it would not be a surprise to find Kafka waiting impatiently for Godot, or perhaps Clinton battling Obama for leadership of the allegedly free world.
LOOP is a visual and cerebral roller-coaster, both thought-provoking and brain-blasting, twisting and spinning back on itself with dazzling visions and conceptual mindfreaks until all the puzzle pieces come together with a bang, leaving me personally needing desperately to do SOMETHING dammit, whether it's break out my inner activist to fight for change, kick back with a bongload of kind bud, or blow my f*cking head off. Or maybe just watch LOOP again.
I've just finished watching Pericles Lewnes' LOOP for the third time, and I find myself struggling to form words, as my mind is still reeling (looping?) from the experience
Too much description will spoil part of the enjoyment of the film; for most of its running time the viewer is in the same state of confusion as the protagonist (Lewnes, effective as a man questioning his own sanity). Fans of Vonnegut and Philip K Dick should appreciate the twists in the plot's journey.
Technically the film is near flawless. Low budget to be sure but it's hard to imagine how the story would have been much improved with Hollywood flash and gloss. Above all, this is a film of ideas; those looking for a movie to watch causally should look elsewhere. If you have people around you who like to wander off for a few minutes and then come back and ask what happened you'd be well advised to lock them out of the house.
One more observation--if you are one of those folks who is a die hard partisan on things like politics or Iraq you will probably get angered--Lewnes doesn't spare anyone and offers no easy answers. It's rare to find a political film that is more concerned with thinking than with scoring easy propaganda points. It's rare to find a film that so defies easy classification. And it's very rare to find someone who is able to achieve that on such a small budget. Here's hoping that it won't take 2 more decades for Lewnes to tell another story.
Le saviez-vous
- ConnexionsReferences L'amour chez les monstres (1932)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 $ US (estimation)
- Durée
- 1h 25m(85 min)
- Couleur
- Rapport de forme
- 1.33 : 1