The Miracle Club

Four ladies from Balllygar, Ireland join a travel group going to Lourdes hoping for personal miracles to happen. That's it in a nutshell, but on the other hand it says almost nothing about the substance of this warm and mostly gentle film. An exceptional cast (Maggie Smith, Laura Linney, Kathy Bates, Agnes O'Casey and many fine supporting players) leads the way. These four have a complicated mutual history the threads of which intertwine and finally resolve in unlooked-for mutual forgiveness which, if there is one, is the actual miracle. They heal each other, and that's the message.

Kathy Bates and Maggie Smith do their best with strong Irish accents -- though I was left wondering why native Irish actors weren't picked (maybe the producers just wanted the star power). You might expect that Maggie Smith would steal the show, as she can do with almost anything, but she turns out to have the restraint necessary to make this a true ensemble piece. And it's actually Chrissie (Laura Linney's part) who turns out to be the crucial role in the story. Enjoy.

I wasn't sure what to expect from The Miracle Club, I just knew with a cast that included Maggie Smith, Kathy Bates and Laura Linley that I had to watch it. I was not disappointed in the slightest.

It is a lovely story about a friendship, past mistakes, love and forgiveness.

The casting is brilliant and as usual Smith, Bates and Linley give magnificent performances.

It tells the story of woman who returns to her home village after 40 years away, to attend the funeral of her mother whom she has not seen in all those years. She is met with hostility from her old friend and the mother of her long lost love.

It culminates with them taking a trip to Lourdes all in search of their own miracle.

I really feel honoured to have watched this film and really did not want it to end.

Unusually positive movie of happy endings without becoming syrupy or preachy. Starts a bit slow and contrived, but becomes engaging after the bus to Lourdes departs and a web of hidden relationships and past sins are gradually are explained. Unusual film in that it displays almost an overdose of vivid Catholic imagery. Includes a priest who's a likeable, normal guy. Its portrayal of 1960's Ireland was a fascinating historical throwback. Irish accents were pretty thick. I wish I could have watched with subtitles on because I could not understand some key moments of dialogue. Based on others reactions in the theater, I don't think I was alone in this.

Director Thaddeus O'Sullivan has fashioned a small-scale Irish film that feels as familiar as an old shoe. This 2023 dramedy marks Maggie Smith's last film, and while the role doesn't take much advantage of her sharp-witted feisty persona, her poignant work here serves as a fitting reminder of her enduring legacy. Working alongside Kathy Bates and Laura Linney, she plays Lily, a small town wife and mother living outside of Dublin and still mourning the death of her son forty years earlier. Bates plays her best friend Eileen, herself a wife and mother of six, who fears she may have breast cancer, while Linney plays Chrissie, the estranged Boston-based daughter of another close friend who just passed away. Lily and Eileen, along with their much younger friend Dolly and her inexplicably mute son, convince the local priest to fund a pilgrimage to Lourdes, France, as they seek miracles for their medical ailments and long-held crises in conscience. Because the movie was in turnaround for over twenty years, the actors are far too old for their chronological roles, but it's the kind of pixilated movie where age doesn't matter. That's due to the expectedly fine work from Smith, Bates, and Linney, as well as Agnes O'Casey charming as Dolly, the only one of the four leads with a real Irish brogue. Stephen Rea shows up in two brief scenes as Eileen's curmudgeonly husband.

Given some of the subject matter, "nice" is possibly an odd word but the movie ultimately has an uplifting ending. Plot wise you kind of see it all coming but Maggie Smith, Laura Linney and Kathy Bates and one of the lead actresses from series Say Nothing make it an enjoyable watch.

It is a little odd that Linney doesn't try to even effect a hint of an Irish accent but they're all good actresses. The rest of the cast is slightly less known In scale, the story is pretty small/simple but it works and tells a story about miracles in that occur in ways and places people don't expect.

Forgiveness is a huge part of the story here as well. All the actresses play their parts well and it's comforting to watch them do it.

In the end it's a warm tale. It won't change your life in any significant way but it makes for a "comforting" watch From a technical perspective the visuals, cinematography and direction are ok but not amazing.