Dostoevskij

I admit that I was skeptical about this series since I'm not a big fan of the D'Innocenzo brothers, I hated Bad Tales and America Latina, I really consider them two pieces of crap, I found boys cry barely watchable.

So I didn't have great expectations and instead Dostoevskij surprised me, I find it to be a good thriller series, very dark, dramatic and ruthless, with some very bloody moments, especially in the final part, a finale that displaces the viewer and leaves you stunned, the message of the series is that unfortunately evil is in each of us and once it enters you it infects you and leaves you with no escape.

Excellent Filippo Timi who gives a truly intense performance, manages to convey all the discomfort, pain and internal conflict of this investigator.

Very good and far too underrated Gabriel Montesi.

A series, therefore, very interesting and disturbing, I recommend it.

This series explores the theme of darkness. It delves into the idea of confronting the monster and, as Nietzsche suggests, becoming one in the process. As viewers, we are not just passive observer. We're part of the visual and narrative journey. Watching it requires both bravery and honesty, and with each episode, the storytelling becomes more compelling.

The villains are portrayed in a truly astonishing way. I've often found detective stories lacking once the killer is revealed, what remains of the story then? This series tackles that issue with a bold and dark approach. The ending leaves a few threads open, hinting at a continuation in the next season. I hope we get to see it, so those unanswered questions don't leave gaps in the plot.

Dostoevskij, directed by the D'Innocenzo brothers, is a gripping series that blends crime investigation with philosophical undertones, though it occasionally stumbles in its execution. Filippo Timi delivers a compelling performance as a detective wrestling with his past, skillfully portraying the complexity of a man caught between unraveling murders and confronting his own demons. His performance anchors the series, though the surrounding narrative doesn't always match his intensity.

The D'Innocenzo brothers bring their distinct cinematic style to the small screen, creating an atmosphere that is haunting and poetic. While the visual storytelling is striking, it sometimes feels more focused on aesthetic over substance, with introspective moments occasionally dragging the pace. Gabriel Montesi and Carlotta Gamba provide strong support, but their roles feel underutilized, limiting their impact on the overall narrative.

Dostoevskij balances cerebral and visceral elements effectively, though its deliberate pacing and occasional overreliance on mood can make it feel sluggish. While the series has moments of brilliance, it doesn't consistently reach the heights it aspires to, leaving an experience that is thought-provoking but uneven.

Rating: 7/10 - A visually arresting series that struggles to maintain its momentum.