Fang

Fang first came on my radar when I was fortunate enough to interview writer/director Richard Burgin for a podcast. Based on the promo images I saw and Burgin's description of the film, I was expecting a grindhouse creature romp.

What I got instead was a highly intelligent shocker about what it's like living with and dealing with a loved one's mental health decline. As someone who recently lost his mother and dealt with her mental decline at the end, this film hit very close to home for me.

Billy Cochran (Dylan LaRay) is a 23 year old working at a warehouse to support himself and his mother (the always lovely Lynn Lowry) who is suffering from stage 5 Parkinson's and mentally declining sharply.

After being bitten by a rat, Billy starts to itch. Then the tufts of hair start to appear. The problem is, they also disappear. Is this real? Is Billy really turning into a rat? Or is it all in his head? His mental decline seems to mirror his mother's as his mother's new caregiver, Myra (Jess Paul) tries her best to take care of them both.

This is absolutely a cut above your average indie horror flick. This isn't a horror flick. This is a horror film. Mark my words....keep your eye on Richard Burgin, because he's going places and he's going to take us along for some wild rides.

Well written script about a subject that, on some levels, something we've all felt, struggled with and have experienced. The mental illness journey that the main character endures is fascinating, eerie and real.

The relationship between the elder parent and him depicts a clash of something he must do out of necessity and love vs wanting the responsibility of it all to end. The mother actor was very good in portraying her own slip with reality.

But when he breaks, he breaks hard into an abyss that he could never escape....though he tried. You have the relationship building, suspense and even a bit of gore.... something for everyone!

Like a combination of Requiem for a Dream, Donnie Darko, American Psycho, and Adam Wingard's films. It's rare to see such a strong and vivid madcap sense of humor in a low-budget indie film. The movie keeps progressing and escalating toward madness. You could take it as a metaphor for growing up and leaving the nest. The performances are all very much on point. And the camerawork, editing, and direction exhibit a level of impeccable craftsmanship that at times touches mastery. It operates with a strong cult classic vibe. There were hypnotic stretches where I was sitting there like, "Holy god almighty this is awesome." Very strong, strange trip that will absorb and zap you. Richard Burgin is definitely a filmmaker to watch.

I was impressed by the cinematography of the film. The colors and camera angles really added a lot to the story. The writing was so thought-out and impressive. The son's telling of the characters he created was so in depth and creative...I'd love to see a movie about that, as well! The scene where the mother (Lynn Lowry) was watching her favorite tv show and "laughing" was one of the best. I immediately was impressed by it and replayed the scene a few times to REPEATEDLY feel creeped out by her laugh! One of my favorites! The relationship between the mother and son is both caring and creepy. Love that! Can't wait to see more.

If you watch other independent films before you watch this one, you'll understand why I gave it a 7 (granted I wanted to do like a 6.5 so I rounded up).

As someone who has watched a LOT of indie films and gets distracted easily, I can tell you I actually watched this whole film--YAY. Most indie films, especially if they're over 30 minutes long, they don't stand a chance at holding my attention normally.

Now, this film is far from perfect. A lot of things don't make sense and there are a lot of filler walking scenes that were unnecessary (also can we get Billy a better broom for that warehouse??). However, the lead actors as well as the lighting and cinematography of this film really carry it though. The colorization is absolutely gorgeous and the camerawork gives this film a boost beyond independent films. Dylan LaRay and Lynn Lowry absolutely capture your attention when they're in scenes together, and, again, it's better than a lot of independent films that are out there.