Breathe: A Tabiyus Film

I had the pleasure of attending the Los Angeles premiere of BREATHE, and the event itself was a party-no after-party needed! As an indie film, BREATHE far exceeded expectations, showing what can be accomplished with limited resources when a passionate team comes together. Frederick Tabiyus Nah IV and his team created a film that feels polished, deeply emotional, and gripping from start to finish.

Jeff Rose, typically seen in faith-based roles, gives an award-worthy performance as Victor Brady. His emotionally charged scenes with Jesse Howland, who plays his son Alex, are some of the film's most compelling moments. Brandon Butler, known from Netflix's Trinkets and 13 Reasons Why, also delivers a raw portrayal of addiction as Craig London, keeping the audience deeply invested in his character's journey.

BREATHE also excels in its portrayal of diversity, particularly with its strong Asian representation. Remington Hoffman plays Brian Yune, the leader of the Asian International sector of a drug empire, in a role that is strikingly different from his previous work on Days of Our Lives. Hoffman brings depth and gravitas to Brian, and the scenes between him and Blue Kimble's Xzavion crackle with intensity. Forrest Hoffman, Remington's real-life brother, plays Garrett Yune, adding an extra layer of authenticity to their sibling dynamic on screen. Gilbert Galon's portrayal of Ryan Lee further strengthens the film's impactful representation. The Yune brothers, along with other Asian characters, are pivotal to the story's cultural and power dynamics, making this representation feel essential to the narrative rather than an afterthought.

Aaron Dominguez, best known for his role on HULU's Only Murders in the Building, delivers a standout performance as Javier Roberto, especially in his intense scene with Lucas Hernandez, played by his real-life brother Jona Dominguez. Their scene is one of the film's highlights, filled with palpable tension and raw emotion, showcasing the dynamic between the brothers in an unforgettable way.

Frederick Tabiyus Nah IV, who not only wrote and directed the film but also stars as James Reed, gives a heartfelt and sincere performance. His on-screen chemistry with Danube Hermosillo, as seen on SHOWTIME's Shameless, feels natural and adds a tender emotional layer to the story. The theme song, performed by Tabiyus alongside Anja Nissen, is beautifully executed and left a lasting emotional impact, perfectly capturing the film's core sentiment.

BREATHE is a prime example of what indie films can achieve with passion and talent. The story, diversity, and performances make it a must-watch, and I'm excited to see what the next chapter of The RUN Saga holds.

BREATHE masterfully unravels the lives of a suburban LA community ensnared by the drug trade, where interwoven fates collide, forcing characters to confront their darkest truths and navigate complex loyalties. This journey leads to a tragic, irreversible transformation.

I was thrilled to attend the Los Angeles premiere of the film. Jona Dominguez and Jeff Rose delivered standout performances that truly brought the story to life. The overall cast was impressive, particularly for an indie film, showcasing the raw, emotional depth required for such a complex narrative.

In his directorial debut, Tabiyus has crafted a compelling and gritty exploration of human nature under pressure. I'm excited to see what he does next as a director. BREATHE is a remarkable indie achievement that leaves a lasting impact.

I had the pleasure of attending the premier of this film and it was beautiful! The way the lives of these LA citizens were woven while also displaying the director's own artistic choices was amazing. The film takes you through a journey from beginning to end, questioning who these people are and why we should care about them, to ultimately leaving us in silence and letting us think about our own lives. This film especially resonated with me having been raised in LA and seeing firsthand many of the same streets, people, situations. To be heard and seen is to be known, to be known is to be loved. 10 stars for this film I hope everyone takes the time to sit down and watch!

Yo, BREATHE just brought back my faith in indie films! This movie doesn't just have named talent (yeah, there's some seriously dope names in here like Brandon Butler and Blue Kimble who CRUSH it), but it's the newer faces that really make you fall in love with film all over again.

Jona Dominguez? This dude is FIRE as Lucas Hernandez. Every time he's on screen, you feel it. He's the kind of actor that makes you want to dive into more indie films because you KNOW you've discovered something special before the rest of the world catches on. Jeff Rose as Victor brings all the emotional weight, and watching him go toe-to-toe with these fresh talents is magic. And let's not forget Blue Kimble, who gives serious edge as Xzavion, playing that role with the kind of swagger you can't teach.

And Danube Hermosillo as Ariela? Nailed it. She brought so much heart and authenticity to her scenes. The diversity in BREATHE is not just there for show-it's baked into the core of the story. It feels real, like these characters actually exist in a world that's messy, chaotic, and very relatable. The mix of fresh and seasoned actors gives this movie a unique flavor, making it stand out from the usual crime drama fare.

Seriously, this movie is a reminder that the best films make you feel. Whether it's intense moments, quiet scenes, or just straight-up killer performances, BREATHE has it all. This is what indie cinema is all about.

The opening scene of BREATHE hit like a punch to the gut. I wasn't expecting the raw intensity of that moment, and it set the tone for the entire film. Brandon Butler's portrayal of Craig London is haunting from the get-go, but what really stayed with me was how Amber L. DeVos and Barry Piacente as Christa and Max London play off each other. You can feel the weight of their broken relationship suffocating their son, and it's hard to watch without feeling a pang of sadness for him.

There's something about the way the scene is shot the dim lighting, the claustrophobic feel of the room that draws you in immediately. Without giving too much away, it's the kind of opening that leaves you with more questions than answers, which is exactly why it works. You're not just watching a family fall apart; you're seeing the first cracks that will ripple through the entire movie. It's emotionally charged without being melodramatic, and I found myself thinking about that moment throughout the rest of the film.

What makes this opening so effective is that it doesn't rely on flashy visuals or loud drama. It's the quiet moments-the glance between parents, the silent confusion of their child-that sets the stage for everything that follows. In just a few minutes, we are introduced to themes of addiction, trauma, and broken relationships that will carry the film forward, all through the lens of a single family's tragedy.

This scene perfectly encapsulates what BREATHE does so well throughout the movie: it shows rather than tells. You're not spoon-fed the characters' backstories, but you can feel their history in every look, every interaction. It's a testament to the film's ability to create an emotional connection with the audience right from the start, leaving you eager to see where the story will take you.