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Le Hobbit: La Désolation de Smaug

Titre original : The Hobbit: The Desolation of Smaug
  • 2013
  • PG
  • 2h 41m
ÉVALUATION IMDb
7,8/10
743 k
MA NOTE
POPULARITÉ
1 237
167
Ian McKellen, Richard Armitage, Orlando Bloom, Martin Freeman, Lee Pace, Benedict Cumberbatch, Evangeline Lilly, and Luke Evans in Le Hobbit: La Désolation de Smaug (2013)
The dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim Erebor, their homeland, from Smaug. Bilbo Baggins is in possession of a mysterious and magical ring.
Liretrailer2:32
28 vidéos
99+ photos
Aventure épiqueÉpée et sorcellerieFantasy EpicQuêteAventureFantastique

Les nains, ainsi que Bilbo Baggins et Gandalf le Gris, poursuivent leur quête pour récupérer Erebor, leur patrie, des griffes de Smaug. Bilbo Baggins est en possession d'une mystérieuse bagu... Tout lireLes nains, ainsi que Bilbo Baggins et Gandalf le Gris, poursuivent leur quête pour récupérer Erebor, leur patrie, des griffes de Smaug. Bilbo Baggins est en possession d'une mystérieuse bague magique.Les nains, ainsi que Bilbo Baggins et Gandalf le Gris, poursuivent leur quête pour récupérer Erebor, leur patrie, des griffes de Smaug. Bilbo Baggins est en possession d'une mystérieuse bague magique.

  • Réalisation
    • Peter Jackson
  • Scénaristes
    • Fran Walsh
    • Philippa Boyens
    • Peter Jackson
  • Vedettes
    • Ian McKellen
    • Martin Freeman
    • Richard Armitage
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,8/10
    743 k
    MA NOTE
    POPULARITÉ
    1 237
    167
    • Réalisation
      • Peter Jackson
    • Scénaristes
      • Fran Walsh
      • Philippa Boyens
      • Peter Jackson
    • Vedettes
      • Ian McKellen
      • Martin Freeman
      • Richard Armitage
    • 1KCommentaires d'utilisateurs
    • 538Commentaires de critiques
    • 66Métascore
  • Voir l’information sur la production à IMDbPro
    • Nommé pour 3 oscars
      • 19 victoires et 90 nominations au total

    Vidéos28

    Trailer #2
    Trailer 2:32
    Trailer #2
    Sneak Peek
    Trailer 3:01
    Sneak Peek
    Sneak Peek
    Trailer 3:01
    Sneak Peek
    Main Trailer
    Trailer 2:28
    Main Trailer
    Trailer #1
    Trailer 2:10
    Trailer #1
    A Guide to the Films of Peter Jackson
    Clip 1:33
    A Guide to the Films of Peter Jackson
    Extended Scene
    Clip 2:42
    Extended Scene

    Photos626

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
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    + 621
    Voir l’affiche

    Distribution principale99+

    Modifier
    Ian McKellen
    Ian McKellen
    • Gandalf
    Martin Freeman
    Martin Freeman
    • Bilbo
    Richard Armitage
    Richard Armitage
    • Thorin
    Ken Stott
    Ken Stott
    • Balin
    Graham McTavish
    Graham McTavish
    • Dwalin
    William Kircher
    William Kircher
    • Bifur
    James Nesbitt
    James Nesbitt
    • Bofur
    Stephen Hunter
    Stephen Hunter
    • Bombur
    Dean O'Gorman
    Dean O'Gorman
    • Fili
    Aidan Turner
    Aidan Turner
    • Kili
    John Callen
    John Callen
    • Oin
    Peter Hambleton
    Peter Hambleton
    • Gloin
    Jed Brophy
    Jed Brophy
    • Nori
    Mark Hadlow
    Mark Hadlow
    • Dori
    Adam Brown
    Adam Brown
    • Ori
    Orlando Bloom
    Orlando Bloom
    • Legolas
    Evangeline Lilly
    Evangeline Lilly
    • Tauriel
    Lee Pace
    Lee Pace
    • Thranduil
    • Réalisation
      • Peter Jackson
    • Scénaristes
      • Fran Walsh
      • Philippa Boyens
      • Peter Jackson
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs1K

    7,8743.3K
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    Avis en vedette

    8neil-476

    Great fun, but forget the book

    Bilbo Baggins and assorted dwarfs continue their journey to Erebor, overcoming various obstacles on the way (including hostile elves) before Bilbo has to try to fulfil his engagement as burglar under the fiery snout of antisocial dragon Smaug.

    The second Lord Of The Rings movie suffered from Middle Film Syndrome: Hobbit 2, despite occupying the same position in a trilogy, does not suffer to the same extent, and perhaps this is because it is exciting all the way through, yet follows on from a film which was pretty slow throughout its first half.

    It also contains large chunks which do not come from the novel - I'm pretty sure Legolas wasn't in the book. He is great fun here, as a much angrier soldier in the Elf Army. And new creation Tauriel is hugely enjoyable, resembling nothing so much as Uma Thurman's character from Kill Bill, albeit attractively played with the hint of a smile by Evangeline Lilly.

    Apart from being a more engaging movie than part 1, pretty much everything I thought about that movie still holds. I still have reservations about the dwarfs - their faces and hair feel obviously prosthetic and wigged, and it's still pretty difficult to tell them apart from each other except for the old one, the one wounded by the orc arrow, Thorin, and James Nesbitt's Irish one. I still have reservations about CGI orc faces - the prosthetic orc faces work noticeably better. I still have reservations about some of the action sequences, where more is not necessarily better (one sequence, in particular had the audience laughing because of the extent to which the Elvish derring-do was over-derring-done). And there are times when Bilbo looks cut out and pasted into a scene. And, once again, the 3D is indifferent.

    Otherwise, this was great fun. Loads of action, some nice character work, an excellent and nasty spider fight, a well-voiced and visually realised Smaug, and not the slightest yen to look at my watch.

    And a cliff-hanger. You swine, Jackson.
    8ayoreinf

    A very good movie, slightly reminiscent of the Hobbit

    Peter Jackson's ego that was held at bay all through the previous installment breaks free in this one. The lighthearted atmosphere from the book, that shone so brightly over the 1st part of the his version of the Hobbit, is no longer here, the strange story lines that were added to tie every thing together so no loose end is left and everyone watching the film knows that Peter Jackson did tell us all there was to know. An exact opposite of Tolkien's original who kept always saying (or implying) that middle earth has much more to it than he could ever cover with his stories. It's a difference in egos that doesn't always work for Jackson. Even though he did create a magnificent fantasy epic. Much darker than the first part, much more action packed very high quality of acting performances by all involved. The sins against the original book aren't as grave as those he committed with his LoTR trilogy, mainly because the Hobbit as I already said is a simpler story that doesn't allow for miss representations of the author's intentions. Jackson simply had to invent all these from scratch.

    I'm all for re-imagining a story, but if you do so at least be honest and tell us that's what you did, like Tim Burton did when he made his version of Alice. Jackson never said any such thing, if he did it was kept a secret from most of the viewers, which is plain shame as far as I'm concern. I know everyone is going to hate this review to pieces, so many "Jacksoners" are following every bit of film he creates trampling in their wake over all those who dare oppose him. But I personally think that had he kept himself closer to the original, he would've ended with a better movie. It was so with the first part, but I feel like his ego couldn't share the credit with the original author anymore, so that's what we got. It's fun to watch - it's just a different story we're watching than the one we were promised.
    8cadillac20

    A Fantastic, Exciting Adventure

    While I enjoyed the first Hobbit film, it did feel like it left a bit to be desired. This was no surprise, as everything that I loved about the book was in the second half. I knew that I would be waiting for all the good stuff with the second and third films. And sure enough, the second film delivers where the first film didn't quite excite as much as I had wanted. While it isn't perfect and does unnecessarily deviate a bit, this is easily better than the first film, giving us a bigger, bolder adventure and a more interesting Bilbo Baggins this time around.

    Before I get to the good stuff, let me get my complaints out of the way. My biggest complaint are the unnecessary plot threads. There seems to be a big need for this series of films to tie into LotR, and I really don't understand why. A great deal of time is taken in this film to introduce us to things we already know the outcome of. We're, at points, taken away from the dwarfs and Bilbo to follow Gandalf as he goes off on his own adventure to uncover the growing evil of Sauron and his armies. Like the first film, it's completely unnecessary, but unlike that film, it's jarring. We're ripped from a fantastic adventure to a story that we don't really need to know and has no real relation to the dwarfs and their adventure. In fact, any time we're taken out of the company of the dwarfs, it almost feels cheap. The almost romance between Evangeline Lily's elf and the dwarf Kili feels something of the same, the whole lot of these stories coming off as filler in an effort to make time for three movies instead of just two. It feels like a stretch and brings a screeching halt to the momentum of the main story.

    That said, the rest of the film is an excellent and expertly crafted adaptation. There is a definite sense of character growth, especially from Bilbo, who seems to struggle with the power of the ring and it's greed. We already know where this goes, but it is none the less fascinating considering who he was when we first met him. The dwarfs seem to almost take a back seat here. They are less prominent, with the exception of Thorin and Balin, who take front and center. That isn't to say they aren't entertaining, as they usually are every time they are on screen. Thorin is the real standout though, as he goes through similar changes as Bilbo, which lends them an interesting comparison in their mutual struggles. The actors are all excellent once again in their respective roles, with Freeman once again being the standout. Evangeline Lily is also a pleasant surprise in an original role as an elf created for the film. She adds a much needed feminine touch to an otherwise predominantly male cast. She proves herself to be a fine silver screen presence and hopefully this will net her some further film roles.

    While the film does an excellent job of not simply being the middle film, something The Two Towers struggled with in the LotR trilogy, it is the action, set pieces, and effects which are the true stars. This may not be a LotR movie, but it's close. We almost immediately start out with a bang and it rarely lets up. Of course, much of what happens early on, as exciting as it may be, pales in comparison to it's explosive and lengthy climax. Smaug is quite possibly the best creation of any of the film, Hobbit or LotR. He is as awesome as you could have hoped for and Benedict Cumberbatch is excellent in the role. While effects have been applied to his voice to give it more boom, he does a fantastic job as the sneering, wise, and boastful dragon. Watching and listening to him face off against Bilbo is a delightful treat, and that is before we get to any fire breathing and chasing. What follows is a lengthy conclusion to the film that will excite and delight all. I have no qualms in saying that Smaug makes the entire film worth the admission of price. But don't go in expecting a solid conclusion. This is, after all, the second of a trilogy, so you can surely expect the film to leave you salivating for the next one.

    While this new Hobbit film still doesn't reach LotR heights, it is superior to the previous film, especially when it comes to being an enjoyable adventure. It feels like it matters to the trilogy and delivers on being an epic. And I simply can't rave enough about Smaug. If you didn't enjoy the first film, you may find yourself feeling about the same here. But at least this one has a cool dragon.
    CinemaClown

    The Desolation of J.R.R. Tolkien's Spirit.

    When The Hobbit: An Unexpected Journey premiered on silver screen as the first in a trilogy of films based on J.R.R. Tolkien's The Hobbit, the response it received was mostly positive to mixed. The majority of criticism was targeted at the needless expansion of a single film story into three features but, in my opinion, it did commence this latest Middle-Earth adventure on the right note and, despite its sluggish pace, ended up providing a largely satisfying experience.

    The Hobbit: The Desolation of Smaug is the second chapter of The Hobbit film series & picks the story right from where it was left off in An Unexpected Journey. Continuing the adventures of Bilbo Baggins who's accompanying thirteen dwarfs on their quest to reclaim the kingdom of Erebor, the film covers the journey ahead for these fellows which is full of dangers and even if they manage to get away with it & reach the Lonely Mountain safely, they have a stupendous dragon to deal with.

    One thing I have always admired about this Middle-Earth franchise is the filmmaker's strong intent to keep the story very much within the realms of Tolkien's spirit. But this latest chapter marks a significant departure from such faithfulness & ends up being an immensely frustrating experience. There are a few things The Desolation of Smaug gets right but there are also way too many things that are wrong with it. Let's start with the things it gets right first.

    Since the previous chapter was criticized for its sluggish pace, the filmmakers have vastly improved the pacing in this middle chapter with addition of many more action sequences to keep the entertainment going throughout its runtime. Production design continues to amaze. Cinematography encapsulates the picture with a darker layer which suits its tone. Visual effects has its share of highs n lows & Howard Shore's score is good but it also stumbles a little for the very first time.

    Now coming to what's wrong with it... First, it slaughters the book in a manner that's plainly insulting to Tolkien. Second, the absurdly introduced love triangle, overindulgence of Elves & eye-rollingly cheesy dialogues are poor filler substitutes. Third, this film had a great opportunity to further develop its characters but thanks to its rushed pace & more emphasis on over-the-top action over a riveting narration, we still have difficulty in recalling the correct names of all the Dwarfs.

    And that's not all. Martin Freeman is brilliant as Bilbo Baggins but his character is demoted into a secondary role for the centre stage is taken by Richard Armitage's Thorin. The remaining Dwarfs get only as much screen time as they did in the last chapter. Elves have never been as annoying as they are in this film for Legolas wasn't even needed in this adventure & Tauriel, who doesn't even exist in the novel but was created to bring a feminine energy to the series, is given a stupid love story to work with instead.

    At last, I would like to talk about Smaug. Exquisitely designed, remarkably portrayed & meticulously detailed, this splendid beast of CGI is a jaw-dropping wonder to look at & the painstaking work that went into bringing this magnificent dragon to life truly deserves a bow. But thanks to its inefficient handling by the filmmakers, the cunning, proud & intelligent dragon of the novel is turned into a foolish creature here which is a shame because Smaug could've been as memorable to this trilogy as Gollum was to The Lord of the Rings.

    On an overall scale, The Hobbit: The Desolation of Smaug is an emotionally unappealing but visually spectacular sequel which features a much more exciting, fiercely paced & action-packed entertainment that'll satisfy most filmgoers but for the devoted fans of Middle-Earth, it's a heartbreaking disappointment that adds even more insult to injury by abruptly ending at one of the most frustrating cliffhangers in cinema history, thus leaving the experience very much incomplete in the end.
    80U

    The Hobbit

    The second entry in the Hobbit franchise improves on everything he first film got wrong. It doesn't waste any time and gets right into the action packed sequences. My only problem was the setting change at the end of the film. I felt like it didn't suit the climax. Overall, The Hobbit the Desalation of Smaug is a solid follow up to the first film building on the ideas the first film started.

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    Fantastique

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Several of the women who turn out to see Bilbo and the Dwarves leave Lake Town for Erebor are actually tall male crew members, who were dressed up as women to get the proper scale of humans versus dwarves and Bilbo for the shot.
    • Gaffes
      The movies previously retained the idea from the books that sunlight renders Orcs non-functional. Gandalf remarked in Le seigneur des anneaux: La communauté de l'anneau (2001) on how alarming it is that Saruman's breeding program has produced sun-resistant Orc soldiers. Yet in the barrel escape scene from Thranduil's caverns, the orcs are chasing the dwarfs down the River Running, and doing hard battle, in broad daylight without suffering any ill effects.
    • Citations

      Balin: [sees a chamber full of dead dwarves, with their only means of escape blocked] The last of our kin. They must have come here hoping beyond hope. We could make for the mines. Might last a few days.

      Thorin Oakenshield: No. I will not die like this, cowering, clawing for breath. We make for the forges.

      Dwalin: He'll see us! Sure as death.

      Thorin Oakenshield: Not if we split up.

      Balin: Thorin, we'll never make it.

      Thorin Oakenshield: Some of us might. Lead him to the forges. We kill the dragon. If this is to end in fire, then we will all burn together!

    • Autres versions
      The Extended Edition that was made for the home theater market adds 25 minutes of additional footage. These include the following new or extended scenes:
      • At the Prancing Pony, Gandalf asks Thorin about his business in Bree. Thorin tells him that he is searching for Thrain, his father who was presumed dead after the Battle of Moria; Thrain has supposedly been seen again. Thorin also mentions that Thrain was wearing one of the seven Dwarf Lord rings when he disappeared.
      • After having spent the night in Beorn's house, the Dwarves are discussing how they can get past Beorn unseen; however, Gandalf assures them they will need Beorn's help. Gandalf goes with Bilbo to carefully introduce the group to Beorn, and instructs the Dwarves come out of the house two at a time (except for Bombur who is instructed to come out alone) much to Beorn's unpleasant surprise.
      • Upon leaving with Beorn's ponies, Beorn makes the group swear to free the horses before entering the forest. He then has a talk with Gandalf about Azog, the Necromancer at Dol Guldur, the tombs in the mountains (featuring a flashback with a voiceover by Galadriel) and a possible return of Sauron.
      • Gandalf warns the Dwarves not to disturb the water in Mirkwood, use only bridges and be wary of illusions.
      • The Dwarves find the bridge in Mirkwood destroyed, so they cross the river with the use of vines hanging above the water. Bombur falls in the water and is asleep, so the other Dwarves need to carry him. They see a white stag, which Thorin tries to shoot unsuccessfully. Bilbo states this will bring bad luck.
      • The Master of Laketown and his aid Alfrid talk about Bard and their desire to get rid of his influence on the people of the town. As Alfrid serves the Master a plate of goat and ram's testicles to eat, they discuss a possibility to silence Bard.
      • While being smuggled into Laketown, the Dwarves are discovered. They fight off the guards with the help of the townsfolk. Braga, the captain of the guards, enters, and Bard bribes him into leaving by offering him a fancy piece of underwear for his wife.
      • The Master of Laketown and Alfrid are discussing an old prophecy that when the king of the mountain returns, the streets will run with gold.
      • Alfrid asks whether Thorin can be trusted to keep his word, prompting Bilbo to vouch for him.
      • The remaining Dwarves ask Alfrid to help the wounded Kili, but he coldly dismisses them.
      • Balin describes how the desolation of Smaug was once a lush woodland.
      • While at Dol Guldur, Gandalf is suddenly attacked by a Dwarf. After a brief scuffle, Gandalf recognizes his assailant as Thrain, and uses an enchantment to give him his memory back. Thrain mentions how he lost his finger and the Dwarf Lord ring during the Battle of Moria. He also warns Gandalf that no one should enter Erebor.
      • Gandalf and Thrain are attacked by Azog at Dol Guldur. Azog's subtitle, "Run him down!" is changed to "Run them down!" in the Extended Edition. Gandalf fights him off and they run away, only to be caught by the Necromancer, who uses black smoke tendrils to grab and kill Thrain.
    • Connexions
      Edited into The Hobbit: The Desolation of Smaug - Extended Edition Scenes (2014)
    • Bandes originales
      Trumpet Fanfare
      Composed by David Donaldson, David Long, Steve Roche & Janet Roddick

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    FAQ37

    • How long is The Hobbit: The Desolation of Smaug?Propulsé par Alexa
    • Why does Smaug not form an alliance with Sauron, are not both on the same side?
    • Why does a dragon need gold? It's not like he's spending it.
    • What is 'The Hobbit: The Desolation of Smaug' about?

    Détails

    Modifier
    • Date de sortie
      • 13 décembre 2013 (Canada)
    • Pays d’origine
      • New Zealand
      • United States
    • Sites officiels
      • arabuloku.com
      • Official Site
    • Langue
      • English
    • Aussi connu sous le nom de
      • The Hobbit: The Desolation of Smaug
    • Lieux de tournage
      • Paradise, Glenorchy, Otago, Nouvelle-Zélande
    • sociétés de production
      • Metro-Goldwyn-Mayer (MGM)
      • New Line Cinema
      • WingNut Films
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 225 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 258 387 334 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 73 645 197 $ US
      • 15 déc. 2013
    • Brut – à l'échelle mondiale
      • 959 079 095 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 41m(161 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Atmos
      • Datasat
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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