Ajouter une intrigue dans votre langueA bible, black comedy about a prodigal son returning to his hometown to seek salvation for his sins.A bible, black comedy about a prodigal son returning to his hometown to seek salvation for his sins.A bible, black comedy about a prodigal son returning to his hometown to seek salvation for his sins.
- Prix
- 3 victoires et 4 nominations au total
Hugh B. O'Brien
- Jimmy - Dying Father
- (as Hugh O'Brien)
Avis en vedette
The movie is worth a watch if you're in a certain kind of mood. The soundtrack is great. I've been shazaming song after song - just going to have to check out the soundtrack.
But yeah, the movie is worth a watch, and the soundtrack is excellent. It has witty dialogue and a good amount of charm to it. It is a bit dry, and not in a bad way, but just be prepared for that.
But yeah, the movie is worth a watch, and the soundtrack is excellent. It has witty dialogue and a good amount of charm to it. It is a bit dry, and not in a bad way, but just be prepared for that.
With themes touching on suicidal depression, child abuse and illness, disability, physical violence, death and biblical levels of sin and redemption - you might conclude this wasn't exactly a laugh-fest.
However, the portrayal of those undeniably dark subjects is often framed by dry, 'gallows' humour, wrapped in occasional surreal dream imagery or some other imaginative visual take. There's no pretension here either - it's an indie film, but this is less art-house more rough-house after a night at the pub.
I laughed out loud several times (to put that in context I am not unacquainted with depression myself, or indeed the real-life results of a suicide, there is a gulf of difference between laughing with these 'victims' and at them).
The soundtrack is pretty decent if you're into alt-blues/indie-folk, there are some scenes where it almost descends into a psych-musical (I wouldn't have minded it going further down that road).
Whilst the dark humour often works, and there is something approaching a positive take on redemption - there was, for me, also a prevalent undertone of near-nihilism - like the main protagonist - the film is navigating a perilous balancing act between hope and hopelessness.
To counter this, the line: 'You can think of multiple reasons to die, but only need one reason to live' could be offered as the spiritual core - also, sometimes you just have to laugh at the absurdity of life.
However, the portrayal of those undeniably dark subjects is often framed by dry, 'gallows' humour, wrapped in occasional surreal dream imagery or some other imaginative visual take. There's no pretension here either - it's an indie film, but this is less art-house more rough-house after a night at the pub.
I laughed out loud several times (to put that in context I am not unacquainted with depression myself, or indeed the real-life results of a suicide, there is a gulf of difference between laughing with these 'victims' and at them).
The soundtrack is pretty decent if you're into alt-blues/indie-folk, there are some scenes where it almost descends into a psych-musical (I wouldn't have minded it going further down that road).
Whilst the dark humour often works, and there is something approaching a positive take on redemption - there was, for me, also a prevalent undertone of near-nihilism - like the main protagonist - the film is navigating a perilous balancing act between hope and hopelessness.
To counter this, the line: 'You can think of multiple reasons to die, but only need one reason to live' could be offered as the spiritual core - also, sometimes you just have to laugh at the absurdity of life.
This is a jet black, absurdist comedy that works surprisingly well.
I would say that 'deeply traumatised man' would be a more accurate than 'rogue'. For varying reasons Aaron Monaghan's character is an outsider. Some reasons are personal and traumatic, some are public and enormously petty. Either way he's not in a good place. When the first thing you do when returning to your home town is buy some rope to hang yourself with, it says something. It also says something that the shop keeper gives sensible suicidal advice.
The black comedy tone is continued with a throwaway gag about child abuse and a serious discussion about the best way to maim someone. This is not a film to be approached lightly, but in my opinion it is one that works.
A surreal, deadpan, stylised gem.
I would say that 'deeply traumatised man' would be a more accurate than 'rogue'. For varying reasons Aaron Monaghan's character is an outsider. Some reasons are personal and traumatic, some are public and enormously petty. Either way he's not in a good place. When the first thing you do when returning to your home town is buy some rope to hang yourself with, it says something. It also says something that the shop keeper gives sensible suicidal advice.
The black comedy tone is continued with a throwaway gag about child abuse and a serious discussion about the best way to maim someone. This is not a film to be approached lightly, but in my opinion it is one that works.
A surreal, deadpan, stylised gem.
The low IMDB average rating is misleading. Not even sure how it was calculated as it has a lot of high scores (I calculated it myself based on ratings and percentages and I got an average of 6.62 - not 5.9. About 20% of voters gave it 10/10) The reviews are also quite positive.
This film is definitely not a comedy - dark or otherwise. It has the occasional giggle and tongue-in-cheek moments but it is dead serious and dark. It is not funny, but it is intriguing and entertaining.
It has quite a few religious references. A meditation about guilt, righteousness, the emptiness of organized religion, love, redemption and everything in between.
It is worth seeing as it is well constructed. At least the first 80% of it is very well done and keeps one interested and intrigued. In my opinion the ending was rushed and somewhat confusing.
Not for Hollywood-fare consumers.
This film is definitely not a comedy - dark or otherwise. It has the occasional giggle and tongue-in-cheek moments but it is dead serious and dark. It is not funny, but it is intriguing and entertaining.
It has quite a few religious references. A meditation about guilt, righteousness, the emptiness of organized religion, love, redemption and everything in between.
It is worth seeing as it is well constructed. At least the first 80% of it is very well done and keeps one interested and intrigued. In my opinion the ending was rushed and somewhat confusing.
Not for Hollywood-fare consumers.
A great script preformed by a brilliant cast. A
Great look into rural Ireland and how no matter how long you go away for things never change but you can.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Побег в Ирландию
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 112 500 € (estimation)
- Brut – à l'échelle mondiale
- 43 285 $ US
- Durée
- 1h 35m(95 min)
- Couleur
- Rapport de forme
- 2:39 : 1
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