Waste Land

A documentary about the international acclaimed Brazilian artist Vik Muniz, who reconstructs photos using garbage materials from Jardim Gramacho, the world's largest landfill in Rio de Janeiro, and with the help of the pickers who work and dwell there. An both artistically tantalizing and sociologically empathizing body of work.

This film has indeed reminded me that it is the one should have used the 4D gimmick which brazenly hyped by SPY KIDS: ALL THE TIME IN THE WORLD IN 4D (2011). With a bit odor touch, it could enhance more on the turmoil what we are watching in the landfill, and it is an extraordinary case that the sense of smell could actually have played a more essential role in the film genre.

Anyway, the environment-concerned stress has never been under the spotlight here, being a documentary about art and garbage pickers, one possible pitfall is the condescending inclination, but blithely it is not the case for this film, instead it spends most of time on the individual pickers who are involved in making this project, it captures many poignant moments behind their own stories. No doubt, Vik's work does have a pivotal role of altering the pickers lives, but the film does not overwhelmingly hinge on the process of making those artworks, and which perfectly encapsulates a more sublimated obligation in additional to a general aesthetic percipient, to change the world in a better way, and Vik and his team has done it, a tenacious and awe-inspiring job.

Apart from the riveting story, there are several panning scenes of the landfill are astonishing, our life is linking with garbages everyday, but most of us act like they are thoroughly vanishing from the earth after when they are being discarded in the dustbins. After watching this film, we might be coerced to face some soiled corner of our life which we are selectively and subjectively ignoring, and starts with the most basic one: behave yourself.

Vic Muniz's art has never been as influential as when he decided to spend 2 years at the world's largest landfill outside of Rio. The catadores or pickers became his subjects, a ragtag group of Shakespearean types who love what they do for a living, making something out of someone else's nothing. Waste land is the title for this engrossing documentary about art as few have experienced it till now.

Making a living is what they made until Muniz changed the way they looked a recyclables. He bonded the artifacts with the humans and created memorable portraits of the pickers. A show in London, which they attended, became a catalyst for change in their lives and in the lives of spectators who had no idea Rio's garbage had become Rio's recyclables under the hands of these professional pickers.

Muniz makes sure no one condescends, no one feels sorry for his subjects, some of whom have never known anything but the landfill and others who have chosen it rather than deal drugs or prostitute themselves. Waste Land is as dignified a story about the potential of the poor class to rise out of its garbage and transform it into art and a better life. For this reason, Muniz can stand with the great humanitarians like Albert Schwitzer and Mother Theresa.

I had only heard little about 'Waste Land' and didn't know what to expect other than be introduced to some artworks by Vik Muniz. Also the concept of making art from garbage and involving the garbage pickers who work at the dumpsite got me curious. What I got from this film in the end was far more than what I expected. The camera follows Muniz to the world's largest waste land in Rio de Janeiro. One by one the viewer is introduced to some of the people who work there while Muniz proposes his project to them. The people, who are considered by many, to be of the lowest of classes, are portrayed beautifully as high spirited people, in this film. Just like any other common working human being, the pickers work hard to provide for their families and many of them are quite proud of what they do . There is also a wonderful sense of unity. What Muniz offers them is to be a part of something big, to dream again. It's a sight to behold, when the workers' faces light up as they realize they are becoming/ have become a part of something unique, beautiful and important. These are three adjectives that I'd additionally use to describe this inspiring, insightful and unique gem.

Amazing documentary in wich the high points are the stories, speaches and images of the catadores and their realities. The trajectory of Vik is just a background for the other characters. While the catadores are brilliant and impactfull, Vik is the low point of the film with some problematic lines and unfortunate placements. Good will sometimes is not enough and awareness is a lot needed when working with a very critical situation like the portrayed. But the role of the workers make the positive balance of the film. We can learn a lot with them.

An moving documentary highlighting the transformative power of art, and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz rooted in New York decides to give back to a community where he was born and raised. He travels to Jardim Gramacho, the largest landfill in the world on the outskirts of Rio de Janeiro. With the intention to help the pickers to improve their lives using his art, what starts as an introduction to the devastating poverty and lack of infrastructure in the slums of Rio de Janeiro, begins to transform into a story of unrelenting spirit, strength, and inspiration. Perhaps director Lucy Walker initially intended to make the film about Muniz. If so, her subject led her to a better one; as he returns to Rio to photograph pickers for a series of portraits, she begins to focus on their lives. We see where they live, we meet their families, we hear their stories, we learn of the society and economy they have constructed around Jardim Gramacho, the "Garbage Garden." Zumbi, a member of the association, who began a library from his home from books that had been discarded, Irma, a cook who makes stews and roasts from edible meat to feed the workers, Suelem, an 18-year old girl who has been working in the garbage dump since she was only seven years old, and Valter, an elderly man who entertains with stories and songs and who decides to participate because he believes that "it will raise awareness of all us pickers." Once the initial photographs are made, Muniz projects an enlarged version of each photo onto the floor of his studio and hires the pickers to add refuse from the landfill onto the canvas, photographing the result from overhead. This then becomes the finished art work, ready to be exhibited at auctions and museums around the world-- with the pickers traveling to such cities as London and New York, the first time they have ever left Gramacho. (Heavily debated decision and the possible ramifications.) Life is unpredictable that way. "Waste Land" is a testament that things can go from good to bad in an instant. But they can also improve just as quickly. A social documentary based around a self reliant community of people disregarded and largely ignored, who find unrealized beauty in their everyday work, modern art, and in themselves. I can never again put out my recycling bin without giving thought to how much more this film communicates than just that.