The Necessary Death of Charlie Countryman

Dark Mysterious tale well cast well acted just odd enough to be diffident from the mainstream. Perfect locations were sort and used to full effect giving a realist feel to this movie. Breathing life into a film that stands head and shoulders above many a middle of the road attempt of this sort of strange super natural oddball movie. Elements of genesis are running through it with clever one liners from a unhinged gangster played to great effect.To sum up this film reminded me why i watch so many movies in a hope to fine one like this as good as this nowadays seems about one great movie in 25 or so movies watched.

Nigh on impossible to categorize, kookier than a Tim Burton Halloween party, an at times borderline incoherent shambles and a film destined for a life time in the Cult selection of cinema, Fredrik Bond's energetic and unique The Necessary Death of Charlie Countryman is an absolute blast of fresh air that despite all its many faults and inadequacies is a film well worth tracking down for its undeniable charms and ability to never conform to expectations.

The story at the centre of Charlie Countryman feels no need to adhere to much formal structure or the ABC's of movie storytelling and fly's the line between being a straight up drama, a love story, a frenetic thriller and some type of modern day fairy tale where the dead talk and Mads Mikkelsen wears a vast array of insane shirts with a highlight being his sausage dog getup. Charlie's journey to Bucharest is undertaken because his dead mum told him to go there and once there the story continues to surprise, frustrate and involve in equal measure and Bond has such a keen eye for not only the eye-popping visual (a scene where Charlie and his new friends Luc and Carl played by the Inbetweeners Buckley and a very naughty wizard in the form of Grint first party a particular highpoint) but a great feel for the pace and structure of the film that you can't help but go along with all its craziness and you'll find yourself asking internally "since when has Shia LaBeouf been so tolerable?".

In a role that showcases a talent that is missing far too often in his other projects LaBeouf delivers here in what could be his best role outside of kids classic Holes. Charlie is clearly a messed up person and LaBeouf plays him to perfection with the right amount of vulnerability, smarts and craziness that while hard to relate to is always watchable. LaBeouf is well supported by the other cast members and in particular by a menacing Mads Mikkelsen who continues to impress in everything he does. Mikkelsen's role of drug dealing gangster Nigel is a strange one but fits in well with the films tone. Evan Rachael Wood is perhaps the films weak link in a role that doesn't exactly click in the ways we needed for the love story to be more involving.

Not for everyone and as stated early filled with many various faults The Necessary Death of Charlie Countryman is also more enjoyable the countless other films released on a week to week basis. A fine debut film by director Bond and a role that shows LaBeouf can in fact act and act well, Charlie Countryman should be sort out but perhaps not by Harry Potter fans who wish to remember Ron Weasley as a clean cut ginger wizard not a budding adult movie star called Boris Pecker.

3 and a half hard partying Ronald Weasley's out of 5

The things we do for love. People end up doing the dumbest things when in love, its a known fact. Love is blind, they say and 'they' are true, most of the time if not all. Charlie Countryman is the story of Charlie played by Shia LaBeuof in a similar scenario. The director Fredrick Bond's debut movie, Charlie Countryman stands out in terms of visual flair and style.

Shia LaBeuof, surprisingly shows off his astounding acting skills here. He's come a long way from his Witwicky days and it shows. Charlie was a splendid role Shia was put into, quirky and goofy still, but way better than his earlier works. I'd say he displays a much more mature performance here. And it remains to see how well he'll perform in Lars Von Triers' erotic epic Nymphomaniac. It was hard to take eyes off Evan Rachel Wood who was inexplicably gorgeous as Gabi. Except when she talked in a odd Romanian accent, when half of the charm jumped off a cliff. It was hard to believe Charlie and Gabi could fall in love in such a short time. I can infer Charlie's feelings for her, being as naive as he was but Gabi, having gone through a fair chunk of regretful past, it just felt weird that she got smitten by him; nonetheless it worked wonders when they were on screen together. Mads Mikkelsen plays the psychopath thug Nigel and couldn't be more insane and intimidating.

The movie has a weak storyline and a weaker screenplay, but those are forgettable when the movie looks this gorgeous. I never thought Romania would be this alive. Fredrick, having directed music videos, knows how to take the shots beautifully and stylishly. The scenes were smeared with subtle color tones which made it feel like it was both warm and cold. And I said the story was only weak but it does keep things intriguing till end. Especially Charlie's ability or delusion to talk to the dead was a zany mechanic that kept the story moving.

An immense influence of music can be seen throughout the movie. Once again, Fredrick's experience with music videos comes into play making the movie's soundtrack enlivened with tracks from Moby, The XX and M83. Christophe Beck's score was also soothing to the ear.

Charlie Countryman might not be everybody's cup of tea but it was purely a sensory enrapturing experience for me. It has got comedy, action, drama and most of all romance, and it might have been more, had it got an NC-17 rating for its oral sex scene which was cut by MPAA so as to get it rated R. It might not be a worthy contender or come listed in this years best movies, but do give it a chance, have a walk in Romania with Charlie Countryman and fall in love with Gabi.

The movie is dumb and disappointing. Shia LeBouf did a commendable job but his character in the film was extremely annoying. There was barely any plot and the director didn't bother fleshing out any of the characters. All the characters were one dimensional. I watched this movie with zero expectations and yet I ended up disappointed. The ending sucked. The only redeeming quality of this film was Mads Mikkelson. Sadly he was given barely any screen times.

It seems like people have recently become quite callous because otherwise I couldn't understand why this excellent romantic semi-comedy/semi-drama/semi-crime story with excellent likable characters and a lot of love couldn't be highly appreciated.

It's not like this movies is without its flaws, for instance sometimes it dragged on and some parts of it could have been easily cut out without affecting the story in any way.

What you are about to see is a crazy love story involuntarily intertwined with the criminal world. It's not about being a hero and conquering the love of your life when you are lost, it's just about following the emotions which bring you to life.

I'd recommend this movie to anyone who thinks of himself as a romantic person, and I'd definitely recommend it to all ladies.