ÉVALUATION IMDb
6,5/10
4,5 k
MA NOTE
Trois jours dans la vie de la motivatrice de fitness Sylwia Zajac, une célébrité des réseaux sociaux entourée d'employés et d'admirateurs fidèles, qui recherche une véritable intimité.Trois jours dans la vie de la motivatrice de fitness Sylwia Zajac, une célébrité des réseaux sociaux entourée d'employés et d'admirateurs fidèles, qui recherche une véritable intimité.Trois jours dans la vie de la motivatrice de fitness Sylwia Zajac, une célébrité des réseaux sociaux entourée d'employés et d'admirateurs fidèles, qui recherche une véritable intimité.
- Director
- Writer
- Stars
- Prix
- 17 victoires et 18 nominations au total
Avis en vedette
Sweat: Sylwia (Magdalena Kolesnik) is a Fitness Trainer and Instagram Influencer. While she does suffer from the attention of a real life and online stalker/creep some of her colleagues aren't much better. Her family, in particular her mother, don't realise how real online harassment can become. The constant pressure of trying to smile all the time - a sponsor is concerned when Sylwia cries on a vid - takes it out of her. Even when going upstairs she posts selfie vids. Sylwia is not a victim though, neither is she a narcissist. A very human film with great performances from Magdalena and her dog, Jackson. Written & Directed by Magnus von Horn. 8/10.
Good movie, but at the end I had a perception of a good idea a little badly developed. Some points of this world of web celebrities could be better explored. However, the director was sutil and soft in certains points of views, as in the triviality of relationships, in the loneliness and in the corrosive relation with the protagonist's mother.
Magdalena Kolesnik does a masterful job in this tough and uncomfortable movie regarding fame, social media and private vs. Public life. While some people could be turn off because of being somewhat a slow-burner, I was in the story of this woman the whole time. Great movie!
They opened a lot of great plot-lines,
But didn't cought any of them & took it deeper.
It's great to finish with an open-end but don't be so lazy; you should choose your direction and stretch it yo the place that your virewers get something from the movie.
It's great to finish with an open-end but don't be so lazy; you should choose your direction and stretch it yo the place that your virewers get something from the movie.
Raising but not wholly dealing with a range of issues, this could be a good film to discuss with a group of friends that have all seen it.
Over and above the brutal "fitness" regime, being an always-on Instagram influencer looks like *very* hard work, and this film (and the lead actor) illustrates that excellently, in my view. Where I'm less sure about it is in the handling of the various side-issues... for example her relationship with her mother and the mall conversation with the schoolfriend - the latter was quite affecting but then they seemed to just "move on". Also, I'm sure that someone that glamorous and high-profile would attract more than one stalker... and I'm unsure about the handling of her culpability in what happens to him.
Nevertheless, it was more interesting than I expected and had a nice circular arc between the opening and closing scenes. Worth a look.
Over and above the brutal "fitness" regime, being an always-on Instagram influencer looks like *very* hard work, and this film (and the lead actor) illustrates that excellently, in my view. Where I'm less sure about it is in the handling of the various side-issues... for example her relationship with her mother and the mall conversation with the schoolfriend - the latter was quite affecting but then they seemed to just "move on". Also, I'm sure that someone that glamorous and high-profile would attract more than one stalker... and I'm unsure about the handling of her culpability in what happens to him.
Nevertheless, it was more interesting than I expected and had a nice circular arc between the opening and closing scenes. Worth a look.
Le saviez-vous
- AnecdotesMagdalena Kolesnik had not used Instagram before this film. She also didn't weight train, preferring yoga.
- Bandes originalesDwudziesty pierwszy wiek
Music by Jerzy Suchocki
Lyrics by Andrzej Mogielnicki
Performed by Dorota Zieciowska & Maciej Mulawa
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Détails
Box-office
- Brut – États-Unis et Canada
- 11 546 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 966 $ US
- 20 juin 2021
- Brut – à l'échelle mondiale
- 11 546 $ US
- Durée
- 1h 46m(106 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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