Thomas Craven, détective spécialisé dans les homicides, enquête sur le meurtre de sa fille militante et découvre une dissimulation d'entreprise et une conspiration gouvernementale qui attire... Tout lireThomas Craven, détective spécialisé dans les homicides, enquête sur le meurtre de sa fille militante et découvre une dissimulation d'entreprise et une conspiration gouvernementale qui attire un agent chargé de nettoyer les preuves.Thomas Craven, détective spécialisé dans les homicides, enquête sur le meurtre de sa fille militante et découvre une dissimulation d'entreprise et une conspiration gouvernementale qui attire un agent chargé de nettoyer les preuves.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 1 nomination au total
- Young Emma
- (as Maria Gabrielle Popa)
Avis en vedette
An Icon
I worked with Mel on this movie so feel that any review I give will be biased - reviews are best left to the viewers, after all, they are the ones who determine its success or failure - but I can assure you he was the ultimate professional - his career has many years left!
Bad reviews are of course as welcome as positive ones - as long as they are constructive - they are an avenue not only for others to ascertain the value of a movie but also an avenue for those involved to learn and improve (as well as gather praise where praise is due) - but I would highly recommend you see this one and make up your own mind. It is highly relevant to the current economic stasis in this country and a hint of what may be behind the scenes.
Decent cop thriller driven by yet another angry Gibson performance
Boston PD Detective Tom Craven's daughter visits him from out of town one day, That evening she is shot dead on the porch. At first the police figure that Tom was the intended target, but once be begins a little investigation of his own, strange things come up. It appears that his daughter was trying to expose something illegal about the Nuclear facility at which she was working. Suddenly Tom finds himself in the middle of a very dangerous game.
Mel Gibson's performance is exceptional, but then again, it is easy to argue that this not exactly new ground for him. Mel Gibson's most common face is the 'Good Man, Bad Guy' persona. Second billing is
here is Ray Winstone, whose performance here is his best yet. The screen time that the two share together is not long but it is profound and compelling.
Unless you really hate Mel Gibson's guts, Edge of Darkness is a good watch, and an equally good return to the screen for him.
A thriller with heart
Plenty of guys you love to hate, and the flashbacks of the hero with his child were lovely. I really doubt a US Senator would be so sleazy, but what do I know?
Man, they sure want a lot of characters. Minimalism is my preferred style, so it's hard to think of things to say. I like Gibson, despite his personal problems, which are none of my business.
Edge of Darkness sheds light on humanity
Gibson and Ray Winstone were so perfect for the roles they played. The tension from both kept me clinging to my seat and wiping my brow. Gibson probably had his best role in this movie. I have seen most of his movies starting with Lethal Weapon and I could not see one potential likeness of Martin Riggs in Edge of Darkness, except for the fact he played a cop. As Craven, he was truly believable as a dad on a mission to make things right. Winstone is someone I didn't recognize even though he has been in a ton of movies. But after this, I will know and respect him for the rest of my life. Trying to understand his role was a treat, but while doing that, I kept my distance for fear he might have caught me trying to get too close. His thick Brit accent and command of those around him was absolutely a great treat.
Danny Huston is someone I came to enjoy since seeing him in 30 Days of Night as the lead Vampire. He did not disappoint but he could have had a meatier role. As far as I am concerned, he has been added to the list of great seasoned actors to look for anytime you expect to see quality acting.
I mean no disrespect to any of the actors. Everyone did a great job, including some of those in smaller, yet relevant roles.
Everything about the movie was believable and memorable. Some of the violence that you will need to endure will catch you off guard. There is no need to brace yourself because you will get caught off guard.
Excellent emotional roller coaster getting an 8 and a great big "welcome back" hug for Mel.
This is NOT Taken -- The trailer is misleading
This is not another "father goes on rampage to kill the guy that kidnapped/murdered his child." It's actually a very involved thriller that has a fair few twists and turns around a conspiracy Gibson's daughter was involved in. Gibson actually does not go all gung-ho like Neeson did; rather, he was very careful in his investigations. His performance was brilliant, as was Ray Winstone's, though I found myself wishing he had a bit more screen time.
The pacing is pretty quick in some places, so it keeps you interested. Sometimes the plot may be a little convoluted, but it makes sense if one pays enough attention.
Also, I should note that there isn't nearly as much action as the trailer makes it seem. There is FAR more drama, though it's still plenty tense.
First movie of 2010 I've seen, and it's off to a great start. "Edge of Darkness" is well worth it, and certainly not the movie its advertising makes it out to be. Go see it, you won't regret it.
Le saviez-vous
- AnecdotesRobert De Niro was originally cast as Darius Jedburgh, but dropped out due to creative differences after a few days on the set.
- GaffesWhen craven enters the boyfriend's house, he extends his gun through the partially opened doorway first, without seeing what's inside the room. Cops for decades have been trained specifically not to do that, for the obvious and common sense officer-safety and weapons-retention reasons that are revealed in the scene.
- Citations
Thomas Craven: You had better decide if you're hanging on the cross, or banging in the nails.
- Bandes originalesEmbraceable You
Written by George Gershwin and Ira Gershwin
Performed by Charlie Parker
Courtesy of The Verve Music Group
Under license from Universal Music Enterprises
Meilleurs choix
- How long is Edge of Darkness?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Edge of Darkness
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 80 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 43 313 890 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 17 214 384 $ US
- 31 janv. 2010
- Brut – à l'échelle mondiale
- 81 126 522 $ US
- Durée
- 1h 57m(117 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1





