ÉVALUATION IMDb
6,5/10
4,5 k
MA NOTE
Trois jours dans la vie de la motivatrice de fitness Sylwia Zajac, une célébrité des réseaux sociaux entourée d'employés et d'admirateurs fidèles, qui recherche une véritable intimité.Trois jours dans la vie de la motivatrice de fitness Sylwia Zajac, une célébrité des réseaux sociaux entourée d'employés et d'admirateurs fidèles, qui recherche une véritable intimité.Trois jours dans la vie de la motivatrice de fitness Sylwia Zajac, une célébrité des réseaux sociaux entourée d'employés et d'admirateurs fidèles, qui recherche une véritable intimité.
- Director
- Writer
- Stars
- Prix
- 17 victoires et 18 nominations au total
Avis en vedette
A movie that delves into the life of a successful fitness influencer. The trappings of fame... The loneliness of online popularity... The dangers of opening yourself up to public obsession... All of those are interesting subjects that could make for a riveting story. "Sweat" doesn't quite hold the attention well enough to recommend. It all feels shallow and underdeveloped. A decent try -- well acted -- but hollow.
Sweat shines on so many levels and is a breath of fresh air in so many ways.
The combination of intense close up facial camera work and hyper realistic acting give this movie a modern, uncomfortable, interrogational edge in keeping with the forensic scrutiny of anyone living in the modern media influencer bubble.
The excellent, nuanced lead performance of Magdalena Kolesnik as Sylwia has plenty of other great performances to bounce off of, particularly her mother, played by Aleksandra Kolieczna.
The intimate, unflinching, naturalistic directional style of Magnus Von Horn is showed off to maximum effect in the conversational scenes between Sylwia and an old school acquaintance in a shopping mall and later with a large family group around a dinner table. In both cases all performers seem totally natural and oblivious to the camera giving the film a wonderfully voyeuristic overtone... loved it.
They opened a lot of great plot-lines,
But didn't cought any of them & took it deeper.
It's great to finish with an open-end but don't be so lazy; you should choose your direction and stretch it yo the place that your virewers get something from the movie.
It's great to finish with an open-end but don't be so lazy; you should choose your direction and stretch it yo the place that your virewers get something from the movie.
Good movie, but at the end I had a perception of a good idea a little badly developed. Some points of this world of web celebrities could be better explored. However, the director was sutil and soft in certains points of views, as in the triviality of relationships, in the loneliness and in the corrosive relation with the protagonist's mother.
Magdalena Kolesnik does a masterful job in this tough and uncomfortable movie regarding fame, social media and private vs. Public life. While some people could be turn off because of being somewhat a slow-burner, I was in the story of this woman the whole time. Great movie!
Le saviez-vous
- AnecdotesMagdalena Kolesnik had not used Instagram before this film. She also didn't weight train, preferring yoga.
- Bandes originalesDwudziesty pierwszy wiek
Music by Jerzy Suchocki
Lyrics by Andrzej Mogielnicki
Performed by Dorota Zieciowska & Maciej Mulawa
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Détails
Box-office
- Brut – États-Unis et Canada
- 11 546 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 966 $ US
- 20 juin 2021
- Brut – à l'échelle mondiale
- 11 546 $ US
- Durée
- 1h 46m(106 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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