Ariel

A film that covers two significants events in Argentine culture and history, the military government that tried to transform society through terror and extermination and Tango, a unique musical style in the world that reflects passion and suffering in its melody as well as in its staging.

Director Alison tells us a story that could have been a real one, introducing us to Davie's life and the secrets of his family circle that does not convince him and in his search for answers all he finds is a new question and with the support of his sister Diana will end up finding a new version of himself.

Undoubtedly this drama leaves us much more than a simple story. A highly recommended film with an amazing cast.

ARIEL is a unique film, combining the elements of dirty politics, family secrets and sensual dance. Great attention is paid to details, such as the clothing and attitude of the silver foxes in the tango clubs and the intimate & sometimes combative relationship between the young adult brother and sister at the centre of the story. The music, dance and architecture of Argentina are lovingly presented. As the brother and sister peel back the layers of the family mystery, the audience is riveted until the inevitable resolution. Notwithstanding the ugly historical political reality, the heart of the characters ultimately shines through.

Ariel is a film about tango, family, history and awful things being hidden and uncovered. The history of the Abuelas de Plaza de Mayo is really well portrayed. Great performances by the main actors, especially Raphael Grosz-Harvey and Eleonora Wexler. A beautiful score and gorgeous, arial shots of Buenos Aires. The film is skillfully and sensitively directed by Alison Murray. The complex indictment of characters and corporations for their collaboration in Argentina's military dictatorship between 1976-1983 is a huge part of this film's accomplishment. I hope this film travels far and is seen worldwide.

A wonderful film that pairs an intoxicating setting (and clearly the director's love of tango), with an engaging narrative that takes us on an eye-opening journey to Argentina. The actors playing the brother and sister are convincing in their complex roles, and their flaws and contradictions make them interesting to watch. The story's historical context intertwines the present and the past with a satisfying ending at its climax, and the main characters' internal (and external) resolution feels earned. Highly recommended to audiences interested in issues concerning identity, art/dance, history, politics, and romance. A viewing pleasure!

Ariel is a compelling story that needs to be told. Social justice against the backcloth of the allure of tango. Sibling relationships and the complexity of family ties. The role of multi-national corporations in the dirtier side of the government and dictatorship in Argentina. The juxtaposition of snowy cold Toronto and steamy Buenos Aires (and Montevideo, Uruguay ). The movie is captivating and engaging and the cinematography expansive. Allison has paid attention to all the details necessary to tie this story together. Very good job - a pandemic movie that defies the odds and comes out on top!