Le passé retrouvé

My Review- Juniper My Rating. 7.5 /10

I found Juniper a very moving film but a little emotionally triggering by that I mean basically it "pressed my buttons." in parts.

I must admit I dozed off a little first viewing not because I was bored but just tiredness so I watched it again and I'm glad I did.

This interesting 2021 movie from New Zealand written and directed by Matthew J Saville is what I call a slow burner but by the conclusion I had definitely warmed to it .

The subjects that crop up in Juniper are confronting they include family alcoholism, grief, assisted dying, teenage suicide and parent child communication breakdown .

It's certainly not a musical comedy ,although come to think of it I have seen all those subjects portrayed in the modern musical theatre of today.

Sam ( George Ferrier) the teenage son of Robert (Martin Csokas ) on returning home from boarding school after a self-destructive spree prompted by his mothers death discovers his gin-soaked grandmother Ruth has moved in.

Ruth played by the wonderful actress (Charlotte Rampling) once had a lust for life . A former War photographer now old age , excessive alcohol abuse and her disappointment with life has turned her into a very bitter woman in a wheelchair approaching the finality of her life.

Sam is really a chip off his Grandmother's block and after an initial awkward and violent introduction a battle of wills ensues which eventually thaws out both of these strong and determined individuals resulting eventually in acceptance and reconciliation for all the family members including Sam's absentee Dad Robert played by Marton Csokas.

The two standout performances in Juniper are George Ferrier as Sam and of course Charlotte Rampling as Ruth and this film is worth watching just for them.

Charlotte Rampling said she found the semi autobiographical script by Matthew Saville "just very very compelling." Her first husband was a Kiwi and although not particularly wanting to leave her home in Saint-Germain Paris to travel across the world to New Zealand she said the story " came to her across the page" George Ferrier as Sam I think will be an interesting actor to watch I haven't seen the series "One of us is Lying "that he appears in 4 episodes of but I will look it up after seeing his passionate and sensitive performance as Sam in Juniper this 21 year old actor should receive plenty of role offers after Juniper.

Juniper is a quiet slow burner of a movie I recommend it for movie lovers who enjoy complex characters and films that aren't afraid to deal with sensitive subjects and a great Directorial debut feature film for Matthew Saville.

The movie is set in stunning New Zealand. We meet troubled teenager Sam (George Ferrier). Sam has returned from boarding school and is struggling to accept the sudden presence of his English alcoholic grandmother, Ruth (Charlotte Rampling) in his home, after breaking her leg. The pair get off to a rough start, however, as time goes on he realises they have more in common than he first believed. This is a nice story about life, family and love. And the acting of both George Ferrier and Charlotte Rampling is so good. You really get carried away in their story and in the movie. The cinematography is excellent, captivating the greenery and natural beauty of New Zealand and the sun-rises they spent together. The colour scheme mostly feels wintery and cold, pointing to some of the dark but real themes the film showcases. The dialogue is well considered, humorous and realistic. Talented newcomer, Sam Ferrier, and screen icon, Charlotte Rampling work impressively together to create a credible bond that will draw you in. This is a very touching movie and focusses on the hardships of life and the lessons we can learn no matter what age. This is a movie well worth watching.

A lonely young man struggling with his mother's death is confronted by the visit of his acerbic alcoholic grandmother.

I found this very moving. With very real characters whose lives you can feel right into and performances to match, with George Ferrier looking very good beside veterans Charlotte Rampling and Martin Csokas. I empathised strongly with the protagonist's situation: his grief, his inability to communicate it, his feelings of isolation and hopelessness, and also how the slightest hint of positive attention from someone new, unlike anyone else in your world, can change your whole perspective. A character study with vulnerable honesty and an underplayed depth of feeling.

We've seen this dynamic many times over the years and while the setup is familiar, it's all about how a director handles the material and he does so with grace and charm.

Charlotte Rampling commands the stage as a grandmother who comes home to heal from a leg injury. A drinker and distant from her son Robert who promptly leaves to settle affairs in the UK. She's brutally honest and let's people know she will not be pushed around. But you learn about her slowly over the course of the film and why she is in her ways atm.

She immediately clashes with her angry grandson who was just suspended from school and is cooped up at home with a grandmother he's not met until now. George Ferrier equally matches her fiery performance as the angry youth. Depressed and suicidal, he is Unable to deal with his mothers death, until he receives some well deserved tough love from grandmother. The events play out in a laid back fashion and done with I feel a sense of realism. The topics presented like grief, aging, coming of age feel natural here and there's no stupid comedy section presented for laughs. I could see this going the opposite way if this were an American production for sure with heavy handed speeches and cliched ending.

All around a wholesome film made with heart, a fine watch.

Greetings again from the darkness. A tale as old as time. No, this first feature film from writer-director Matthew J Seville is not a new spin on 'Beauty and the Beast', however it is a story that has a familiar feel, and one made more meaningful through terrific acting and expert cinematography. We are engaged through characters rather than plot, and in fact, we grow to care about two of these people after initially finding both a bit abrasive.

Charlotte Rampling stars as Ruth, aging mom to Robert (an underutilized Marton Csokas). The two have never been especially close as Ruth's career as a war photographer allowed her to escape traditional parental duties. With a recent broken leg set in a cast and brace, Ruth finds her wings clipped and Robert senses an opportunity. By moving Ruth into the house during recovery, he can have his son, Sam (George Ferrier), help Nurse Sarah (Edith Poor). Sam is a party boy recently expelled from his boarding school and wants nothing to do with the convalescing grandmother he barely knows.

Dad's ulterior motive gets off to a rough start. Both Ruth and Sam are hard-headed and rebellious. In fact, it's these traits that end up drawing them closer. Ruth seems to survive on her all day gin-binges as her vile vocal spewings are those of a woman whose world has shrunk to the point of feeling captive. Sam is one who doesn't take direction well as he tries to hide his depression and grief driven by the death of his mother. Adding to this mess is Nurse Sarah's consistent attempts to inject some religion into Ruth before the bell tolls.

What we have is self-destruction times two. Ruth and Sam are rude and self-centered, and those shared traits end up thawing the icy relationship and improving their much different circumstances. George Ferrier is a relative newcomer from New Zealand, and he has the looks and on-screen charm to build a nice career. Of course, Charlotte Rampling is in her seventh decade of acting, and she instinctively knows how far she can push this character and still keep us engaged. It's a terrific performance that probably deserved an Oscar nomination. The cinematography of Marty Williams works in the enclosed spaces of the house, as well as the beautiful landscape when the characters head outdoors. Some of the scenes may be a bit too much 'on the nose', but the humor and acting allows for the desired impact.

Opens February 24, 2023.