Le premier homme

The attempt to make it all feel dated and real worked well. There were no glossy space scenes. Add some interesting sounds and a lot of shakes can and the overal scene approach works.

But then there is the story. We all know what happens. So it was just about the angle they approached it at. Unfortunately they picked the boring angle.

The struggle with grieving was irritating. The lack of substance in the characters was disappointing. The frame was non existent. The length too long. The outcome underwhelming. The ending an anti climatic relief.

I will remember this film for the dirty toilets, great acting and my repeated checking of my watch. If you want to learn a tiny bit then watch it. But it is sadly no masterpiece. Let down but the story telling...

Recommend? Yes. On a Sunday...

I now laugh when I reread some of the negative reviews - to summarize: it made me have motion sickness so I left, didn't develop the orher characters enough, too somber and brooding, didn't cover all of the events of Niel Armstrongs career, etc. Well, most of these individuals missed the point of the movie or don't understand this genre of storytelling. It is a first person account basically told through the eyes of the first person to walk on the moon. I found this refreshing and not your typical Hollywood approach of trying to fit too much, too thinly for such an epic sweeping story that covers decades and dozen of key figures. It could have been 3-3.5 hours long. Yes, it could have been a TV mini-series or two (or more) movies. I love that it was told through the eyes of one central figure. Told through the eyes of the man that all of the accumulated effort of thousands of people and billions of dollars spent to accomplish one goal before the Soviets and for humankind - having a human step foot on the moon for the first time. I cannot remember a cinematic experience that got me as close to experiencing what it was truly like to be there first hand, in the drivers seat if you will, or better put, insabely strapped into a coffin fixed atop a massive liquid fuel explosion. How any person would be brave enough to face this, be able to perform well while in the thick of it and want to do it again and again is beyond words (or sanity). With death and fear all around no wonder there was a dark cloud hanging over everyone. I am sure all of us have marvelled at what has been accomplished by the NASA space missions especially Apollo. The movie Apollo 13 was a very good story that I thought put me as close to being an Astronaut as i could get. I was wrong. So, go and see First Man. Go and let yourself become THE astronaut. THE first human that was there at the very top of a giant pyramid of people because many before had made the ultimate sacrifice to make possible one giant leap for mankind. i will never look at another manned space vehicle, past or present, or astronaut again the same way,

Having seen this film twice and liked it a lot, I also can understand why it has received so many harshly negative reviews. This is a character study of a famous man. However, it also strips away much of the glamour and nostalgia with which older Americans remember the space program. It has many scenes filmed in darker colors and deliberately has a claustrophobic feel to it. The handheld camera shots annoyed many viewers, but I felt that they symbolized the haphazard way in which the space program moved forward. As a country, we spent a lot of effort to lock up a few men, send them off into space, with the goal of having a photo-op on the moon before the Soviet Union got there. It is difficult for anyone who did not grow up before the 1980's to understand how frightened we were about the Soviet's lead in space exploration and how we made everything a battle between good and evil, with the Soviets being portrayed as evil. Given the logic of the Cold War, the notion of beating the Soviets to the moon made sense. We see a little of this emerging today with the fear of China, but it is hard for someone who did not live through the 1960's to appreciate how well this film captured what likely was going on under the hood.

For someone who wanted to see a real-life version of Star Wars, and wanted nonstop action, this is absolutely the wrong film to see. For someone who wanted a well-crafted study of a person who was really a pawn in the Cold War, this is a masterpiece. This is a film that bears additional viewings, becaus there were many scenes in which what was not discussed, but was in the background, whether it was the music, the staging, or the throwaway dialogue, was more important.

I did not give it a "!0" rating because I felt that it could have been 10-15 minutes shorter, retained the message and feel of the film, and been even more powerful as a result.

If you are thinking this is going to be a fun, great movie like Apollo 13, well, just rent Apollo 13 and watch that one again.

I've been a 'space-nut' and an aficionado of NASA and the space program since I was a kid in the 70's. I'm not sure how they could have made a movie about Neil Armstrong and the first moon landing more sobby-eyed or depressing. It managed to capture none of the majesty, grandeur, or scope of the undertaking- it was just a wet-blanket of constant angst.

The close ups were so close-up that they made you want to back right out of the theater, and were shot in a way to make them resemble shaky-handed home-video footage shot on a hand-held. The camera just refused to hold still for anything in this movie, and it was infuriating.

I'm sure, at least at a few points in his life, Neil Armstrong cracked a smile. You wouldn't think so from watching this. I know he shunned public attention, but I find it impossible to believe Neil Armstrong could possibly have been as lifeless and wooden as he was portrayed in this film. Foy's portrayal of his wife came across even colder and less joyful than her depiction of Queen Elizabeth.

Sorely disappointing. 6/10, and I feel that's being fairly generous.

The opening scene will take your breath away. I don't think a single cell in my body flinched for a solid five minutes as I watched Neil Armstrong (Ryan Gosling) fight to keep his craft from floating away into space. The scene is spectacular visually and in every sense of filmmaking execution. It's also a bit misleading.

The rest of the movie, aside from the moon landing, is remarkably tame. It's quiet. There are virtually no loud outbursts or emotional speeches. This story is about people doing their jobs, completing their missions. Gosling understands this and plays to Armstrong's stoicism perfectly. He is often an understated actor, choosing to let his subtle facial movements and glints of the eyes do as much talking as what actually comes out of his mouth. Neil is much the same except even less outwardly expressive. He clearly comes from a generation that did not display emotion. They suffered in silence, which no doubt frustrated many family members, especially spouses.

Armstrong's wife Janet (Claire Foy) is a classic case of a spouse desperate to glimpse beyond his emotional shield. She restrains for the most part, but her building frustration is apparent throughout. When she finally does unleash her emotions, it's startling. Her outbursts stand out in such stark contrast to the silence that we see from the other characters. Foy is smart and measured with every choice she makes, and she never comes across as unhinged or overly supportive to a point of unbelievability. She's strong as a quiet devoted partner and strong when she senses the need to speak up. Look for her to add another award nomination to her resume come that time of year.

For as great as Gosling and Foy are, Damien Chazelle is the star of this movie, just like he has been the star of every one of his movies. I don't mean this as a bad thing. They guy is simply so skilled at what he does that his impact stands out among all the other standouts in his movies. He doesn't take the conventional approach to a space movie, which is to hammer viewers with showy visuals and action sequences. He's careful not to overdo it those areas, instead focusing on Armstrong's psyche and life outside the space shuttle. Chazelle crafts a personal, intimate film and shoots it in a creative way that uses a variety of framing choices so the closeups never feel stale.

This is a giant story told on a deliberately small scale. The choice to focus on Armstrong's objectively less captivating homelife rather than the moon mission is risky. Only the most talented of filmmakers, which Chazelle is, could pull it off. "First Man" is another showcase of Chazelle's mastery. He's one of the best directors currently working. The fact that this film may eventually be considered Chazelle's 6th or 7th best and is still this excellent, is a tribute to his talent.