Confess, Fletch

Freelance reporter Irwin "Fletch" Fletcher (Jon Hamm) is in Boston investigating stolen artwork for his friend Angela (Lorena Izzo) the daughter of an Italian count who's been kidnapped with the kidnappers demanding the artworks as ransom. Upon his arrival in Boston, Fletch discovers his townhouse rented on his behalf has been the site of a murder which detectives Monroe (Roy Wood Jr.) and Griz (Ayden Mayeri) are all too eager to believe Fletch is the perp despite him calling the police in the first place. Unphased by the possibility of taking the fall for a frame-up, Fletch travels around Boston interacting with various quirky characters and using his unconventional investigative skills to find the artwork and the true killer.

Confess, Fletch is an adaptation of the second in the Fletch series of books written by author Gregory Mcdonald that had previously been adapted with Chevy Chase with an adaptation of the first book in 1985's Fletch, and a wholly original story with Chase reprising his role in Fletch Lives in 1989. In the time since the release of Fletch Lives, there've been attempts at reinvigorating the comic mystery series with various creative teams and stars including Jason Lee, Zach Braff, and Jason Sudeikis, until eventually Mad Men star Jon Hamm landed the role with Superbad and Paul director Greg Mottola writing and directing with the two having previously collaborated on Keeping Up with the Joneses. The end resulted is a nicely entertaining piece of comic mystery fare that maintains the core appeal of the earlier incarnations while still putting its own spin on it.

Jon Hamm is really solid playing the titular Fletch and his laid back slightly sardonic attitude is captured by the pitch perfect timing of Hamm's performance and Greg Mottola's direction who keeps the gags and exchanges quick and rapid fire with the various quirky characters we meet established and utilized without letting them run rampant with line-o-rama or unstructured improvision. Actors such as Marcia Gay Harden, Kyle MacLachlan, and fellow Mad Men alum John Slattery show up to put their own stamp on these character and the exchanges are quite amusing particularly a running gag with Harden's countess where she keeps giving mixed signals as to her intentions when she invites herself to Fletch's borrowed townhouse.

Confess, Fletch is a welcome bit of light hearted escapism and the only downside is the fact that Paramount seems to not have any faith in this film dumping it as a day and date release before premiering it on Showtime later this October. In prior years this is the kind of smaller film that would've come out in late August or early September and been a modest adult skewing theatrical performer, but in this climate where theatrical audiences are more skewed towards "event" and "tentpole" releases meaning smaller films like this are relegated to streaming. Hopefully enough people discover the movie because it's a solid addition to the series. I'm not sure I like it as much as Fletch, but I definitely like it more than Fletch Lives.

Back when dinosaurs roamed (before the internet), every drug store and pharmacy on the planet offered patrons rows and rows of things called "pocketbooks" which people used to "read" (before streaming media and DVDs). In that specific setting, several bestselling authors stood out because of the multiple books featuring their name. One of those standout authors was Gregory MacDonald (no longer with us) and his fictional character was named Fletch. People loved Fletch not only because he was a cool (often unwilling) detective, but because the style of writing was incredibly concise and different. Short sentences. Things happened quickly. Dialog was briief. Narrative deboned with the fat removed. You get the picture. When the first series of Fletch films was made in 1985, Hollywood cast SNL icon Chevy Chase. He was good in the role. Hell, he was awesome. So here we are in the 2020s when, it seems, everything is being remade except your Aunt Bessie's peach cobbler. (And they are working on that.) Older viewers will inevitably compare Hamm to Chase, and possibly find fault. Younger viewers will be OK with this less edgy, more laid back version of Fletch. But then again they really have nothing to compare him to. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

I really didn't think Jon Hamm could pull off the role, but does a more than serviceable job here. He captures the spirit of Fletch, although the story doesn't seem to rely on the use the various silly disguises, fast talking, and funny aliases that the original used. Nevertheless, there's enough there to make you believe he's the same Fletch. I sort of liked the fact that Hamm didn't try too hard to make the character his own.

The screenplay could have been a bit more interesting, but still made for a good light-hearted entertainment that'll put a smile on your face as you watch it. I hope this becomes a modest success at the very least to justify another installment.

I'm a huge fan of Fletch and also of Jon Hamm but this movie doesn't really work. The writers have made a grave error by making most of the supporting cast quirky weirdoes with funny dialogue but this is the wrong way round - the reason the first two movies worked is that FLETCH is that guy and most everyone else is the straight man.

Here, Fletch is just kind of sleepy as he goes from scene to scene (don't look for a plot, there isn't one) being upstaged by other characters - again, literally the opposite of what makes these movies work. Hamm does have comic timing but is just too damn handsome to believe. Re-casting the role is basically impossible but while I get that Hamm would probably have looked silly in the scruffy gear that Chase wore, he's nonetheless just too stylish.

I was interested to read that the third Fletch movie was at one time going to star Jason Lee and be directed by Kevin Smith - I'd imagine that would have been a far better - and funnier - take on the character.

I was dead set against seeing this - not because I hold the original in such high regard. I'm indifferent to it. It was fine at the time but re-watching it a couple of years ago, it just didn't hold up for me. And with all of the great movies to re-watch over and over again (Goodfellas, Heat, anything Tarantino), why would I bother watching this? Well, to begin with: Greg Mottola. And then the cast. And I have to say, this movie didn't disappoint - as cynical as I was. It kept the spirit of Fletch, and the book, but exceeded what I thought I'd get. It's not at all a throwaway comedy - I will probably rewatch this again sooner rather than later. I could yammer on even more but what's the point - it was a good movie and worth watching. So just watch it.