Ajouter une intrigue dans votre langueA poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy.A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy.A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy.
- Prix
- 6 victoires et 10 nominations au total
- Young Edgar
- (as Jonathan Powell)
Avis en vedette
Having Heathcliffe played by black actors was an interesting idea and worked well. I also liked it that a large part of the film concentrated on the early parts of the book -apparently in contrast to other film versions -especially as the younger actors performed quite well. It was as a shame that the acting deteriorated so much with the adult cast to the extent that I could detect no passion or chemistry between Heathcliffe and Cathy.
I thought the film was overall a dreary waste of time. It seems to have been liked more by the professional critics than by the real audience - show people grim raw reality far removed from their comfortable lives (I am referring to London based critics who only spend weekends in the country) and they are easily impressed. I got the same impression with reviews of Winter's Bone -a film I thought equally bad.
A lot of the time I felt I was being battered over the head with the director's insistence that This Is a Very Important Metaphor but simply didn't understand what the shot of a beetle, or a horse's flank, or a patch of stone, or yet another rainstorm, was supposed to be saying. (The one thing I didn't notice, interestingly, was that the film is in Academy ratio rather than widescreen - probably because the vast majority of the pictures I watch are not in widescreen and in fact I generally dislike it, so I certainly wasn't conscious of that as a drawback.) To be fair, my other companion, who adores the novel, thought the film was the closest she'd ever seen to capturing the spirit of the book, although she too was somewhat disappointed in the 'adult' section.
I suppose you could say that it was a disquieting film of a disquieting book, in which none of the characters were sympathetic because none of the characters in the original are sympathetic: for my part I found myself roused to a furious dislike and resentment, so was at least not indifferent to it. I didn't walk out of what was a sparsely-attended screening -- I didn't even allow myself to disturb my neighbours by looking at my watch -- but I fantasised about being able to leave and was longing for the experience to end.
I think the film has power, which is why I haven't marked it lower than I have. I also think that in many ways it is a bad piece of film-making, more akin to a pretentious video installation than the telling of a complicated and violent story.
The wind really does 'wuther' like that in Yorkshire, though...
Wuthering Heights(2011) isn't terrible as such. The scenery is stunning, likewise the costumes are quite good, the sound is very authentic and I liked the fact that the soundtrack is kept at minimal apart from at the end. The child counterparts of Cathy and Heathcliff are also truly excellent, especially Solomon Glave as a subdued and ferocious Heathcliff. Shannon Beer as young Cathy is just as striking. James Northcote is pretty effective as well, and Wuthering Heights does deserve credit for conveying a believable enough atmosphere especially at the start.
However, I didn't like the photography mostly. There are some nice shots here and there, but the hand-held camera work distracts from the bleakness of the story and seems too avant garde for a period piece for me. It may have worked in Red Road and Fish Tank, but it didn't here. The adult leads are not as good as the children, James Howson doesn't have enough of the characteristics that Glave brought and consequently he's bland. The fact that Glave and Howson don't look much alike takes away from the authenticity, and to me there is a lack of chemistry between Howson and Kaya Scodelario(who fares better, but Beer interested me more).
The script is very stilted. Just for the record, I wasn't expecting a letter-for-letter adaptation, and in all honesty there are not very many of those out there, but I don't think I was expecting dialogue that didn't flow very well from one line to the next or lines that came across as anachronistic. The story also disappoints. Granted the story of Wuthering Heights is a bleak and very difficult one to translate to screen, but in the translation here there is no passion, a lack of integrity in the ending, the way the story is told is too fractured in that the first half is better than the second by some considerable distance and the animal cruelty scenes were unnecessary and hard to watch.
Pacing is also an issue, the second half feels sluggish and I don't think the lack of chemistry helped nor with the lack of any likable or interesting characters, the support cast are much like caricatures as the film strips them of being any more memorable to make an effort to focus on the leads while ignoring the statuses and attitudes of the time, or ones to genuinely empathise with, they are too dull and underdeveloped to make me do that. Lastly, Mumford and Sons is a great song, but out of place here.
Overall, not a terrible film but a disappointing one. 5/10 Bethany Cox
Wuthering Heights started well for me; I thought I was going to enjoy the experience of wild moorland, naturalism, authentic dirt, etc. Unfortunately, too little attention seemed to be paid to the quality of some of the cast's acting (some of which was, frankly, embarrassing) and after the nth roll on the wet moorland grass I began to lose patience with the lack of attention to the narrative detail.
Yes, the moors looked fantastic. Yes, we got that life was grim.
But the affectation of the hand-held camera is a metaphor for the film as a whole. It wobbles about and makes you feel a bit nauseous. And then it does it over and over again and again until you want to beg for mercy.
Le saviez-vous
- AnecdotesNatalie Portman was originally cast as Catherine Earnshaw. After her departure from the film, Lindsay Lohan campaigned for the role but Abbie Cornish was eventually cast. As filming neared, Cornish was then replaced by Gemma Arterton. When Andrea Arnold was hired to direct, she replaced Gemma Arterton with Kaya Scodelario.
- Citations
Older Cathy: You and Edgar broke my heart. You've killed me... Will you be happy when I am in the earth? Will you forget me?
Older Heathcliff: Don't torture me! I've not killed you. I could no more forget you than myself. When you're at peace, I shall be in hell.
Older Cathy: I will never be at peace.
- Générique farfeluAfter all credits, including distributors' credits, there is a final shot of Heathcliff.
- ConnexionsFeatured in Breakfast: Episode dated 8 September 2011 (2011)
- Bandes originalesThe Enemy
Original Title Song written and performed by Mumford & Sons
Published by Universal Music Publishing Ltd.
Master Courtesy of Universal Records
Meilleurs choix
- How long is Wuthering Heights?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Đồi Gió Hú
- Lieux de tournage
- Thwaite, Richmond, North Yorkshire, Angleterre, Royaume-Uni(Village of Gimmerton)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 £ (estimation)
- Brut – États-Unis et Canada
- 100 915 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 956 $ US
- 7 oct. 2012
- Brut – à l'échelle mondiale
- 1 742 215 $ US
- Durée
- 2h 9m(129 min)
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1