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7,3/10
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MA NOTE
Un portrait de la dernière génération vivante du Troisième Reich d'Hitler dans des interviews inédites soulevant des questions vitales sur l'autorité, l'identité nationale et leur propre rôl... Tout lireUn portrait de la dernière génération vivante du Troisième Reich d'Hitler dans des interviews inédites soulevant des questions vitales sur l'autorité, l'identité nationale et leur propre rôle dans les plus grands crimes de l'histoire.Un portrait de la dernière génération vivante du Troisième Reich d'Hitler dans des interviews inédites soulevant des questions vitales sur l'autorité, l'identité nationale et leur propre rôle dans les plus grands crimes de l'histoire.
- Director
- Prix
- 2 nominations au total
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I know this is the kind of piece of media, a historical document that has storytelling intertwined inextricably as I oral stories do have more power sometimes, that isn't really applicable tk star ratings, but I'll give it this anyway simply for the reasons that this director (who's grandparents died in the camps) has a strong sense in the editing of how to pace these interviews with the B roll of the camps and the cities surrounding them (for once a drone shot that has a thematic purpose), and what he gets in the interviews shows that he knows how to ask the right questions and make it about what they knew or are still in the deepest depths of denial. There are those who take full responsibility and there's a very interesting theme of jow culpability leads to guilt and what it means to be German today, and this is best highlighted in that conference room scene (at the same place where the Final Solution idea was put forward, January 20th 1942). There are also one or two chronic deniers and double talkers are confounding, and yet it speaks to how reckoning with one's national identity and one's own sense of self can be very muddy. And it's especially important now for Americans to watch a film like this as it speaks to our own countries past horrors (this last week with the Tulsa massacre at 100 years made that clear). Hard to watch but just as hard not to.
The masses of people can commit horrific atrocities when such acts reach a level of acceptability. Who among us has the courage to say no? The heart of man is deceitful above all things and desperately evil...
I've watched and read a lot of stuff about The Holocaust and the Nazis, yet whenever I approach some new material, it's always with the same thought 'It can't happen again though can it'. The sad reality is antisemitism is on the rise again, certainly in the UK. Which is what makes documentaries like this vital. What makes this a little different from many on the subject is rather than focusing on debunking deniers or being solely voiced by survivors. It relies on those who participated on the Nazi side. The last living generation of the third reich... and their families. Most are products of the Hitler Youth program. They talk of liking the uniform, feeling included, the social engagement, the belonging to a group. Singing! Old men and women now, they still recall the lyrics with an obvious fondness. Some were just civilians, but nearly all admit to knowing what was happening. Even hiding SS officers when the camps were liberated... and chuckling about it! It feels like a lot of people making a lot of excuses. The pressure put on them from Hitler, the social engineering they were subjected to, the fear. There's not a lot of remorse. They talk as they would've at the time and it's clear that many haven't truly reevaluated or have an intention to. Some say they didn't know about the concentration camps, others admit it was clear something was going on, even if they weren't aware of the full extent. "These heroes you hope to find, there aren't many of them. We were scared". Many talk in terms of us and them. They see themselves as Germans. Not Nazis. The Jews a separate entity in the events. Not fellow humans. There's certainly no suggestion they feel any responsibility. Even those who grew up and worked as part of the regime, as bookkeepers, as guards. The only truly enlightened voice is that of filmmaker Luke Holland, who asks the questions we're all asking. 'Who reported the Jews hiding in your barn?', 'Did you know what was happening in the camps?', 'Would you have killed those Jews?'. The answers are always the ones you don't want to hear. There's a ridiculous denial about the whole thing. They knew what was happening. They did nothing. Although the stories are told with a contemplating tone, they're matter of fact. This would be even more troublesome viewing but for the way this documentary is assembled. The voices are intercut with a mix of archive and present day footage of the places spoken of. This along with text illustrating the numbers of people lost and the sombre strings of the score, make this necessarily bleak. Some admit their guilt, but hide behind semantics. Others openly stand by Hitler. It's shocking. It should be. These people should be looked upon as criminals. If they're too old and indoctrinated to feel the shame they should, it's for future generations to carry. Never forget. It can't happen again.
If you want to understand the motivation of middle-ranking perpetrators of the Holocaust and other Nazi crimes then this is an accessible route. An invaluable educational resource which deserves to be seen widely.
World War II was one of the most impactful wars in history, and as such, there have been countless documentaries about the leadup, the war itself, and the fallout.
But this one is different: it tracks down people who were alive and involved in pre-war Germany around Kristallnacht and asks them how they felt about the times and how they feel about those times now.
One would instantly expect they would all express remorse that they were led astray by a deceitful demagogue, that it was horrible and evil in retrospect. And to be sure, some of them do. But a surprising number of them do not.
None of those outright say the Holocaust was a GOOD thing, but they are evasive: they keep claiming that they had no idea it was going on. While they wax nostalgic about the excitement of being part of Nazism, which they saw as a nationwide movement that empowered their nation, they also often make asides showing their bigotry towards Jews is still very much alive 70 years later. While few of them saw the war as a happy memory, almost all of them see the pre-war Germany as a golden age and Hitler as a fine leader. It's disturbing.
The teens and young adults involved WWII will not be around much longer. That is why it is important to capture these kind of interviews to show that not only did the Holocaust happen, but the complicity with it was as well.
But this one is different: it tracks down people who were alive and involved in pre-war Germany around Kristallnacht and asks them how they felt about the times and how they feel about those times now.
One would instantly expect they would all express remorse that they were led astray by a deceitful demagogue, that it was horrible and evil in retrospect. And to be sure, some of them do. But a surprising number of them do not.
None of those outright say the Holocaust was a GOOD thing, but they are evasive: they keep claiming that they had no idea it was going on. While they wax nostalgic about the excitement of being part of Nazism, which they saw as a nationwide movement that empowered their nation, they also often make asides showing their bigotry towards Jews is still very much alive 70 years later. While few of them saw the war as a happy memory, almost all of them see the pre-war Germany as a golden age and Hitler as a fine leader. It's disturbing.
The teens and young adults involved WWII will not be around much longer. That is why it is important to capture these kind of interviews to show that not only did the Holocaust happen, but the complicity with it was as well.
Le saviez-vous
- AnecdotesThe film premiered posthumously three months after the death of the director in June 2020.
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- How long is Final Account?Propulsé par Alexa
Détails
Box-office
- Brut – États-Unis et Canada
- 308 976 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 139 985 $ US
- 23 mai 2021
- Brut – à l'échelle mondiale
- 353 077 $ US
- Durée1 heure 34 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was Final Account (2020) officially released in India in English?
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