Tout en luttant contre les pressions de la vie, de l'amour et du travail à Manhattan, Carrie, Miranda et Charlotte rejoignent Samantha pour un voyage à Abu Dhabi (Emirats arabes unis), où l'... Tout lireTout en luttant contre les pressions de la vie, de l'amour et du travail à Manhattan, Carrie, Miranda et Charlotte rejoignent Samantha pour un voyage à Abu Dhabi (Emirats arabes unis), où l'ex de Samantha tourne un nouveau film.Tout en luttant contre les pressions de la vie, de l'amour et du travail à Manhattan, Carrie, Miranda et Charlotte rejoignent Samantha pour un voyage à Abu Dhabi (Emirats arabes unis), où l'ex de Samantha tourne un nouveau film.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 9 victoires et 9 nominations au total
Avis en vedette
Gaudy, superficial, tasteless, overlong, offensive, and full of missed potential and bad ideas
My understanding of the show was that, while it did have the wealthy and free of the NYC fashion world as its main characters, it did keep itself connected to reality for the majority of viewers so that, while some of it was big city fantasy, it did still have a realism and wit in regards friendships and relationships that viewers could relate to. There is none of that in this film, instead the characters (themselves living in comfort and wealth) are granted access to a world of extreme luxury that takes them far from reality and makes them pretty unlikeable and patronising for the majority of the time. In terms of plot there is not a lot going on. Each character has their own little thread and mostly they amount to very little since the majority of the time is spent with them enjoying their luxury. There are some smaller moments of potential (Miranda and Charlotte being honest about motherhood with one another) that are good but they are lost in the luxury and the long run time as our characters just run from one glamorous location to another.
Anything that is close to a plot is handled badly whether it be a device or a relationship theme. The loss of Carrie's passport is "put out there" in the middle of the film only to be resolved within seconds and used for a terribly pointless conclusion. Her relationship quandary (about not seeing her husband a few days a week) is nonsense (since she has issues with it the day before jetting off for weeks) and is also discussed in the most patronising way, with Carrie drawing from the example of her private butler having joy in only seeing his wife once a month (missing that he can only do this because he has to work all the time, serving people like Carrie, as opposed to it being a relationship choice). The thing about the nanny goes nowhere and is resolved with a piece of throwaway titillation (excuse the pun) that is as vapid as the character.
Although the majority of viewers will not be offended by it, it has to be said that SaTC2 is an incredibly insensitive film considering where it was made. In principle I have no issue with the "these women are just like us" message but when it is made in as clunky and unrealistic manner as it is in this film then it is hard not to scoff at it. Likewise the constant suggestion that the women of the Middle East are oppressed is badly done and only made worse by having Western "liberation" "celebrated" by having Samantha wearing a revealing outfit, simulate sexual intercourse in a crowd of men heading to morning prayers – I'm really not sure what part of that scene was not designed to cause religious offense.
The cast go with it but outside of the brief moments some of them get to be characters (eg discussing motherhood) none of them do anything of note. Much has been said of Parker's looks that is unfair and irrelevant to the film – her job as an actress is not to physically appeal to the viewer. However, it is hard to overlook this aspect when the film spends so much time troweling her in makeup to the point where she looks ridiculous. Her narration musings are so superficial that her delivery only sounds the same. Cattrall tries to be the Samantha she always was but it doesn't work and the material misses the chance to do anything smart or progressive with her; she is also hurt by having the lions' share of the culturally and religiously insensitive material and having to sell it as her being "right". Davis and Nixon have even less to do than these two, which is a shame because they both come over as the more natural and realistic of the four. The male cast are again mostly plot devices, although I thought that Noth's Big was a better character than normal – although maybe I just felt sorry for his situation here? SaTC2 doesn't have the decency to be a car-crash of a film, the sort of thing that you watch aghast, but nor is it any good whatsoever. It is gaudy, superficial, overlong, offensive, and full of missed potential and bad ideas. Removed from the City of the title and placed into a world of extreme opulence the film also pushes the fantasy so far that it prevents any meaningful connection for the casual viewer (which the show used to be able to do). I doubt that even fans of the show will be happy with this film.
Lawrence of my labia
Stinky and Ugly
Possibly the worst film I've seen all year
The previous review says it all - but I still feel it necessary to add my two cents.
I, too, was a huge fan of the series...if only because the characters were interesting, and it was so refreshing to listen to realistic female characters discuss taboo topics such as sex.
I forced myself to watch the first movie. That was bad. This one...even worse. The characters have become utterly superficial, materialistic (in a way that's practically nauseating given the current state of the economy) - and completely 2 dimensional. The writing - cartoony and juvenile. Honestly, Carrie's the worst - the way the character acted in the film, I would personally have recommended that Mr. Big file for divorce. (Complaining because he wants to stay home and watch movies together, then forcing him to leave a party--that she dragged him to--early because he had a conversation with another woman?) Jeez.
As for Samantha - that character's gone completely over the top - sex crazed in a way that went way past racy and into plain vulgar.
Combine that with the incongruity of throwing the characters into a completely unrealistic situation (heading to Abu Dahbi?), and then disrespect that they show to Arab culture....well, this movie COULD NOT have been worse. Thank goodness that there's no way they'll make STC3. At least, I really, really hope not. How this ever could have been green lighted for production is totally beyond my comprehension.
Costume changes drive the story
The adventure begins when Carrie Preston (Sarah Jessica Parker) and friends Miranda (Cynthia Nixon), Charlotte (Kristin Davis), and Samantha (Kim Cattrall) attending the wedding of their best gay friends. Since this is based on a long running TV series, I'm sure fans of the show found more significance to the scene than I did. In my eyes it was the most logical way to present Liza Minnelli as herself singing Beyoncé's "Single Ladies". It's a scene that can't be unseen, and I knew instantly that it would haunt me for the rest of the summer. Everyone at the wedding makes Carrie feel bored with her life now that she's settled down with Mr. Big (Chris Noth). The most bizarre way this is accomplished is by having a random couple tell them they will be lonely if they don't have children. Then wouldn't you know it, something ridiculous happens and the girls get flown to Abu Dhabi where they are treated like royalty all because some sheik wants Samantha work a PR campaign for his property. But don't worry, our leading ladies forget about any logical objective and proceed to flaunt what they got in the desert.
I realize this movie didn't have me in mind when it was created. This is my first experience with the girls of Sex and the City and from what I gathered I can see why an hour-long TV program running on premium cable would be a hit. These girls are rude, and vulgar, but they play off of each other like champs. When they are seated at a table gossiping is when Sex and the City 2 shows any hint of a shine. The problems then smudge that polish.
I've never seen so many costume changes. I'm convinced it's the driving point behind the narrative. Every scene is constructed to show what Carrie and the girls can put on then lead to another situation for them to dress up. No movie should be so shallow, and even worse they look flammable and toxic. I wasn't sure if the running gag is that Carrie doesn't know she looks like a low rent streetwalker, there's a sign of trouble if ever there was one.
No care is shown with the characters. Samantha sleeps with absolutely any guy regardless of the situation, and the outcome is too much to stomach. Miranda has a subplot about needing to balance work and family which gets lost in a sea of plunging necklines. Charlotte frets about her husband cheating on her with their nanny every 10 minutes. Lastly, Carrie is simply too selfish to be likable. She has a husband who seems to be doing a fantastic job by everyone else's standards. To her, he needs to do more and this sets her up for a lamebrain, and oddly predictable, encounter with an old flame.
The wanton excess of this movie leaves no doubt as to why the world hates us. Sex and the City 2 is a better terrorist motivational tool than it is an enjoyable time at the theatre. These girls are easily living the life in New York before the film takes its sweet time to send them to the Middle East where everything is ratcheted up to 11. They each get a personal Maybach 62 S so they can be chaffered to and from locations where they can offend locals and change clothes. There's an occasionally clever line but that won't vindicate watching it.
Le saviez-vous
- AnecdotesThe dress Carrie wears to dinner when Mr. Big picks her up from her old apartment is the same one she wore when apologizing to Natasha, Mr. Big's ex-wife, for her and Mr. Big's affair in What Goes Around Comes Around (2000).
- GaffesMiranda says that the Arabic word for "yes" is "haanji." It's actually "aiwa" or "na'am"; "haanji" is the Punjabi word for "yes."
- Citations
Samantha Jones: There ought to be a law against hiring a nanny who looks like that.
Carrie Bradshaw: Yeah, the Jude Law.
- Générique farfeluThe New Line, HBO and Village Roadshow logos and the film title are studded with rhinestones.
- ConnexionsFeatured in Trailer Failure: Sex and the City 2, Frozen (2010)
- Bandes originalesSex And The City
Written by Douglas J. Cuomo (as Douglas Cuomo)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Sex and the City 2
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 95 347 692 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 31 001 870 $ US
- 30 mai 2010
- Brut – à l'échelle mondiale
- 290 745 055 $ US
- Durée
- 2h 26m(146 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1







