ÉVALUATION IMDb
6,5/10
4,4 k
MA NOTE
Trois jours dans la vie de la motivatrice de fitness Sylwia Zajac, une célébrité des réseaux sociaux entourée d'employés et d'admirateurs fidèles, qui recherche une véritable intimité.Trois jours dans la vie de la motivatrice de fitness Sylwia Zajac, une célébrité des réseaux sociaux entourée d'employés et d'admirateurs fidèles, qui recherche une véritable intimité.Trois jours dans la vie de la motivatrice de fitness Sylwia Zajac, une célébrité des réseaux sociaux entourée d'employés et d'admirateurs fidèles, qui recherche une véritable intimité.
- Director
- Writer
- Stars
- Prix
- 17 victoires et 18 nominations au total
Avis en vedette
Magdalena Kolesnik does a masterful job in this tough and uncomfortable movie regarding fame, social media and private vs. Public life. While some people could be turn off because of being somewhat a slow-burner, I was in the story of this woman the whole time. Great movie!
Raising but not wholly dealing with a range of issues, this could be a good film to discuss with a group of friends that have all seen it.
Over and above the brutal "fitness" regime, being an always-on Instagram influencer looks like *very* hard work, and this film (and the lead actor) illustrates that excellently, in my view. Where I'm less sure about it is in the handling of the various side-issues... for example her relationship with her mother and the mall conversation with the schoolfriend - the latter was quite affecting but then they seemed to just "move on". Also, I'm sure that someone that glamorous and high-profile would attract more than one stalker... and I'm unsure about the handling of her culpability in what happens to him.
Nevertheless, it was more interesting than I expected and had a nice circular arc between the opening and closing scenes. Worth a look.
Over and above the brutal "fitness" regime, being an always-on Instagram influencer looks like *very* hard work, and this film (and the lead actor) illustrates that excellently, in my view. Where I'm less sure about it is in the handling of the various side-issues... for example her relationship with her mother and the mall conversation with the schoolfriend - the latter was quite affecting but then they seemed to just "move on". Also, I'm sure that someone that glamorous and high-profile would attract more than one stalker... and I'm unsure about the handling of her culpability in what happens to him.
Nevertheless, it was more interesting than I expected and had a nice circular arc between the opening and closing scenes. Worth a look.
I liked the trailer. I have pretty good experience of being able to determine from the trailer whether a film is worth seeing. It didn't dissappoint. It's not usual to see Warsaw in a contemporary film - I've never been there, now I can imagine what it's like. The trailer portrays a beautiful young 'influencer' who is really lonely and sad and you go out of curiosity to see what this film has to say about social media and 'popularity' plus it is a colourful film filled with energetic music.
This is a European film as opposed to British or American. It has a clear narrative but allows time to show intimacy or lack of it in human relationships before grabbing you by the neck and hurtling you though a tonne of plot like Amazon or Netflix.
Apart from making me think about the world of social media and 'oversharing', I was intrigued by the relationhip between Sylwia and her family. The tough, critical catholic mother who provides no comfort in her time of need, who would have grown up in a totally differnt world to the one Sylwia is living in and therefore has no sympathy for her troubles. It is not just about not having a partner, there is no intimacy from her family and oddly, going against the grain of what you might think this film is going to be about, she gets that connection from her audience.
This is a European film as opposed to British or American. It has a clear narrative but allows time to show intimacy or lack of it in human relationships before grabbing you by the neck and hurtling you though a tonne of plot like Amazon or Netflix.
Apart from making me think about the world of social media and 'oversharing', I was intrigued by the relationhip between Sylwia and her family. The tough, critical catholic mother who provides no comfort in her time of need, who would have grown up in a totally differnt world to the one Sylwia is living in and therefore has no sympathy for her troubles. It is not just about not having a partner, there is no intimacy from her family and oddly, going against the grain of what you might think this film is going to be about, she gets that connection from her audience.
Sweat: Sylwia (Magdalena Kolesnik) is a Fitness Trainer and Instagram Influencer. While she does suffer from the attention of a real life and online stalker/creep some of her colleagues aren't much better. Her family, in particular her mother, don't realise how real online harassment can become. The constant pressure of trying to smile all the time - a sponsor is concerned when Sylwia cries on a vid - takes it out of her. Even when going upstairs she posts selfie vids. Sylwia is not a victim though, neither is she a narcissist. A very human film with great performances from Magdalena and her dog, Jackson. Written & Directed by Magnus von Horn. 8/10.
A movie that delves into the life of a successful fitness influencer. The trappings of fame... The loneliness of online popularity... The dangers of opening yourself up to public obsession... All of those are interesting subjects that could make for a riveting story. "Sweat" doesn't quite hold the attention well enough to recommend. It all feels shallow and underdeveloped. A decent try -- well acted -- but hollow.
Le saviez-vous
- AnecdotesMagdalena Kolesnik had not used Instagram before this film. She also didn't weight train, preferring yoga.
- Bandes originalesDwudziesty pierwszy wiek
Music by Jerzy Suchocki
Lyrics by Andrzej Mogielnicki
Performed by Dorota Zieciowska & Maciej Mulawa
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Détails
Box-office
- Brut – États-Unis et Canada
- 11 546 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 966 $ US
- 20 juin 2021
- Brut – à l'échelle mondiale
- 11 546 $ US
- Durée1 heure 46 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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